Madonna and Child with Four Saints may refer to:
Alessandro Bonvicino, more commonly known as Moretto, or in Italian Il Moretto da Brescia, was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive.
In art, a sacra conversazione, meaning holyconversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods. Donor portraits may also be included, generally kneeling, often their patron saint is presenting them to the Virgin, and angels are frequently in attendance.
The Pesaro Madonna is a painting by the late Italian Renaissance master Titian, commissioned by Jacopo Pesaro, whose family acquired in 1518 the chapel in the Frari Basilica in Venice for which the work was painted, and where it remains today. Jacopo was Bishop of Paphos, in Cyprus, and had been named commander of the papal fleet by the Borgia pope, Alexander VI. This painting recalls one of Titian's earliest paintings Jacopo Pesaro being presented by Pope Alexander VI to Saint Peter, c. 1510-11
The Madonna and Child with Saints Luke and Catherine of Alexandria, also known simply as Holy Conversation, is a painting by the Italian Renaissance master Titian. It is one of his several versions of the canonical image of the Madonna and Child.
The church of Santi Nazaro e Celso is located on Corso Giacomo Matteotti, at the intersection with via Fratelli Bronzetti, in Brescia, Lombardy, Italy. The church contains the Averoldi Polyptych (1522), a masterwork of Titian.
The church of Santa Maria delle Grazie in Brescia is located on at the west end of Via Elia Capriolo, where it intersects with the Via delle Grazie. Built in the 16th century and remodeled in the 17th century, it still retains much of its artwork by major regional artists, including one of its three canvases by Moretto. The other two are now held at the Pinacoteca Tosio Martinengo. The interior is richly decorated in Baroque fashion. Adjacent to the church is the Sanctuary of Santa Maria delle Grazie, a neo-gothic work.
The Madonna of the Rabbit, The Aldobrandini Madonna, The Virgin and Child with the Infant Saint John and a Female Saint or Donor or The Virgin and Child with the Infant Saint John and Saint Catherine is an oil on canvas painting by Titian dating to around 1530 and now held in the National Gallery in London. There are studio copies in the Galleria Palatina in Florence and in the Kunsthistorisches Museum in Vienna.
Enthroned Madonna and Child with Saint James the Great and Saint Jerome is a c.1517 oil on canvas painting by Moretto da Brescia, now in the High Museum of Art in Atlanta, which acquired it in 1950. It is one of the painter's earliest known works.
Madonna and Child with Saint Roch and Saint Sebastian is an oil on canvas painting on one of the side altars of the church of Sant'Andrea in Pralboino, province of Brescia, Italy. It was executed c. 1528 by Moretto da Brescia.
Madonna and Child with Four Doctors of the Church is a 1540-1545 oil on canvas painting by Moretto da Brescia, now in the Städelsches Kunstinstitut in Frankfurt. From left to right it shows Saint Ambrose, Gregory the Great, Saint Jerome and Augustine of Hippo.
Madonna and Child with Four Saints is an oil on canvas painting by Moretto da Brescia, executed c. 1543, now in the Pinacoteca di Brera in Milan, to which it moved during the Napoleonic seizures in 1808. It was painted for the church of Santa Maria degli Angeli in Gardone Val Trompia. In the foreground are the saints Jerome, Francis of Assisi and Anthony the Great.
Madonna and Child with Saint Martin and Saint Catherine is an oil on canvas painting by Moretto da Brescia, executed c. 1530, now on the high altar in the church of San Martino in Porzano, Province of Brescia. It is the painter's first mature work and forms an important step towards his Coronation of the Virgin Altarpiece.
The Assassination of Saint Peter Martyr or The Martyrdom of Saint Peter of Verona is a 1530–1535 oil on canvas painting by Moretto da Brescia, now in the Sala dell'Esedra in the Pinacoteca Ambrosiana in Milan.
The Madonna and Child with Saints is an oil painting on canvas by Moretto da Brescia, executed c. 1540–1545, in the National Gallery, London.
The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.
The Pralboino Altarpiece is a 1540-1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.
The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.
The Virgin and Child with Saints Dorothy and George is a c.1516 oil on panel painting by Titian, now in the Prado Museum in Madrid, to which it was transferred in 1839.
Madonna and Child with Saints is a common theme in Christian art, and thus the title of a number of works.
Madonna and Child with Four Saints or Madonna and Child with Saints John the Baptist, Paul, Mary Magdalene and Jerome is a c. 1516-1520 oil on panel painting by Titian, now in the Gemäldegalerie in Dresden. It belongs to the sacra conversazione genre and features saints John the Baptist, Paul, Mary Magdalene and Jerome.