Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture | |
---|---|
Country | United States |
Presented by | Make-Up Artists and Hair Stylists Guild (MUAHS) |
First awarded | 2014 |
Currently held by | Lindy Dunn, Teressa Hill, Yvonne De Patis-Kupka, Kim Santantonio Being the Ricardos (2021) |
Website | Make-Up Artists & Hair Stylists Guild |
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
Best Period Hair Styling- Feature
Year | Film | Nominees |
---|---|---|
(1999) 1st [1] | ||
Tea with Mussolini | Vivian McAteer | |
The 13th Warrior | Peter Tothpal, Janet MacDonald, Angelina P. Cameron | |
Austin Powers: The Spy Who Shagged Me | Candy L. Walken, Jeri Baker, Jennifer Bower O'Halloran, Toni-Ann Walker |
Best Character Hair Styling - Feature
Year | Film | Nominees |
---|---|---|
(2001) 3rd [2] | ||
A.I. Artificial Intelligence | Candace Neal, Karen Asano-Myers, Terry Baliel | |
Bandits | Marlene Williams | |
Planet of the Apes | Patty Miller, Terry Baliel, Randy Sayer | |
(2002) 4th [3] [4] | ||
The Lord of the Rings: The Two Towers (Arwen) | Peter King, Peter Owen | |
Austin Powers in Goldmember (Austin Powers, Dr. Evil, Fat Bastard, Goldmember) | Candy L. Walken, Jeri Baker, Susan V. Kalinowski | |
Frida (Frida Kahlo) | Beatrice De Alba | |
(2003) 5th [5] | ||
Pirates of the Caribbean: The Curse of the Black Pearl | Martin Samuel, Lucia Mace | |
The Cat in the Hat | Voni Hinkle, Shari Perry, Karl Wesson | |
The Lord of the Rings: The Return of the King | Peter King, Peter Owen | |
Best Period Hair Styling - Feature
Year | Film | Nominees |
---|---|---|
(2000) 2nd [6] | ||
The Patriot | Kay Georgiou, Kelvin R. Trahan, Geraldine Jones | |
Almost Famous | ||
Thirteen Days | ||
(2001) 3rd [2] | ||
Moulin Rouge! | Aldo Signoretti, Ferdinando Merolla, Giorgio Gregorini | |
Ali | Pierce Austin (personal) | |
Blow | Martin Samuel, Rita Troy, Karl Wesson | |
(2002) 4th [3] [4] | ||
Gangs of New York | Aldo Signoretti | |
Austin Powers in Goldmember | Candy L. Walken, Jeri Baker, Susan V. Kalinowski | |
Frida | Beatrice De Alba | |
(2003) 5th [5] | ||
The Last Samurai | Janice Alexander, Terry Baliel, Karen Asano-Myers, Carol Pershing, Kimberley Spiteri | |
Master and Commander: The Far Side of the World | Yolanda Toussieng, Kim Santantonio, Barbara Lorenz | |
Pirates of the Caribbean: The Curse of the Black Pearl | Martin Samuel, Lucia Mace, Nina Paskowitz |
Best Period and/or Character Makeup - Feature Films
Year | Film | Nominees |
---|---|---|
(2013) 6th [7] [8] | ||
American Hustle | Kathrine Gordon, Michelle Johnson | |
Jobs | Nina Paskowitz, Michael Moore | |
The Lone Ranger | Gloria Pasqua-Casny, Jules Holdren | |
(2014) 7th [9] [10] | ||
The Grand Budapest Hotel | Frances Hannon, Julie Dartnell | |
Get on Up | Carla Farmer, Shannon Bakeman | |
Into the Woods | Peter King, J. Roy Helland | |
Selma | Melissa Forney, Pierce Austin | |
The Theory of Everything | Jan Sewell, Agnes Legere | |
Best Period and/or Character Make-Up in a Feature-Length Motion Picture
Year | Film | Nominees |
---|---|---|
(2015) 8th [11] [12] | ||
Cinderella | Carol Hemming, Orla Carrol, Wakana Yoshihara | |
Brooklyn | Lorraine Glynn, Lorraine Brennan, Michelle Côté | |
Carol | Jerry DeCarlo, John Jack Curtin, Kay Georgiou | |
The Danish Girl | Jan Sewell, Renata Gilbert | |
Mad Max: Fury Road | Anita Morgan, Kerstin Weller, Kylie Clarke | |
(2016) 9th [13] [14] | ||
Hail, Caesar! | Cydney Cornell, Pauletta O. Lewis, Matt Danon | |
Fantastic Beasts and Where to Find Them | Fae Hammond, Marilyn MacDonald | |
Florence Foster Jenkins | J. Roy Helland | |
Jackie | Catherine Leblanc, Tony Rocchetti | |
Loving | Kenneth Walker, Elizabeth Paschall | |
(2017) 10th [15] [16] | ||
I, Tonya | Adruitha Lee, Mary Everett | |
