Love Bomb may refer to:
Alive may refer to:
Lynsey de Paul was an English singer-songwriter and producer. She had chart hits in the UK and Europe in the 1970s, starting with the UK top 10 single "Sugar Me", becoming the first British female artist to achieve a number one with a self-written song. She represented the UK in the 1977 Eurovision Song Contest, scoring another chart-topping hit in Switzerland and had a successful career as a two-time Ivor Novello Award-winning composer, record producer, actress and television celebrity.
Jet Records was a British record label started by Don Arden in 1974, featuring musicians such as Lynsey de Paul, Electric Light Orchestra (ELO), Roy Wood, Gary Moore, Ozzy Osbourne, Alan Price, Adrian Gurvitz, Riot and Magnum.
Julie Driscoll Tippetts is an English singer and actress.
Barry Blue is an English singer, producer, and songwriter. As an artist, he is best known for his hit songs "Dancin' " and "Do You Wanna Dance".
Blossom Toes were a British psychedelic pop band active between 1966 and 1970. Initially known as The Ingoes, they were renamed and signed to the Marmalade record label of manager Giorgio Gomelsky. The original line-up comprised Brian Godding, Jim Cregan, Brian Belshaw, and Kevin Westlake (born Kevin Patrick Westlake, 5 March 1947, Dublin, Co Dublin, Ireland.
Terence William Harvey 'Terry' Cox played drums in the British folk rock bands The Pentangle, Duffy's Nucleus and Humblebums.
Marmalade Records was a short-lived British independent record label. Started in 1966 by Swiss-resident Georgian pop impresario and ex-manager of both the Rolling Stones and the Yardbirds, Giorgio Gomelsky, it released records by artists including Julie Driscoll with Brian Auger and The Trinity, who reached No.5 in the UK in 1968 with "This Wheel's on Fire", Blossom Toes, early recordings by Graham Gouldman, Kevin Godley and Lol Creme, who became 10cc, as well as John McLaughlin's first solo album. Marmalade's first release, in August 1966, was a controversial single called "We Love The Pirate Stations", by five well-known musicians masquerading as The Roaring 60's. They were mainly members of the Ivy League, who later went on to release hits as The Flower Pot Men. "We Love The Pirates" was not a hit despite extensive airplay on Radio 270, Radio Caroline and Radio London – it was a half-hearted Beach Boys pastiche at medium tempo, but still well-loved by pirate radio aficionados.
"Palaces of Montezuma" is a song by the alternative rock band Grinderman. It is the eighth track and third single from the band's second and final studio album, Grinderman 2, and was released on 14 March 2011 on Mute Records. Produced by Nick Launay and written collectively by vocalist Nick Cave, multi-instrumentalist Warren Ellis, bassist Martyn P. Casey and drummer Jim Sclavunos, the song has been described as an "atypically straightforward love song" and was written for Cave's wife, Susie Bick.
Taste Me...Don't Waste Me is the third album by the English singer-songwriter Lynsey de Paul but the second album of completely new material and de Paul also was the producer for all of the songs. It was first released in the UK in November 1974 and was the first album on Don Arden's then new label, Jet Records, later the home of ELO and Ozzy Osbourne but distributed by Polydor, although Island was soon contracted to take over distribution by Jet Records managing director Don Arden. Releases in all other countries, such as Spain, Germany and South America, were on the Polydor label in early 1975. The album was generally well received by music critics from leading magazines of the day. AllMusic journalist Craig Harris stated that "one of the first successful female singer-songwriters in England, de Paul has had an illustrious career" and lists this as one of her best albums. It was also de Paul's personal favourite album and she wrote on her music store website some years later "The Taste Me... Don't Waste Me album was a romantic collection of songs that I wrote and recorded as a relaxing, late night album", echoing earlier comments to the music press. It has stood the test of time in that it is listed as one of the top albums released in 1974 by online site "Best ever albums", as well as one of the top 1000 albums released in the 1970s.
Tigers and Fireflies is an album released by Lynsey de Paul in April 1979 on the Polydor record label. It was launched at a special event at the Mayfair Club in London, with de Paul looking similar to the 1940s film star Veronica Lake. The album was recorded at Long View Farm Studios with additional recording at Mediasound and produced by Rupert Holmes. In his 1986 biography, Justin de Villeneuve, de Paul's manager at the time wrote "I gave Rupert Holmes a call in New York. He agreed to see me if I flew to America. Polydor, with the prospect of the involvement with Holmes, agreed to up the budget". The collaboration between de Paul and Holmes on "Tigers and Fireflies" was mentioned on the Ray Shasho Show, when Shasho interviewed Holmes on his BBS radio show on 7 August 2018.
