 | This article includes a list of general references, but it lacks sufficient corresponding inline citations .(December 2021) |
This is a list of works by the 15th century Flemish composer Alexander Agricola.
| This article includes a list of general references, but it lacks sufficient corresponding inline citations .(December 2021) |
This is a list of works by the 15th century Flemish composer Alexander Agricola.
All are for 4 voices unless stated otherwise.
All are for 4 voices unless stated otherwise.
All are for 3 voices unless stated otherwise.
Johannes Ockeghem was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School.
Jehan le Taintenier or Jean Teinturier was a Renaissance music theorist and composer from the Low Countries. Up to his time, he is perhaps the most significant European writer on music since Guido of Arezzo.
Antoine Busnois was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and central figures of the early Franco-Flemish School.
Pierre de la Rue was a Franco-Flemish composer and singer of the Renaissance. His name also appears as Piersson or variants of Pierchon and his toponymic, when present, as various forms of de Platea, de Robore, or de Vico. A member of the same generation as Josquin des Prez, and a long associate of the Habsburg-Burgundian musical chapel, he ranks with Agricola, Brumel, Compère, Isaac, Obrecht, and Weerbeke as one of the most famous and influential composers in the Netherlands polyphonic style in the decades around 1500.
Loyset Compère was a Franco-Flemish composer of the Renaissance. Of the same generation as Josquin des Prez, he was one of the most significant composers of motets and chansons of that era, and one of the first musicians to bring the light Italianate Renaissance style to France.
Jean Mouton was a French composer of the Renaissance. He was famous both for his motets, which are among the most refined of the time, and for being the teacher of Adrian Willaert, one of the founders of the Venetian School.
Clément Janequin was a French composer of the Renaissance. He was one of the most famous composers of popular chansons of the entire Renaissance, and along with Claudin de Sermisy, was hugely influential in the development of the Parisian chanson, especially the programmatic type. The wide spread of his fame was made possible by the concurrent development of music printing.
Gilles Marchal, born Gilles Pastre, was a French songwriter and singer who reached the height of his career during the 1970s.
Philippe Basiron was a French composer, singer, and organist of the Renaissance. He was an innovative and prominent composer of the late 15th century, and was praised by many of his contemporaries.
Sagesse is a volume of French poetry by Paul Verlaine. First published in 1881, it was important in the symbolist and modernist movements. The subject matter of these poems deals with themes relating to maturing.
"De tous biens plaine" is a French chanson, usually credited to Hayne van Ghizeghem, who wrote a 3-part version, published by Ottaviano Petrucci in 1501. Amongst other reworkings are a four-part version by Josquin and two 3-part versions by Alexander Agricola.
De l'amour le mieux is the third studio album by Natasha St-Pier, released in 2002. It achieved great success in France, Belgium (Wallonia) and Switzerland, staying for a very long time in the charts.
Gaidifer (Gadifer) d'Avion was an Artesian trouvère from Avion. He entered the Church and was associated with the poets of the so-called "School of Arras".
Jehan Bretel was a trouvère. Of his known oeuvre of probably 97 songs, 96 have survived. Judging by his contacts with other trouvères he was famous and popular. Seven works by other trouvères are dedicated to Bretel and he was for a time the "Prince" of the Puy d'Arras.
Guillaume le Vinier was a cleric and trouvère, one of the most prolific composers in the genre. He has left compositions in all the major subgenres of trouvère poetry: chansons d'amour, jeux-partis, a lai, a descort, a chanson de mal mariée and a ballade. He wrote Marian songs and even an imaginary dialogue with a nightingale. His work can be dated with some precision: the poem "En tous tens" is quoted in the Roman de la violette, which was written around 1225.
The Bayeux Manuscript is an illustrated manuscript comprising three hundred songs, collected by Charles III, Duke of Bourbon at the beginning of the 16th century and composed in the late 15th century, that is a few decades after the end of the Hundred Years' War. It is stored at the Bibliothèque nationale de France with designation Fr. 9346.