Atomic Blonde | Donald Mowat, Jo-Ann MacNeil, Csilla Blake-Horváth | |
Beauty and the Beast | Jenny Shircore, Marc Pilcher, Charlotte Hayward | |
Blade Runner 2049 | Kerry Warn, Lizzie Lawson, Jaime Leigh McIntosh | |
Darkest Hour | Ivana Primorac, Flora Moody | |
(2018) 11th [17] [18] | ||
Mary Queen of Scots | Jenny Shircore, Marc Pilcher | |
BlacKkKlansman | LaWanda M. Pierre, Shaun Perkins | |
Black Panther | Camille Friend, Jaime Leigh McIntosh, Louisa V. Anthony | |
Bohemian Rhapsody | Jan Sewell, Mark Coulier | |
Mary Poppins Returns | Peter King, Paula Price | |
(2019) 12th [19] | ||
Downton Abbey | Anne Oldham, Elaine Browne, Marc Pilcher | |
Dolemite Is My Name | Carla Farmer, Stacey Morris, Linda Villalobos | |
Maleficent: Mistress of Evil | Audrey Futterman-Stern | |
Once Upon a Time ... in Hollywood | Janine Rath, Michelle Diamantides | |
Rocketman | Elizabeth Yianni-Georgiou, Tapio Salmi, Laura Solari | |
Year | Film | Nominees |
---|---|---|
(2020) 13th [20] [21] | ||
Ma Rainey's Black Bottom | Mia Neal, Larry Cherry, Leah Loukas, Tywan Williams | |
Hillbilly Elegy | Patricia Dehaney, Tony Ward, Martial Corneville, Stacey Butterworth | |
Jingle Jangle: A Christmas Journey | Sharon Martin, Kat Fa | |
Mank | Kimberley Spiteri, Colleen LaBaff | |
Mulan | Denise Kum, Rick Findlater, Georgia Lockhart-Adams, Terry Baliel | |
(2021) 14th [22] [23] | ||
Being the Ricardos | Lindy Dunn, Teressa Hill, Yvonne De Patis-Kupka, Kim Santantonio | |
Cruella | Naomi Donne, Nadia Stacey, Julia Vernon | |
The Eyes of Tammy Faye | Bryson Conley, Heather Hawkins, Stephanie Ingram, Betty Lou Skinner | |
House of Gucci | Frederic Aspiras, Alexis Continente, Anna Carin Lock, Giuliano Mariano | |
West Side Story | Jerry DeCarlo, Kay Georgiou | |
(2022) 15th [24] | Elvis | Shane Thomas, Louise Coulston |
Amsterdam | Adruitha Lee, Lori McCoy-Bell, Cassandra L. Russek, Yvette Shelton | |
Babylon | Jaime Leigh McIntosh, Ahou Mofid, Aubrey Marie | |
Blonde | Jaime Leigh McIntosh, Lynnae Duley, Ahou Mofid, Robert Pickens | |
The Woman King | Louisa Anthony, Jamika Wilson, Plaxedes Kelias, Charity Gwakuka | |
(2023) 16th [25] [26] | ||
Barbie | Ivana Primorac, Marie Larkin, Clare Corsick | |
Chevalier | Roo Maurice, Francesco Pegoretti | |
The Color Purple | Lawrence Davis, Andrea Mona Bowman, Tym Wallace | |
Guardians of the Galaxy Vol. 3 | Cassandra Lyn Russek, Stephanie Fenner, Peter Tothpal, Connie Criswell | |
Maestro | Kay Georgiou, Lori McCoy-Bell, Jameson Eaton, Amanda Duffy-Evans | |
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Make-Up for a Feature Film is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character makeup. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2019. Before being singled out, television films and specials were nominated alongside miniseries in the category Best Contemporary Hair Styling in a Television Mini-Series or Motion Picture Made for Television.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. In previous ceremonies, television films and specials were placed alongside miniseries, but this was changed in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given this category.
The Make-Up Artists and Hair Stylists Guild Award for Contemporary Makeup in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The American Society of Cinematographers Spotlight Award is an annual award given by the American Society of Cinematographers to cinematographers working in features and documentaries that are typically screened at film festivals, in limited theatrical release, or outside the United States. It was first awarded in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
{{cite web}}
: CS1 maint: numeric names: authors list (link)