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| Man, Vrouw, Hondje | |
|---|---|
| Directed by | Nicole van Kilsdonk |
| Written by | Olivier Nilsson-Julien, Nicole van Kilsdonk |
Release date |
|
Running time | 88 minutes |
| Country | Netherlands |
| Language | Dutch |
Man, Vrouw, Hondje is a 1999 Dutch film directed by Nicole van Kilsdonk.
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Homo floresiensis( also known as "Flores Man") is an extinct species of small archaic human that inhabited the island of Flores, Indonesia, until the arrival of modern humans about 50,000 years ago.
Willy Albertina Verbrugge, known as Willeke Alberti, is a Dutch singer and actress, the daughter of entertainer and singer Willy Alberti (1926–1985) and Hendrika Geertruida Kuiper (1921–2011).
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Ecce Homo: How One Becomes What One Is is the last original book written by philosopher Friedrich Nietzsche before his death in 1900. It was written in 1888 and was not published until 1908.
Human taxonomy is the classification of the human species within zoological taxonomy. The systematic genus, Homo, is designed to include both anatomically modern humans and extinct varieties of archaic humans. Current humans have been designated as subspecies Homo sapiens sapiens, differentiated, according to some, from the direct ancestor, Homo sapiens idaltu.
The Dutch language in its modern form does not have grammatical cases, and nouns only have singular and plural forms. Many remnants of former case declensions remain in the Dutch language, but few of them are productive. One exception is the genitive case, which is still productive to a certain extent. Although in the spoken language the case system was probably in a state of collapse as early as the 16th century, cases were still prescribed in the written standard up to 1946/1947. This article describes the system in use until then. For a full description of modern Dutch grammar, see Dutch grammar. See also History of Dutch orthography.
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Christ Presented to the People, also known as Ostentatio Christi or Ecce Homo, is a drypoint print by Rembrandt van Rijn which exists in eight states, all c.1655. It is one of the two largest prints made by Rembrandt, about 15 by 18 inches, similar to his 1653 engraving of The Three Crosses. It has been described by Christie's as "at the summit of the western printmaking tradition".
