| Let Me Tell Ya 'bout White Chicks | |
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| Directed by | Donald Dash Gregory Dark |
| Written by | Donald Dash Gregory Dark |
| Produced by | Gregory Dark, Walter Dark |
| Edited by | Cynthia Wisper |
| Music by | Johnny Powers |
| Distributed by | VCA Pictures |
Release date |
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Running time | 67 minutes |
Let Me Tell Ya 'bout White Chicks is an interracial pornographic film from 1984 and the first pornographic film directed and produced by the Dark Brothers, Gregory Dark and Walter Dark.
Early 1980s American pornographic film producers began to acknowledge that their films had not been appealing for a black male audience and Let Me Tell Ya 'bout White Chicks was particularly the Dark Brothers effort in such nascent niche. [1] The film was followed by the controversial Let Me Tell Ya 'bout Black Chicks in 1985. [1] [2]
A group of African-American men, mostly petty criminals, gathered in a room are talking about their experiences with white women. It is soon revealed that one of them (Tony El-Ay) never had sex with a white woman. Furthermore, he rejects the very idea and his friends try to convince him by praising white women. Before he is finally won over, he confesses his fear of white women. [3]
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Autofellatio is a form of masturbation involving the oral stimulation of one's own penis. Only a limited number of males are physically capable of performing fellatio on themselves due to the flexibility required.
Behind the Green Door is a 1972 American feature-length pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in The Golden Age of Porn (1969–1984). Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the first feature-length film directed by the Mitchell brothers. It was adapted from an anonymous short story of the same title, which was circulated by means of numerous carbon copies. The story's title makes reference to the 1956 hit song "Green Door", whose lyrics describe being denied entry to a raucous nightclub with a green door. Though she plays the film's central character, Chambers does not have a single word of dialogue in the entire film. The film is possibly the first U.S. feature-length heterosexual hardcore film to include an interracial sex scene.
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