Libri lintei

Last updated

The libri lintei, also known as the linen rolls, were a collection of books in ancient Rome written on linen, a technique attributed to the Etruscans.

The Roman Linen Rolls have not survived to recent times. They are known primarily from references to them in the writings of Roman authors, who refer to the Linen Rolls as sources for their writings about history or mythology. But the Etruscan Liber Linteus did survive, because it had been used as a mummy wrapping.

The Linen Rolls were records which, according to one recent theory, originated from notes jotted by officials on their linen clothing, allegedly contained antique lists of annual state officials, and perhaps included records about other matters also. The mysterious Linen Books, stated to have been preserved in the temple of Juno Moneta, need not be dismissed as sheer forgeries fabricated by Gaius Licinius Macer. Yet it is not very likely that they went back to the fourth century BC, as he believed they did; they may not have been more than a hundred years old.

The Linen Books were also used, with less confidence, by another historian, Quintus Aelius Tubero, who likewise wrote about myths.

Related Research Articles

<span class="mw-page-title-main">Etruscan language</span> Extinct language of ancient Italy

Etruscan was the language of the Etruscan civilization in the ancient region of Etruria, in Etruria Padana and Etruria Campana in what is now Italy. Etruscan influenced Latin but was eventually completely superseded by it. The Etruscans left around 13,000 inscriptions that have been found so far, only a small minority of which are of significant length; some bilingual inscriptions with texts also in Latin, Greek, or Phoenician; and a few dozen purported loanwords. Attested from 700 BC to AD 50, the relation of Etruscan to other languages has been a source of long-running speculation and study, with it mostly being referred to as one of the Tyrsenian languages, at times as an isolate and a number of other less well-known theories.

<span class="mw-page-title-main">Hercules</span> Roman adaptation of the Greek divine hero Heracles

Hercules is the Roman equivalent of the Greek divine hero Heracles, son of Jupiter and the mortal Alcmena. In classical mythology, Hercules is famous for his strength and for his numerous far-ranging adventures.

<span class="mw-page-title-main">Etruscan civilization</span> Pre-Roman civilization of ancient Italy

The Etruscan civilization was developed by the Etruscans, a people, who inhabited Etruria in ancient Italy, with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania.

<span class="mw-page-title-main">Etruscan religion</span> Stories, beliefs, and religious practices of the Etruscans

Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.

<span class="mw-page-title-main">Tages</span> Etruscan prophet

Tages was claimed as a founding prophet of Etruscan religion who is known from reports by Latin authors of the late Roman Republic and Roman Empire. He revealed a cosmic view of divinity and correct methods of ascertaining divine will concerning events of public interest. Such divination was undertaken in Roman society by priestly officials called haruspices.

The praenomen was a personal name chosen by the parents of a Roman child. It was first bestowed on the dies lustricus, the eighth day after the birth of a girl, or the ninth day after the birth of a boy. The praenomen would then be formally conferred a second time when girls married, or when boys assumed the toga virilis upon reaching manhood. Although it was the oldest of the tria nomina commonly used in Roman naming conventions, by the late republic, most praenomina were so common that most people were called by their praenomina only by family or close friends. For this reason, although they continued to be used, praenomina gradually disappeared from public records during imperial times. Although both men and women received praenomina, women's praenomina were frequently ignored, and they were gradually abandoned by many Roman families, though they continued to be used in some families and in the countryside.

<i>Liber Linteus</i> Manuscript in Etruscan language

The Liber Linteus Zagrabiensis is the longest Etruscan text and the only extant linen book, dated to the 3rd century BCE, making it arguably the oldest extant European book. Much of it is untranslated because of the lack of knowledge about the Etruscan language, though the words and phrases which can be understood indicate that the text is most likely a ritual calendar. Miles Beckwith points out with regard to this text that "in the last thirty or forty years, our understanding of Etruscan has increased substantially," and L. Bouke van der Meer has published a word-by-word analysis of the entire text.

The historicity of Jesus is the question of whether or not Jesus of Nazareth historically existed. The mainstream scholarly consensus is that a Jewish man called Jesus of Nazareth did exist in Palestine in the 1st century CE. The contrary perspective, that Jesus was mythical, is regarded as a fringe theory.

<span class="mw-page-title-main">Berossus</span>

Berossus or Berosus was a Hellenistic-era Babylonian writer, a priest of Bel Marduk and astronomer who wrote in the Koine Greek language, and who was active at the beginning of the 3rd century BC. Versions of two excerpts of his writings survive, at several removes from the original.

