Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series | |
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Country | United States |
Presented by | Make-Up Artists and Hair Stylists Guild (MUAHS) |
First awarded | 2014 |
Currently held by | Glenn Hetrick, Rocky Faulkner, Nicola Bendrey, Chris Burgoyne Star Trek: Discovery (2021) |
Website | Make-Up Artists & Hair Stylists Guild |
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
Year | Program | Episode(s) | Nominees | Network |
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(1999) 1st [1] | Best Special Effects Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime) | |||
Buffy the Vampire Slayer | "Living Conditions" | Todd McIntosh, Robin Beauchesne, Douglas Noe, Kenny Myers, Brigette A. Myre | The WB | |
L.A. Doctors | "Just Duet" | Bill Corso, Douglas Noe | CBS | |
Star Trek: Voyager | "Dark Frontier" | Michael Westmore, Scott Wheeler, James Rohland, Ellis Burman Jr. | UPN |
Year | Program | Episode(s) | Nominees | Network |
---|---|---|---|---|
(2000) 2nd [2] | ||||
MADtv | "Mad TV Goes to the Movies" | Jennifer Aspinall, Randy Westgate | Fox | |
Angel | "The Shroud of Rahmon" | Dayne Johnson, David DeLeon, Stephen Prouty | The WB | |
Buffy the Vampire Slayer | "New Moon Rising" | Todd McIntosh, Robin Beauchesne, Douglas Noe, Brigette A. Myre, Jay Wejebe | ||
Best Special Makeup Effects – Television (for a Mini-Series/Motion Picture Made for Television) | ||||
Gepetto | Michael Westmore, Earl Ellis, Mary Kay Morse | ABC | ||
Jackie Bouvier Kennedy Onassis | Leonard Engelman, Nicole Lapierre | CBS | ||
The Corner | Betty Beebe, Jeannee Josefczyk | HBO | ||
(2001) 3rd [3] | Best Special Effects Makeup – Television (for a Single Episode of a Regular Series – Sitcom, Drama or Daytime) | |||
MADtv | "Episode #707" | Jennifer Aspinall, Randy Westgate, James Rohland, Stephanie L. Massie | Fox | |
Buffy the Vampire Slayer | "Bargaining" | Todd McIntosh, Jay Wejebe, Veronica Lorenz, Brigette A. Myre | The WB | |
Star Trek: Voyager | "The Void" | Michael Westmore | UPN | |
Best Special Makeup Effects – Television (for a Mini-Series/Motion Picture Made for Television) | ||||
She Creature | Myke Michaels, Richard Wetzel, Shane Mahan, Stephanie Coffey | Cinemax | ||
The Day the World Ended | Myke Michaels, Richard Wetzel, Shane Mahan | Cinemax | ||
How to Make a Monster | ||||
(2002) 4th [4] [5] | Best Special Makeup Effects – Television Series | |||
Buffy the Vampire Slayer | Peter Montagna, Brigette A. Myre, Carol Schwartz | The WB | ||
MADtv | Jennifer Aspinall, Scott Wheeler, Randy Westgate, Julie Purcell, Nathalie Fratti, David Williams | Fox | ||
Primetime Glick | Kristina Vogel, Kevin Haney, Brian Penikas, Kathleen Crawford | Comedy Central | ||
(2003) 5th [6] | ||||
Nip/Tuck | "Pilot" | James MacKinnon, Thomas R. Burman, Bari Dreiband-Burman | FX | |
MADtv | Jennifer Aspinall, Scott Wheeler, Randy Westgate | Fox | ||
Nip/Tuck | Eryn Krueger Mekash, Thomas R. Burman, Pinky Babajian | FX |
Year | Program | Nominees | Network | |
---|---|---|---|---|
(2013) 6th [7] [8] | Best Special Makeup Effects in Television and New Media Series | |||
The Walking Dead | Greg Nicotero, Jake Garber | AMC | ||
Longmire | Steve La Porte | A&E | ||
Vikings | Tom McInerney | History | ||
(2014) 7th [9] [10] | ||||
The Walking Dead | Greg Nicotero, Jake Garber | AMC | ||
Boardwalk Empire | Michele Paris, Joseph Farulla | HBO | ||
Grimm | Barney Burman, Mike Smithson | NBC | ||
Sleepy Hollow | Leo Corey Castellano, Mark Nieman | Fox | ||
Sons of Anarchy | Tracey Anderson, Carlton Coleman, Margie Kaklamanos | FX | ||
