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Manuel Espinosa | |
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Born | 1912 Buenos Aires, Argentina |
Died | 2006 (aged 94) |
Nationality | Argentine |
Education | Escuela Nacional de Artes, Escuela Superior de Bellas Artes |
Known for | Painting, drawing, sculpture |
Notable work | Coleccion Privada |
Movement | Arte Concreto-Invención |
Manuel Espinosa (Buenos Aires, 1912 - Buenos Aires, Argentina, 2006) was an Argentinian painter.
Espinosa graduated from the Escuela Nacional de Artes and finished his studies in the Escuela Superior de Bellas Artes. He is one of the leaders of the geometric art in Argentina. He was a founding member of the asociación de Arte Concreto-Invención which was established in Buenos Aires in 1943.
Averaging[ clarification needed ] the 2nd World War, the group proposed a rupture as an alternative. Said rupture was related to the search for a new visual language corresponding to the exigencies of a new technological, industrial society. The group sustained common goals: the art should be non-figurative art, the painting flat, and the illusions and appearances banished, moving away from traditional painting. They looked for the worth of the painting itself. In 1951 he traveled to Europe and met Vantongerloo in Paris and Vordemberge-Gildewarth in Amsterdam, who guided him in his pursuit.
Upon the dissolution of the group, Espinosa left the common goals but remained faithful to the spirit of non-figuration and produced a painting constructed from geometric elements, characterized by a rigorous system of order and by the perfection of their registers. Clarity, moderation, are attributes of his painting, which with minimal elements arranged serially produce subtle effects of color and space and a dynamic tension that creates an impression of depth. It employs transparencies, juxtapositions superpositions that generate an optical effect of unquestionable interest. He is one of the painters who most enjoys the game aroused by reason and sensitivity, a consequence of his special relationship with music and literature.
"I believe all the work of men is moved by love. If I could enunciate in painting what Erik Satie expressed in his Trois Gmnopedies and Trois Gnossiennes, I would consider myself happy."
— Manuel Espinosa
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