| Let Me Tell Ya 'bout White Chicks | |
|---|---|
 | |
| Directed by | Donald Dash Gregory Dark |
| Written by | Donald Dash Gregory Dark |
| Produced by | Gregory Dark, Walter Dark |
| Edited by | Cynthia Wisper |
| Music by | Johnny Powers |
| Distributed by | VCA Pictures |
Release date |
|
Running time | 67 minutes |
Let Me Tell Ya 'bout White Chicks is an interracial pornographic film from 1984 and the first pornographic film directed and produced by the Dark Brothers, Gregory Dark and Walter Dark.
Early 1980s American pornographic film producers began to acknowledge that their films had not been appealing for a black male audience and Let Me Tell Ya 'bout White Chicks was particularly the Dark Brothers effort in such nascent niche. [1] The film was followed by the controversial Let Me Tell Ya 'bout Black Chicks in 1985. [1] [2]
A group of African-American men, mostly petty criminals, gathered in a room are talking about their experiences with white women. It is soon revealed that one of them (Tony El-Ay) never had sex with a white woman. Furthermore, he rejects the very idea and his friends try to convince him by praising white women. Before he is finally won over, he confesses his fear of white women. [3]
|
|
Behind the Green Door is a 1972 American pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in the Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the feature-length directorial debut of the Mitchell brothers.
The Devil in Miss Jones is a 1973 pornographic film, written, directed and produced by Gerard Damiano, inspired by the 1944 play No Exit by French philosopher Jean-Paul Sartre. Starring Georgina Spelvin and Harry Reems, it is widely regarded as a classic adult film, released during the Golden Age of Porn (1969–1984). After his 1972 success with Deep Throat, Damiano shot the film in a converted apple-packing plant in Milanville, Pennsylvania.
A cum shot is the depiction of human ejaculation, especially onto another person. The term is usually applied to depictions occurring in pornographic films, photographs, and magazines. Unlike ejaculation in non-pornographic sex, cum shots typically involve ejaculation outside the receiver's body, allowing the viewer to see the ejaculation in progress. Facial cum shots are regularly portrayed in pornographic films and videos, often as a way to close a scene. Cum shots may also depict ejaculation onto another performer's body, such as on the genitals, buttocks, chest or tongue.
A facial is a sexual activity in which a man ejaculates semen onto the face of one or more sexual partners. A facial is a form of non-penetrative sex, though it is generally performed after some other means of sexual stimulation, such as vaginal sex, anal sex, oral sex, manual sex or masturbation. Facials are regularly portrayed in pornographic films and videos, often as a way to close a scene.
Ethnic pornography is a genre of pornography featuring performers of specific ethnic groups, or depictions of interracial sexual activity.
Bound And Gagged: Pornography and the Politics of Fantasy in America is a 1996 book by Laura Kipnis. It attempts to approach pornography in a new way, focusing not on whether pornography is a serious social ill, but rather on its nature and what its function and meaning might be in the lives of its audience as well as the lives of those who seek to ban or suppress it.
Linda Wong was an American pornographic actress, and one of the first Asian Americans to become a star in the American adult film industry. In 1999, she was inducted into the XRCO Hall of Fame. She was Japanese by ethnicity.
John Anthony Bailey, also known as Jack Baker, was an American actor.
The feminist sex wars, also known as the lesbian sex wars, sex wars or porn wars, are collective debates amongst feminists regarding a number of issues broadly relating to sexuality and sexual activity. Differences of opinion on matters of sexuality deeply polarized the feminist movement, particularly leading feminist thinkers, in the late 1970s and early 1980s and continue to influence debate amongst feminists to this day.
The term "Golden Age of Porn", or "porno chic", refers to a 15-year period (1969–1984) in commercial American pornography, in which sexually explicit films experienced positive attention from mainstream cinemas, movie critics, and the general public. This American period, which subsequently spread internationally, and that began before the legalization of pornography in Denmark on July 1, 1969, started on June 12, 1969, with the theatrical release of the film Blue Movie directed by Andy Warhol, and, somewhat later, with the release of the 1970 film Mona produced by Bill Osco. These films were the first adult erotic films depicting explicit sex to receive wide theatrical release in the United States. Both influenced the making of films such as 1972's Deep Throat starring Linda Lovelace and directed by Gerard Damiano, Behind the Green Door starring Marilyn Chambers and directed by the Mitchell brothers, 1973's The Devil in Miss Jones also by Damiano, and 1976's The Opening of Misty Beethoven by Radley Metzger, the "crown jewel" of the Golden Age, according to award-winning author Toni Bentley. According to Andy Warhol, his Blue Movie film was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released in 1972, three years after Blue Movie was shown in theaters.
The Surprise of a Knight is a gay pornographic hardcore film from the United States. Most likely released in 1929, it is notable for being the earliest known American pornographic film to depict exclusively homosexual intercourse.
Let Me Tell Ya 'bout Black Chicks is an interracial pornographic film from 1985 directed by Gregory Dark and produced by the Dark Brothers. It is a follow-up to the 1984 film Let Me Tell Ya 'bout White Chicks.
Linda Williams is an American professor of film studies in the departments of Film Studies and Rhetoric at University of California, Berkeley.
Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.
Brandon Lee is a Filipino-American gay pornographic film actor. He is regarded as the first gay Asian porn star and arguably the most popular Asian pornographic actor in contemporary gay male culture.
Chained Girls is a 1965 American film directed by Joseph P. Mawra. It is an example of the exploitation film.
The Private Afternoons of Pamela Mann is a 1974 American hardcore adult film starring Barbara Bourbon and directed by Radley Metzger that is considered one of the classics of the Golden Age of Porn (1969–1984). It was a step forward in the development of the genre, as it had a plot and good acting. The movie can be seen as a meditation on voyeurism, due to the trope of Mann being spied on by a private detective hired by her husband, and the production of pornography itself, as the detective films her sexual encounters.
Resurrection of Eve is a 1973 American feature-length pornographic film produced by the Mitchell brothers and starring Marilyn Chambers, who had become a star in the Mitchell Brothers' previous picture, Behind the Green Door. Resurrection of Eve was directed and written by Jon Fontana and Artie Mitchell. Though less successful commercially and critically than Behind the Green Door, it is considered one of the films of The Golden Age of Porn. Like Behind the Green Door, it featured interracial sex, including a reprise of Chambers' coupling with her Green Door co-star Johnnie Keyes, but broke new ground in a film targeting a heterosexual audience by included shots of gay fellatio.
Concepts of race and sexuality have interacted in various ways in different historical contexts. While partially based on physical similarities within groups, race is understood by scientists to be a social construct rather than a biological reality. Human sexuality involves biological, erotic, physical, emotional, social, or spiritual feelings and behaviors.
Mireille Miller-Young is an associate professor of feminist studies at the University of California, Santa Barbara. Her research explores race, gender, and sexuality in visual culture and sex industries in the United States. Miller-Young holds a PhD in American History from New York University. She describes herself as an "academic pornographer", a term originally adopted by Sander Gilman.