This list contains all ordinary members of Teylers Eerste Genootschap (Teylers First Society). The total number of members varies over time. Appointments were for life, although the members can resign. At 1955 it became customary to resign at age 70, but to remain extraordinary members. Extraordinary members are not indicated. The years indicate their membership.
The members appointed by testament of Pieter Teyler van der Hulst:
Teylers Museum is an art, natural history, and science museum in Haarlem, Netherlands. Established in 1778, Teylers Museum was founded as a centre for contemporary art and science. The historic centre of the museum is the neoclassical Oval Room (1784), which was built behind the house of Pieter Teyler van der Hulst (1702–1778), the so-called Fundatiehuis. Pieter Teyler was a wealthy cloth merchant and banker of Scottish descent, who bequeathed his fortune for the advancement of religion, art, and science. He was a Mennonite and follower of the Scottish Enlightenment.
Cornelis Hofstede de Groot, was a Dutch art collector, art historian and museum curator.
Cornelis van Noorde, was an 18th-century landscape painter and draughtsman from the Northern Netherlands.
Kunst zij ons doel, or KZOD, is the name of an artists club in the Waag, Haarlem.
The Eerste Schilderijenzaal, or Painting Gallery I, is one of two art gallery rooms in Teylers Museum and is the oldest art gallery for contemporary Dutch art in the Netherlands. It was built onto the back of Teylers Oval Room in 1838. It was the young museum's first exhibition space for paintings and could be entered through the Oval Room, which was itself located behind the Fundatiehuis, the former home of Pieter Teyler van der Hulst.
The Tweede Schilderijenzaal, or Painting Gallery II, is one of two art gallery rooms in Teylers Museum. The Tweede Schilderijenzaal was built in 1893 as an extension of the first gallery.
Klaas van der Horst was a Dutch Mennonite teacher and minister.
The Bureau Bijzondere Opdrachten was a Dutch secret service during World War II. The BBO dispatched secret agents to the German-occupied Netherlands, where they supported the local resistance and carried out sabotage activities.
Oud Eik en Duinen is a cemetery in The Hague, the Netherlands, formerly called Eik en Duinen and also nicknamed "the Dutch Père-Lachaise". The cemetery is built around a chapel constructed around 1247 by William II of Holland in honor of his father, Floris IV, Count of Holland. This chapel was partially demolished in 1581, and in the 17th century the area was again used as a cemetery. When Eik en Duinen was full, a new cemetery, Nieuw Eykenduynen, was constructed in 1891 across the road, and since then the old cemetery is known as "Old" Eik en Duinen.
Onze Kunst van Heden was an exhibition held in the winter of 1939 through 1940 at the Rijksmuseum in Amsterdam. Due to the threat of invasion in the years leading up to World War II, the Netherlands' government stored many items from the Rijksmuseum's permanent collection. The resulting empty gallery space was utilized by contemporary Dutch artists to exhibit and sell their art. It was organized by the director of the Rijksmuseum Frederik Schmidt Degener. The show was open to all artists, with each artist allowed to enter four pieces. 902 artists exhibited 3,200 works of art in 74 rooms and cabinets of the Rijksmuseum.
„De kunstenaar kan in tijden van maatschappelijke benauwenis weinig positiefs doen om rampen af te wenden, maar wel kan hij door mede te helpen nationale uitingen op het eigenaardigst naar voren te brengen het gemeenschapsbesef versterken. Wanneer de belangstelling van het publiek uitgaat naar deze manifestatie, die in zulk een omvang in Holland nog niet gezien is, dan zal menige kunstenaar zich op zijn beurt gesterkt voelen".
"The artist can do little positive in times of social distress to avert disasters, but he can, by helping to bring out national expressions in the most idiosyncratic way, strengthen the sense of community. When the public is interested in this event, which has not yet been seen to such an extent in Holland, many artists will feel strengthened in turn."
Semarang Residency was an administrative subdivision (Residency) of the Dutch East Indies located on the northern coast of Central Java and named after its capital city Semarang. It existed from 1818 to 1942, although its borders were changed many times during that period.