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"Let's Not" is a science fiction short story by American writer Isaac Asimov. It was first published in Boston University Graduate Journal in December 1954. It was written for no payment as a favor to the journal, and later appeared in the 1975 collection Buy Jupiter and Other Stories.
Two scientists, who have taken refuge below the surface of Mars together with a hundred others, discuss what Earth used to be like before it was destroyed by nuclear war. They hope to re-establish their teaching and in time repopulate the dead radioactive surface of Earth.
The Hollow Earth is a concept proposing that the planet Earth is entirely hollow or contains a substantial interior space. Notably suggested by Edmond Halley in the late 17th century, the notion was disproven, first tentatively by Pierre Bouguer in 1740, then definitively by Charles Hutton in his Schiehallion experiment around 1774.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Terraforming or terraformation ("Earth-shaping") is the hypothetical process of deliberately modifying the atmosphere, temperature, surface topography or ecology of a planet, moon, or other body to be similar to the environment of Earth to make it habitable for humans to live on.
The Fountains of Paradise is a 1979 science fiction novel by British writer Arthur C. Clarke. Set in the 22nd century, it describes the construction of a space elevator. This "orbital tower" is a giant structure rising from the ground and linking with a satellite in geostationary orbit at the height of approximately 36,000 kilometres. Such a structure would be used to raise payloads to orbit without the expense of using rockets. The novel won both the Hugo and Nebula Awards for Best Novel.
"The Green Hills of Earth" is a science fiction short story by American writer Robert A. Heinlein. One of his Future History stories, the short story originally appeared in The Saturday Evening Post, and it was collected in The Green Hills of Earth. Heinlein selected the story for inclusion in the 1949 anthology My Best Science Fiction Story. "The Green Hills of Earth" is also the title of a song mentioned in several of Heinlein's novels.
A fictional country is a country that is made up for fictional stories, and does not exist in real life, or one that people believe in without proof. Sailors have always mistaken low clouds for land masses, and in later times this was given the name Dutch capes. Other fictional lands appear most commonly as settings or subjects of myth, literature, film, or video games. They may also be used for technical reasons in actual reality for use in the development of specifications, such as the fictional country of Bookland, which is used to allow European Article Number "country" codes 978 and 979 to be used for ISBNs assigned to books, and code 977 to be assigned for use for ISSN numbers on magazines and other periodicals. Also, the ISO 3166 country code "ZZ" is reserved as a fictional country code.
Richard Sharpe Shaver was an American writer and artist who achieved notoriety in the years following World War II as the author of controversial stories that were printed in science fiction magazines. In Shaver's story, he claimed that he had had personal experience of a sinister ancient civilization that harbored fantastic technology in caverns under the earth. The controversy stemmed from the claim by Shaver, and his editor and publisher Ray Palmer, that Shaver's writings, while presented in the guise of fiction, were fundamentally true. Shaver's stories were promoted by Ray Palmer as "The Shaver Mystery".
"The Machine Stops" is a science fiction short story by E. M. Forster. After initial publication in The Oxford and Cambridge Review, the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories. In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.
During the late 19th and early 20th centuries, it was erroneously believed that there were "canals" on the planet Mars. These were a network of long straight lines in the equatorial regions from 60° north to 60° south latitude on Mars, observed by astronomers using early telescopes without photography.
"All Summer in a Day" is a science fiction short story by American writer Ray Bradbury, first published in March 1954 for The Magazine of Fantasy & Science Fiction.
Other Worlds, Universe Science Fiction, and Science Stories were three related US magazines edited by Raymond A. Palmer. Other Worlds was launched in November 1949 by Palmer's Clark Publications and lasted for four years in its first run, with well-received stories such as "Enchanted Village" by A. E. van Vogt and "Way in the Middle of the Air", one of Ray Bradbury's "Martian Chronicle" stories. Since Palmer was both publisher and editor, he was free to follow his own editorial policy, and presented a wide array of science fiction.
The planet Venus has been used as a setting in fiction since before the 19th century. Its opaque cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction.
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization.
The Collected Stories of Arthur C. Clarke, first published in 2001, is a collection of almost all science fiction short stories written by Arthur C. Clarke. It includes 114 stories, arranged in order of publication, from "Travel by Wire!" in 1937 through to "Improving the Neighbourhood" in 1999. The story "Improving The Neighbourhood" has the distinction of being the first fiction published in the journal Nature. The titles "Venture to the Moon" and "The Other Side of the Sky" are not stories, but the titles of groups of six interconnected stories, each story with its own title. This collection is only missing a very few stories, for example "When the Twerms Came", which appears in his other collections More Than One Universe and The View from Serendip. This edition contains a foreword by Clarke written in 2000, where he speculates on the science fiction genre in relation to the concept of short stories. Furthermore, many of the stories have a short introduction about their publication history or literary nature.
Subterranean fiction is a subgenre of adventure fiction, science fiction, or fantasy which focuses on fictional underground settings, sometimes at the center of the Earth or otherwise deep below the surface. The genre is based on, and has in turn influenced, the Hollow Earth theory. The earliest works in the genre were Enlightenment-era philosophical or allegorical works, in which the underground setting was often largely incidental. In the late 19th century, however, more pseudoscientific or proto-science-fictional motifs gained prevalence. Common themes have included a depiction of the underground world as more primitive than the surface, either culturally, technologically or biologically, or in some combination thereof. The former cases usually see the setting used as a venue for sword-and-sorcery fiction, while the latter often features cryptids or creatures extinct on the surface, such as dinosaurs or archaic humans. A less frequent theme has the underground world much more technologically advanced than the surface one, typically either as the refugium of a lost civilization, or as a secret base for space aliens.
"Not Final!" is a science fiction short story by American writer Isaac Asimov, originally published in the October 1941 issue of Astounding Science Fiction, and included in the 1972 collection The Early Asimov. Its sequel, "Victory Unintentional", is a robot story. These are two of the few stories by Asimov to postulate non-human intelligences in the Solar system.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Planets outside of the Solar System have been featured as settings in works of fiction. Most of these fictional planets do not vary significantly from the Earth. Exceptions include planets with sentience, planets without stars, and planets in multiple-star systems where the orbital mechanics can lead to exotic day–night or seasonal cycles.
"Planet for Transients" is a 1953 science fiction short story by American writer Philip K. Dick. The story was originally published in the October–November 1953 issue of Fantastic Universe. The story also appears in We Can Remember It for You Wholesale . The author's original title for the story was "The Itinerants".
"Surface Tension" is a science fiction short story by American writer James Blish, originally published in the August 1952 of Galaxy Science Fiction. As collected in Blish's The Seedling Stars, it was revised to incorporate material from his earlier story "Sunken Universe", published in Super Science Stories in 1942.