| Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture | |
|---|---|
| Country | United States |
| Presented by | Make-Up Artists and Hair Stylists Guild (MUAHS) |
| First awarded | 2013 |
| Currently held by | Guy Common, Naomi Donne, Nadia Stacey Cruella (2021) |
| Website | Make-Up Artists & Hair Stylists Guild |
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character makeup. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
Best Character Makeup - Feature
| Year | Film | Nominees |
|---|---|---|
| (1999) 1st [1] | ||
| Sleepy Hollow | Kevin Yagher, Peter Owen, Liz Tagg, Paul Gooch | |
| Bicentennial Man | Cheri Minns | |
| Man on the Moon | Sheryl Ptak |
Best Period Makeup - Feature
| Year | Film | Nominees |
|---|---|---|
| (1999) 1st [1] | ||
| Tea with Mussolini | Leonard Engelman | |
| Austin Powers: The Spy Who Shagged Me | Patty York, Cheryl Ann Nick, Michèle Burke, Steve Artmont | |
| A Midsummer Night's Dream | Ronnie Specter |
Best Character Makeup - Feature
| Year | Film | Nominees |
|---|---|---|
| (2001) 3rd [2] | ||
| The Royal Tenenbaums | Naomi Donne, Kate Biscoe | |
| Life as a House | Christina Smith, Bonita DeHaven, Tammy Ashmore | |
| Mulholland Drive | Julie Pearce, Randy Westgate, Selina Jayne | |
| (2002) 4th [3] [4] | ||
| The Lord of the Rings: The Two Towers (Frodo Baggins) | Peter King, Peter Owen | |
| The Master of Disguise (Pistachio Disguisey) | Kevin Yagher, Michelle Vittone | |
| Red Dragon (Francis Dolarhyde) | Julie Pearce, Randy Westgate, Matthew W. Mungle, Ken Diaz | |
| (2003) 5th [5] | ||
| The Lord of the Rings: The Return of the King | Peter King, Peter Owen | |
| The Cat in the Hat | Melanie Hughes, Amy L. Disarro, René Dashiell Kerby | |
| Pirates of the Caribbean: The Curse of the Black Pearl | Ve Neill, Joel Harlow | |
Best Period Makeup - Feature
| Year | Film | Nominees |
|---|---|---|
| (2000) 2nd [6] | ||
| The Patriot | Thomas Nellen, Wendy Bell, Patty York, Anita Brabec | |
| Almost Famous | Lois Burwell | |
| The Legend of Bagger Vance | ||
| (2001) 3rd [2] | ||
| Moulin Rouge! | Maurizio Silvi, Vincenzo Mastrantonio, Lesley Vanderwalt | |
| Ali | Judy Murdock (personal) | |
| The Majestic | Bill Corso, Douglas Noe, Judy Mathai | |
| (2002) 4th [3] [4] | ||
| Chicago | Jordan Samuel, Patricia Keighran, Edelgard K. Pfluegl | |
| Frida | Judy Chin, Maryann Marchetti, John E. Jackson | |
| Road to Perdition | Daniel C. Striepeke, Ron Snyder | |
| (2003) 5th [5] | ||
| Pirates of the Caribbean: The Curse of the Black Pearl | Ve Neill, Joel Harlow, Douglas Noe, David DeLeon, Ken Diaz, David Dupuis, Deborah Rutherford, Jene Fielder | |
| The Last Samurai | Lois Burwell, Margaret E. Elliott, Tina Harrelson | |
| Seabiscuit | Thomas Nellen, Lydia Milars, Martina Kohl |
Best Period and/or Character Makeup - Feature Films
| Year | Film | Nominees |
|---|---|---|
| (2013) 6th [7] [8] | ||
| Dallas Buyers Club | Robin Mathews | |
| The Great Gatsby | Maurizio Silvi, Lesley Vanderwalt | |
| The Lone Ranger | Joel Harlow, Mike Smithson, Robin Beauchesne | |
| (2014) 7th [9] [10] | ||
| The Grand Budapest Hotel | Frances Hannon, Julie Dartnell | |
| The Hunger Games: Mockingjay – Part 1 | Ve Neill, Nikoletta Skarlatos, Conor McCullagh | |
| Into the Woods | Peter King | |
| The Theory of Everything | Jan Sewell, Lesley Smith | |
| Unbroken | Toni G, Arjen Tuiten | |
Best Period and/or Character Make-Up in a Feature-Length Motion Picture
| Year | Film | Nominees |
|---|---|---|
| (2015) 8th [11] [12] | ||
| Mad Max: Fury Road | Lesley Vanderwalt, Nadine Prigge, Ailie Smith | |
| Brooklyn | Morna Ferguson, Niamh O'Loan, Marlène Rouleau | |
| Carol | Patricia Regan | |
| Cinderella | Naomi Donne, Norma Webb | |
| The Danish Girl | Jan Sewell, Renata Gilbert | |
| (2016) 9th [13] [14] | ||
| Suicide Squad | Alessandro Bertolazzi | |
| Doctor Strange | Jeremy Woodhead | |
| Fantastic Beasts and Where to Find Them | Fae Hammond, Marilyn MacDonald | |
| Hail, Caesar! | Jean Ann Black, Julie Hewett, Zoe Hay | |
| Loving | Julia Lallas, Katie Middleton | |
| (2017) 10th [15] [16] | ||
| Darkest Hour | Ivana Primorac, Flora Moody | |
| Blade Runner 2049 | Donald Mowat, Jo-Ann MacNeil, Csilla Blake-Horváth | |
| Bright | Alessandro Bertolazzi, Cristina Waltz, Judy Murdock | |
| The Greatest Showman | Nicki Ledermann, Tania Ribalow, Sunday Englis | |
| I, Tonya | Deborah La Mia Denaver, Teresa Vest, Bill Myer | |
| (2018) 11th [17] [18] | ||
| Vice | Kate Biscoe, Ann Pala, Jamie Kelman | |
| Bohemian Rhapsody | Jan Sewell, Mark Coulier | |
| Mary Poppins Returns | Peter Robb-King, Paula Price | |
| Mary Queen of Scots | Jenny Shircore, Hannah Edwards, Sarah Kelly | |
| Stan & Ollie | Jeremy Woodhead, Mark Coulier | |