<span class="mw-page-title-main">Roman temple</span> Temples of the Roman Republic and Empire

Ancient Roman temples were among the most important buildings in Roman culture, and some of the richest buildings in Roman architecture, though only a few survive in any sort of complete state. Today they remain "the most obvious symbol of Roman architecture". Their construction and maintenance was a major part of ancient Roman religion, and all towns of any importance had at least one main temple, as well as smaller shrines. The main room (cella) housed the cult image of the deity to whom the temple was dedicated, and often a table for supplementary offerings or libations and a small altar for incense. Behind the cella was a room or rooms used by temple attendants for storage of equipment and offerings. The ordinary worshiper rarely entered the cella, and most public ceremonies were performed outside where the sacrificial altar was located, on the portico, with a crowd gathered in the temple precinct.

<span class="mw-page-title-main">Tarquinia</span> Town in Lazio, Italy

Tarquinia, formerly Corneto, is an old city in the province of Viterbo, Lazio, Central Italy, known chiefly for its ancient Etruscan tombs in the widespread necropoleis, or cemeteries, for which it was awarded UNESCO World Heritage status.

<span class="mw-page-title-main">Temple of Jupiter Optimus Maximus</span> Temple on the Capitoline Hill of Ancient Rome

The Temple of Jupiter Optimus Maximus, also known as the Temple of Jupiter Capitolinus was the most important temple in Ancient Rome, located on the Capitoline Hill. It was surrounded by the Area Capitolina, a precinct where numerous shrines, altars, statues and victory trophies were displayed.

The technology history of the Roman military covers the development of and application of technologies for use in the armies and navies of Rome from the Roman Republic to the fall of the Western Roman Empire. The rise of Hellenism and the Roman Republic are generally seen as signalling the end of the Iron Age in the Mediterranean. Roman iron-working was enhanced by a process known as carburization. The Romans used the better properties in their armaments, and the 1,300 years of Roman military technology saw radical changes. The Roman armies of the early empire were much better equipped than early republican armies. Metals used for arms and armor primarily included iron, bronze, and brass. For construction, the army used wood, earth, and stone. The later use of concrete in architecture was widely mirrored in Roman military technology, especially in the application of a military workforce to civilian construction projects.

<span class="mw-page-title-main">Etruscan society</span> Society during the Etruscan civilization

Etruscan society is mainly known through the memorial and achievemental inscriptions on monuments of Etruscan civilization, especially tombs. This information emphasizes family data. Some contractual information is also available from various sources. The Roman and Greek historians had more to say of Etruscan government.

<span class="mw-page-title-main">Tacitus</span> Roman historian and senator (c. 56 – c. 120)

Publius Cornelius Tacitus, known simply as Tacitus, was a Roman historian and politician. Tacitus is widely regarded as one of the greatest Roman historians by modern scholars.

The Roman–Etruscan Wars, also known as the Etruscan Wars or the Etruscan–Roman Wars, were a series of wars fought between ancient Rome and the Etruscans. Information about many of the wars is limited, particularly those in the early parts of Rome's history, and in large part is known from ancient texts alone. The conquest of Etruria was completed in 265–264 BC.

<span class="mw-page-title-main">Roman mythology</span> Traditional stories pertaining to ancient Romes legendary origins and religious system

Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, Roman mythology may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology.

<span class="mw-page-title-main">Celtic mythology</span> Mythology of Celtic peoples

Celtic mythology is the body of myths belonging to the Celtic peoples. Like other Iron Age Europeans, Celtic peoples followed a polytheistic religion, having many gods and goddesses. The mythologies of continental Celtic peoples, such as the Gauls and Celtiberians, did not survive their conquest by the Roman Empire, the loss of their Celtic languages and their subsequent conversion to Christianity. Only remnants are found in Greco-Roman sources and archaeology. Most surviving Celtic mythology belongs to the Insular Celtic peoples. They preserved some of their myths in oral lore, which were eventually written down by Christian scribes in the Middle Ages. Irish mythology has the largest written body of myths, followed by Welsh mythology.

<span class="mw-page-title-main">Etruscan architecture</span> Architecture of the Etruscan civilization

Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed.

<span class="mw-page-title-main">Etruscan sculpture</span> Etruscan ceramics and sculpture

Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. Given the almost total lack of Etruscan written documents, a problem compounded by the paucity of information on their language—still largely undeciphered—it is in their art that the keys to the reconstruction of their history are to be found, although Greek and Roman chronicles are also of great help. Like its culture in general, Etruscan sculpture has many obscure aspects for scholars, being the subject of controversy and forcing them to propose their interpretations always tentatively, but the consensus is that it was part of the most important and original legacy of Italian art and even contributed significantly to the initial formation of the artistic traditions of ancient Rome. The view of Etruscan sculpture as a homogeneous whole is erroneous, there being important variations, both regional and temporal.

References