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Luminal is the debut film from Italian director Andrea Vecchiato.
Named after the drug phenobarbitone, the film is based on the cult novel by Italian writer Isabella Santacroce. Santacroce's third novel, published in 2001, tells the story of teenagers caught up in the excesses of chemical culture.
French actor Denis Lavant stars, having previously worked with director Leos Carax.
Influenced by French New Wave cinema and Japanese aesthetics, the film has been described as postmodern, unorthodox and unconventional in terms of filming technology employed.
It was co-produced by Leo Pescarolo who has also worked with Lars von Trier, Federico Fellini and Raoul Ruiz.
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Jean Renoir was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent era to the end of the 1960s. His films La Grande Illusion (1937) and The Rules of the Game (1939) are often cited by critics as among the greatest films ever made. He was ranked by the BFI's Sight & Sound poll of critics in 2002 as the fourth greatest director of all time. Among numerous honours accrued during his lifetime, he received a Lifetime Achievement Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir and the uncle of the cinematographer Claude Renoir. He was one of the first filmmakers to be known as an auteur.
Viktor Borisovich Shklovsky was a Russian and Soviet literary theorist, critic, writer, and pamphleteer. He is one of the major figures associated with Russian formalism.
Luminal may refer to:
Contempt is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo by Alberto Moravia. It stars Brigitte Bardot, Michel Piccoli, Jack Palance, and Giorgia Moll.
Henri-Pierre Roché was a French author who was involved with the artistic avant-garde in Paris and the Dada movement.
Frédéric Beigbeder is a French writer, literary critic and television presenter. He won the Prix Interallié in 2003 for his novel Windows on the World and the Prix Renaudot in 2009 for his book Un roman français. He is also the creator of the Flore and Sade Awards. In addition, he is the executive director of Lui, a French adult entertainment magazine.
Resurrection, first published in 1899, was the last novel written by Leo Tolstoy. The book is the last of his major long fiction works published in his lifetime. Tolstoy intended the novel as a panoramic view of Russia at the end of the 19th century from the highest to the lowest levels of society and an exposition of the injustice of man-made laws and the hypocrisy of the institutionalized church. The novel also explores the economic philosophy of Georgism, of which Tolstoy had become a very strong advocate towards the end of his life, and explains the theory in detail. The publication of Resurrection led to Tolstoy's excommunication by the Holy Synod from the Russian Orthodox Church in 1901.
Michael James Radford is an English film director and screenwriter. He began his career as a documentary director and television comedy writer before transitioning into features in the early 1980s. His best-known credits include the 1984 film adaptation of George Orwell's Nineteen Eighty-Four starring John Hurt and Richard Burton, the Shakespeare adaptation The Merchant of Venice, the true crime drama White Mischief, and the 1994 Italian-language comedy drama Il Postino: The Postman, for which he won the BAFTA Awards for Best Direction and Best Film Not in the English Language, and earned Academy Award nominations for Best Director and Best Adapted Screenplay.
Kim Rossi Stuart is an Italian actor and director.
Isabella Santacroce is an Italian novelist.
Fernando Di Leo was an Italian film director and script writer. He made 17 films as a director and about 50 scripts from 1964 to 1985.
Robert Dornhelm is an Austrian film and television director.
The Earrings of Madame de… is a 1953 romantic drama film directed by Max Ophüls, adapted from Louise Lévêque de Vilmorin's 1951 novel by Ophüls, Marcel Archard and Annette Wadement. The film is considered a masterpiece of the 1950s French cinema. Andrew Sarris called it "the most perfect film ever made". Ophüls said the story's construction attracted him, stating "there is always the same axis around which the action continually turns like a carousel. A tiny, scarcely visible axis: a pair of earrings".
Michael Lessac is a theatre, television, and film director and screenwriter. Lessac is also the Artistic Director of Colonnades Theatre Lab, Inc and of Colonnades Theatre Lab, South Africa. He is the Project Creator & Director of the international theatre piece, Truth in Translation.
Girolamo da Santacroce was a 16th-century Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.
Fabiano Santacroce is an Italian professional footballer. He plays as a defender in the centre or on the left. He was born in Brazil to an Italian father and an Afro-Brazilian mother, then spending his childhood in the Lombard town of Casatenovo, in Northern Italy. At international level, he has represented the Italy national under-21 football team.
Alba Caterina Rohrwacher is an Italian actress.
We the Living is a two-part 1942 Italian romantic war drama film, based on Ayn Rand's 1936 novel of the same name. It was originally released as two films, Noi vivi and Addio Kira. It was directed by Goffredo Alessandrini and produced by Scalera Film, and stars Alida Valli as Kira Argounova, Rossano Brazzi as Leo Kovalensky, and Fosco Giachetti as Andrei Taganov.
Naked Violence is a 1969 Italian giallo film directed by Fernando Di Leo and based on the novel I ragazzi del massacro written by Giorgio Scerbanenco.
Portrait of a Man in Black or Man in Black in Profile is a c.1520-1522 oil on panel painting by Rosso Fiorentino, now in the Galleria Palatina in Florence. Vasari's Life of Rosso Fiorentino briefly states that he saw several portraits by the artist in homes in Florence, probably produced before Rosso left for Volterra in 1521. How Man entered the Medici-Lorraine collections is unknown, since the first definite mention of the work is an 1815 inventory placing it in the Galleria's Sala dell'Iliade.