Fra Angelico was an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence.
Mariotto di Bindo di Biagio Albertinelli was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Guy de Montfort, Count of Nola (1244–1291) was the son of Simon de Montfort, 6th Earl of Leicester and Eleanor of England.
Francesco de Sanctis was a leading Italian literary critic and scholar of Italian language and literature during the 19th century.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of repainting or interpreting older images, or generating new cult images with an archaic flavor", in particular by very often using the gold ground style, which was unusual by this period.
San Lorenzo Maggiore is a church in Naples, Italy. It is located at the precise geographic center of the historic center of the ancient Greek-Roman city, at the intersection of via San Gregorio Armeno and via dei Tribunali. The name "San Lorenzo" may also refer to the new museum now opened on the premises, as well as to the ancient Roman market beneath the church itself, the Macellum of Naples.
Antonio Balestra was an Italian painter of the Rococo period.
The Master of the Osservanza Triptych, also known as the Osservanza Master and as the Master of Osservanza, is the name given to an Italian painter of the Sienese School active about 1430 to 1450.
Giuliano Pisani is a writer, classical philologist, scholar of ancient Greek and Latin literature, and art historian who was born on April 13, 1950 in Verona, Italy. He graduated with a degree in ancient Greek history from Padua University with Professor Franco Sartori. He was a full professor of Greek and Latin literature at Liceo Tito Livio in Padua. Since 2011, he has been a member of the National Italian Committee of the Promoters of Classical Culture at MIUR. He was also the technical coordinator of the first Olympiad in Classical Languages and Civilizations, which was held in Venice.
Cecco di Pietro was an Italian painter of the Pisan School. While his date of birth cannot be confirmed, there is some mention of a Cecco Pierri working with the painter Paolo di Lazzarino in 1350. If this was a reference to di Pietro, then his date of birth can be placed around 1330.
Antonio del Massaro da Viterbo, or Antonio da Viterbo, nicknamed il Pastura was an Italian painter.
Mariotto di Nardo di Cione was a Florentine painter in the Florentine Gothic style. He worked at the Duomo of Florence, the church of Santa Maria Maggiore, and the Orsanmichele. He created both frescoes and panel paintings, and was also active as a manuscript illuminator.
The Carracci were a Bolognese family of artists that played an instrumental role in bringing forth the Baroque style in painting. Brothers Annibale (1560–1609) and Agostino (1557–1602) along with their cousin Ludovico (1555–1619) worked collaboratively. The Carracci family left their legacy in art theory by starting a school for artists in 1582. The school was called the Accademia degli Incamminati, and its main focus was to oppose and challenge Mannerist artistic practices and principles in order to create a renewed art of naturalism and expressive persuasion.
San Giovanni in Monte is a 15th-century Roman Catholic church in Bologna, Italy.
The Della Rovere or Saint Jerome Chapel, otherwise the Chapel of the Nativity is the first side chapel in the south aisle of the Basilica of Santa Maria del Popolo in Rome. It was dedicated to the Virgin and Saint Jerome and decorated with the paintings of Pinturicchio and his pupils. It is one of the best preserved monuments of quattrocento art in Rome.
Alesso di Benozzo, also known as Alesso Gozzoli, was an Italian Renaissance painter. He was born in Pisa in 1473 and began his career as an assistant to his father, the famous Florentine Benozzo Gozzoli. In 1492 he signed the Tabernacle of the Visitation together with his father, who headed the project, and brother, Francesco. Because of their similar styles, the individual contributions of each painter are not easy to distinguish, but the art historian Anna Padoa Rizzo has proposed that the more refined and elegant figures are by Alesso, whom documents suggest was Gozzoli's most esteemed son, and that the coarser passages are by Francesco, apparently of lesser renown. Padoa Rizzo in turn identified Alesso as the anonymous artist previously known by two names: the "Maestro Esiguo," invented by Roberto Longhi in reference to the painter's skinny and exiguous figures, and the "Alunno di Benozzo," literally the "student of Benozzo," a nickname invented by Bernard Berenson. His works were also once wrongly assigned to Amedeo Laini, called Amedeo da Pistoia.
Santi Simone e Giuda is a deconsecrated Catholic church in the center of Rome, Italy. It is important for historical reasons.
Salvatore Satta was an Italian jurist and writer. He is famous for the novel The Day of Judgment (1975), and for several important studies on civil law.