Best Special Makeup Effects in a Television Mini-Series or Motion Picture Made for Television | ||||
American Horror Story: Freak Show | Eryn Krueger Mekash, Michael Mekash, Christopher Nelson | FX | ||
Fargo | Gail Kennedy, David Trainor, Gunther Schetterer | FX | ||
Houdini | Gregor Eckstein | History | ||
The Knick | Justin Raleigh | Cinemax | ||
Olive Kitteridge | Christien Tinsley, Gerald Quist, Hiro Yada | HBO | ||
(2015) 8th [11] [12] | Best Special Makeup Effects in Television and New Media Series | |||
The Walking Dead | Greg Nicotero, Garrett Immel | AMC | ||
The Knick | Justin Raleigh, Kevin Kirkpatrick, Kelly Golden | Cinemax | ||
Penny Dreadful | Nick Dudman, Sarita Allison | Showtime | ||
Saturday Night Live | Louie Zakarian, Jason Milani | NBC | ||
Vikings | Tom McInerney | History | ||
Best Special Makeup Effects in a Television Mini-Series or Motion Picture Made for Television | ||||
American Horror Story: Hotel | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | ||
Fargo | Gail Kennedy, David Trainor, Christina Scott | FX | ||
Killing Jesus | Clare Ramsey, Jo Grover | Nat Geo | ||
Sons of Liberty | Davina Lamont, Simon Rose | History | ||
(2016) 9th [13] [14] | Best Special Makeup Effects in Television and New Media Series | |||
Westworld | Christien Tinsley, Georgia Allen, Hiro Yada | HBO | ||
Game of Thrones | Barrie Gower, Sarah Gower | HBO | ||
Penny Dreadful | Nick Dudman, Sarita Allison | Showtime | ||
Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | ||
The Walking Dead | Greg Nicotero, Jake Garber | AMC | ||
Best Special Makeup Effects in a Television Mini-Series or Motion Picture Made for Television | ||||
American Horror Story: Roanoke | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | ||
All the Way | Bill Corso, Andy Clement | HBO | ||
The American West | Amy Wadford, Fiona Mifsud | AMC | ||
Black Mirror: Men Against Fire | Kristyan Mallett, Tanya Lodge | Netflix | ||
Roots | Elvis Jones, Adam Walls, Bailey Domke | History | ||
(2017) 10th [15] [16] | Best Special Makeup Effects in Television and New Media Series | |||
Game of Thrones | Barrie Gower, Sarah Gower | HBO | ||
The Orville | Howard Berger, Tami Lane, Garrett Immel | Fox | ||
Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | ||
Stranger Things | Amy L. Forsythe, Jillian Erickson | Netflix | ||
The Walking Dead | Greg Nicotero | AMC | ||
Best Special Makeup Effects in a Television Mini-Series or Motion Picture Made for Television | ||||
American Horror Story: Cult | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | ||
Black Mirror: USS Callister | Tanya Lodge | Netflix | ||
Fargo | Gail Kennedy, David Trainor, Christina Scott | FX | ||
Genius: Einstein | Davina Lamont, Göran Lundström | Nat Geo | ||
Twin Peaks | Debbie Zoller, Richard Redlefsen, Jamie Kelman | Showtime | ||
(2018) 11th [17] [18] | Best Special Makeup Effects in Television Series, Television Limited or Miniseries, or Television New Media Series | |||
Westworld | Justin Raleigh, Kevin Kirkpatrick, Thomas Floutz | HBO | ||
American Horror Story: Apocalypse | Eryn Krueger Mekash, Michael Mekash, David LeRoy Anderson | FX | ||
The Assassination of Gianni Versace: American Crime Story | Michael Mekash, Silvina Knight, David LeRoy Anderson | |||
Genius: Picasso | Davina Lamont, Göran Lundström, Natasha Lees | Nat Geo | ||
Saturday Night Live | Louie Zakarian, Jason Milani, Tom Denier Jr. | NBC | ||
(2019) 12th [19] | ||||
Chernobyl | Daniel Parker, Barrie Gower, Paul Spateri | HBO | ||
American Horror Story: 1984 | Michael Mekash, Vincent Van Dyke, Carleigh Herbert | FX | ||
Fosse/Verdon | Audrey Futterman-Stern | FX | ||
Game of Thrones | Debbie Zoller, Vincent Van Dyke, David Presto | HBO | ||
