![]() | This biographical article is written like a résumé .(December 2019) |
Liz Cooper & The Stampede | |
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![]() Liz Cooper & The Stampede (courtesy of Kane Stewart) | |
Background information | |
Origin | Nashville, Tennessee, USA |
Genres | |
Years active | 2014-present |
Labels | Sleepyhead Records |
Members |
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Past members |
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Website | Official website |
Liz Cooper & The Stampede is [1] a three-piece American rock band from Nashville, Tennessee. [2] NPR described their music as "a seamless balance of muted rhythmic sounds and propulsive drive that feels so good". [3]
Liz Cooper grew up in Baltimore, Maryland. She excelled as a high school golfer, earning a scholarship to Towson University. After one semester, she left school to pursue a musical career and relocated to Nashville in 2012 to focus on songwriting and performance. [4] [5]
In Nashville, Cooper formed Liz Cooper & The Stampede with bassist Grant Prettyman and drummer Ky Baker, later replaced by Ryan Usher. [6] The band’s self-released EP Monsters debuted in 2014, followed by Live at the Silent Planet in 2016 and two live Audiotree sessions in 2016 and 2017. [6]
Their first studio album, Window Flowers, was released on August 10, 2018 through Sleepyhead Records in partnership with Thirty Tigers. Critics noted its blend of psychedelic texture and folk-rock arrangements. [7] The band toured widely, including performances at Austin City Limits, Newport Folk Festival, and BottleRock Napa Valley. [6]
After relocating to Brooklyn, New York, Cooper began releasing music under her own name. Her first solo album, Hot Sass, was released on September 3, 2021, via Thirty Tigers. The album was recorded primarily live in Burlington, Vermont, with producer Benny Yurco. [8] [9] Critics noted a stylistic shift toward garage rock and fuzz-driven textures. [10] [11]
In 2022, she released the EP Soft Sass, featuring reinterpretations of tracks from Hot Sass, as well as a cover of "Crazy Feeling" by Lou Reed. [12] [13]
Cooper has toured as a solo artist, supporting acts including Lord Huron and Phosphorescent. [6] Reviews of her live performances emphasize her energetic stage presence and departure from Americana toward indie rock with garage-psych influences. [14]
Cooper’s early work blended folk-rock and psychedelic influences. Hot Sass introduced heavier guitar tones and garage rock elements, with critics describing the production as raw and the songwriting as experimental. Reviewers also noted her versatile vocal style. [8] [15] In a live review, she described the new sound as freeing her from genre constraints. [14]