| (2019) 12th [19] | ||
| Joker | Nicki Ledermann, Tania Ribalow, Sunday Englis | |
| Dolemite Is My Name | Vera Steimberg, Debra Denson, Deborah Humphries | |
| Downton Abbey | Anne Oldham, Elaine Browne, Sam Smart | |
| Once Upon a Time ... in Hollywood | Heba Thorisdottir, Greg Funk | |
| Rocketman | Elizabeth Yianni-Georgiou, Tapio Salmi, Laura Solari |
| Year | Film | Nominees |
|---|---|---|
| (2020) 13th [20] [21] | ||
| Ma Rainey’s Black Bottom | Matiki Anoff, Sergio Lopez-Rivera, Carl Fullerton, Debi Young | |
| Bill & Ted Face the Music | Bill Corso, Dennis Liddiard, Stephen Kelley, Bianca Appice | |
| Hillbilly Elegy | Eryn Krueger Mekash, Jamie Hess, Devin Morales, Jessica Gambardella | |
| Mank | Gigi Williams, Michelle Audrina Kim | |
| Mulan | Denise Kum, Rick Findlater, Georgia Lockhart-Adams, James MacKinnon | |
| (2021) 14th [22] [23] | ||
| Cruella | Guy Common, Naomi Donne, Nadia Stacey | |
| Being the Ricardos | David Craig Forrest, Ana Lozano, Kyra Panchenko, Denise Paulson | |
| Dune | Rocky Faulkner, Jo-Ann MacNeil, Donald Mowat, Jennifer Stanfield | |
| The Eyes of Tammy Faye | Ashleigh Chavis-Wolfe, Linda Dowds, Renee Goodwin | |
| House of Gucci | Jana Carboni, Daniel Lawson Johnston, Stefania Pellegini, Sarah Tanno | |
| (2022) 15th [24] | Elvis | Shane Thomas, Angela Conte |
| Amsterdam | Nana Fischer, Miho Suzuki, Jason Collins | |
| Babylon | Heba Thorisdottir, Shaunna Bren Chavez, Jean Black, Mandy Artusato | |
| Blonde | Tina Roesler Kerwin, Elena Arroy, Cassie Lyons | |
| Till | Denise Tunnell, Janice Tunnell, Ashley Langston | |
| (2023) 16th [25] | ||
| Barbie | Ivana Primorac, Victoria Down, Maha Mimo | |
| Guardians of the Galaxy Vol. 3 | Alexei Dmitriew, Nicole Sortillon, Amos Samantha Ward, LuAndra Whitehurs | |
| Maestro | Siân Grigg, Jackie Risotto, Elisa Tallerico, Nicky Pattison-Illum | |
| Oppenheimer | Luisa Abel, Jason Hamer, Kerrin Jackson, Jamie Loree Hess | |
| Poor Things | Nadia Stacey | |
The Visual Effects Society Award for Outstanding Animated Character in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six different title changes, and one major category shift. First awarded in 2002, the award was titled "Outstanding Character Animation in a Live Action Motion Picture" and given to the best character animation in a live action film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Motion Picture", and given to visual effects artists for work on a specified character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in a Live Action Feature Motion Picture". In 2014, it was titled "Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture", but changed in 2016 to "Outstanding Animated Performance in a Photoreal Feature" and once again in 2017 to its current title.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Make-Up for a Feature Film is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2019. Before being singled out, television films and specials were nominated alongside miniseries in the category Best Contemporary Hair Styling in a Television Mini-Series or Motion Picture Made for Television.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. In previous ceremonies, television films and specials were placed alongside miniseries, but this was changed in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given this category.
The Make-Up Artists and Hair Stylists Guild Award for Contemporary Makeup in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting from 2002. Since its inception, the award's title has gone through several title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in a Live Action Televised Program, Music Video or Commercial" and given to the best character animation in a televised program, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Broadcast Program", and given to visual effects artists for work on a specified character. The category was again re-titled the following year, this time to "Outstanding Performance by an Animated Character in a Live Action Broadcast Program, Commercial, or Music Video". In 2008, it was titled "Outstanding Animated Character in a Live Action Broadcast Program or Commercial", but changed in 2014 to "Outstanding Performance of an Animated Character in a Commercial, Broadcast Program, or Video Game" and once again the next year to "Outstanding Animated Performance in an Episode, Commercial, or Real-Time Project". In the title changed to "Outstanding Animated Performance in an Episode or Real-Time Project" and, finally, in 2017 to "Outstanding Animated Character in an Episode or Real-Time Project"
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
{{cite web}}: CS1 maint: numeric names: authors list (link)