"Love Bomb" is a song and title track from the album Love Bomb by Lynsey de Paul, written by de Paul and Barry Blue. It is listed in the Catalog of Copyright Entries held by the Library of Congress 1976. The song's lyrics is a call for love and peace. with yearning strings, pulsing beat and bass that propel this soulful song along until the inevitable exploding bomb sound effect, after which Lynsey's vocals go ever higher, "reaching for the stars above."
Before You Go Tonight also known as Take Your Time is a Lynsey de Paul album recorded in 1976 for Jet Records, but shelved out of spite by then manager Don Arden, and not released until 1990. Then it appeared as a CD release in Japan on Century Records, and again on the Vivid Sound under licence from Trojan Records. The album was originally called Singer-Songwriter and was finally released on de Paul's music store as Take Your Time, albeit with a slightly different track listing. All of the songs were written by de Paul, except the amusing "You've Either Got It or You Ain't", which was co-written with David Jordan. The album was produced by de Paul. The track "If I Don't Get You The Next One Will" was released as a single in 1976 and this version is included. "My One and Only" is de Paul's version of a song recorded and released in 1975 by her label mates at the time, the British female vocal trio Bones.
"Martian Man" is a song written by Lynsey de Paul that was destined to be a track on her 1976 album Before You Go Tonight, but was shelved as part of a legal dispute with former manager Don Arden.
Into My Music - Anthology 1975-1979 is a digitally remastered double album, featuring songs written and performed by Lynsey de Paul, that was released on 18 March 2013 on Cherry Red's RPM Retrodisc label. All recordings have been remastered by de Paul and Simon Murphy from original tape sources and co-produced by de Paul and Mark Stratford. The album is packaged with photographs and memorabilia from de Paul's personal archive and text by Michael Robson.
Love Bomb is the fourth album released in 1975 by the British singer-songwriter Lynsey de Paul, and her second album released on Jet Records in the UK and Polydor in Germany, Australia and Japan. In the US and Canada, it was released in January 1976 on Mercury Records. The album was recorded at the Marquee Studios, London, England, produced by de Paul and arranged by Tony Hymas, with Terry Cox playing drums, John Dean percussion, Chris Rea guitar and Frank McDonald bass. The striking sleeve cover photo of de Paul in U.S military style clothing was taken by Brian Aris.
"Rhythm and Blue Jean Baby" is a song that was written and produced by Lynsey de Paul, and released in July 1975 as her third single on the newly designed yellow Jet Record label in the UK, as a follow up to the hit single "My Man and Me". It was released on Polydor in Belgium, France and Germany ; backed with another de Paul composition "Into My Music". The release of the single was also announced in the American music industry magazine Cashbox. The song as well as the lyrics and credits are listed on the Italian music resource "Rockol". The single received favourable reviews, including from DJ and music journalist James Hamilton who, in his first column for Record Mirror, wrote "With a bass line not unlike ‘Bend Me Shape Me’ and some sexy stop/starts, Lynsey makes straight happy pop noises that sound fine to me". It was reported to be a dance floor hit according to a reaction report. Deborah Thomas, music critic at the Daily Mirror wrote "de Paul will captivate her adoring fans with this light, pacey rocker.
"All Night" is a song written by Lynsey de Paul and Ron Roker. De Paul released her version of the song on 27 April 1973 as her third single released on MAM Records, with arrangements by Martyn Ford and John Bell and produced by de Paul. It features an uncredited male vocal. A slinky, sexy song, it compares a love relationship to that of the spider and a fly. The single is backed by the more socially aware song "Blind Leading the Blind", composed and produced by de Paul. The song was an unusual release since neither the A-side or the B-side featured as tracks on her debut album. "Surprise" had been released a little more than a month earlier and this song was in a very different style.
"Sugar Shuffle" is a song written by Lynsey de Paul and Barry Blue. It first appeared as the lead-in track on de Paul's album Love Bomb as an ethereal, chilled and dreamy song about nightlife and dating. AllMusic rated "Sugar Shuffle" as one of de Paul's song highlights. Musician and music critic Bob Stanley wrote in The Guardian, "Sugar Shuffle is an especially gorgeous, woozy mid-70s confection, fit to sit at the table with Liverpool Express’s You Are My Love".
"Water" is a song written by the British female singer-songwriter Lynsey de Paul and Barry Blue, who was credited as Barry Green. It was first released as a track on De Paul's debut album Surprise in March 1973. Shortly afterwards, a live version that de Paul recorded for the BBC, appearing on the BBC Transcription Services album number 443 in April 1973. It was released as a single later that year in Peru with the title "Agua" but the song was not released as a single in Europe, Japan and the USA. It has since appeared on a number of de Paul compilation albums such as Greatest Hits, The Best of Lynsey de Paul and the Sugar and Beyond anthology.