Star Trek: Discovery | Glenn Hetrick, James MacKinnon, Rocky Faulkner | CBS All Access |
Year | Program | Nominees | Network |
---|---|---|---|
(2020) 13th [20] [21] | |||
The Mandalorian | Brian Sipe, Alexei Dmitriew, Samantha Ward, Scott Stoddard | Disney+ | |
Hollywood | Eryn Krueger Mekash, Kerrin Jackson, Ana Gabriela Quinonez | Netflix | |
Lovecraft Country | Jayson Medina, Abraham Esparza, Nicole Walpert, Brian Steven Banks | HBO | |
Star Trek: Picard | James MacKinnon, Richard Redlefsen, Alexei Dmitriew, Vincent Van Dyke | CBS All Access | |
Westworld | Justin Raleigh, Kevin Kirkpatrick, Thomas Floutz | HBO | |
(2021) 14th [22] [23] | |||
Best Special Makeup Effects in Television, Limited/Miniseries, or New Media Series | |||
Star Trek: Discovery | Glenn Hetrick, Rocky Faulkner, Nicola Bendrey, Chris Burgoyne | Paramount+ | |
American Horror Stories | Jason Hamer, Cale Thomas, Hiroshi Yada, Cary Ayers | FX on Hulu | |
Impeachment: American Crime Story | Justin Raleigh, Kelly Golden, Chris Hampton, Thom Floutz | FX | |
This Is Us | Zoe Hay, Stevie Bettles, Tania McComas, Elizabeth Hoel Chang | NBC | |
The Witcher | Barrie Gower, Deb Watson | Netflix | |
(2022) 15th [24] | Angelyne | Vincent Van Dyke, Kate Biscoe, Mike Mekash, Abby Lyle Clawson | Peacock |
Gaslit | Kazu Hiro, Richard Redlefsen, Mike Ornela | Starz | |
Guillermo del Toro's Cabinet of Curiosities | Sean Sansom, Mike Hill | Netflix | |
Stranger Things | Barrie Gower, Duncan Jarman, Patt Foad, Paula Eden | ||
Pam & Tommy | David Williams, Jason Collins, Mo Meinhart, Abby Lyle Clawson | Hulu | |
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Make-Up for a Feature Film is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a contemporary-set film. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the makeup artists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character makeup. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in Television and New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Hair Styling in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2019. Before being singled out, television films and specials were nominated alongside miniseries in the category Best Contemporary Hair Styling in a Television Mini-Series or Motion Picture Made for Television.
The Make-Up Artists and Hair Stylists Guild Award for Best Special Make-Up Effects in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in Special Effects makeup, or "Prosthetic makeup", whose work has been deemed "best" in a given year. In previous ceremonies, television films and specials were placed alongside miniseries, but this was changed in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given this category.
The Make-Up Artists and Hair Stylists Guild Award for Contemporary Makeup in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Contemporary Makeup in a Motion Picture Made for Television or Special is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Make-Up in a Television Series, Television Limited or Miniseries or Television New Media Series is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. The award was first given in 2000, during the first annual awards, and was given when the awards were brought back in 2014. During the 2001 and 2002 ceremonies, as well as ceremonies from 2015 to 2018, the awards made the distinction between regular series and miniseries/television films. This was amended in 2019, when miniseries nominees were placed alongside continuing series, while television films and specials were given their own category.
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