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Marat/Sade | |
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Directed by | Peter Brook |
Screenplay by | Adrian Mitchell English translation: Geoffrey Skelton |
Based on | Marat/Sade by Peter Weiss |
Produced by | Michael Birkett |
Starring | Patrick Magee Ian Richardson Michael Williams Clifford Rose Glenda Jackson Freddie Jones |
Cinematography | David Watkin |
Edited by | Tom Priestley |
Music by | Richard Peaslee |
Distributed by | United Artists |
Release dates |
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Running time | 116 minutes [1] |
Country | United Kingdom |
Language | English |
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade (pronounced [ma.ʁa.sad] ), is a 1967 British film adaptation of Peter Weiss' play Marat/Sade . The screen adaptation is directed by Peter Brook, and originated in his theatre production for the Royal Shakespeare Company. The English version was written by Adrian Mitchell from a translation by Geoffrey Skelton.
The cast included Ian Richardson, Patrick Magee, Glenda Jackson, Clifford Rose, and Freddie Jones. It was filmed at Pinewood Studios in Buckinghamshire and released by United Artists on 22 February 1967 in the United States, and 8 March 1967 in the United Kingdom. The film's score comprised Richard Peaslee's compositions. David Watkin was the cinematographer. [2] The film uses the full title in the opening credits, though most of the publicity materials use the shortened form.
In the Charenton Asylum in 1808, the Marquis de Sade stages a play about the murder of Jean-Paul Marat by Charlotte Corday, using his fellow inmates as actors. The director of the hospital, Monsieur Coulmier, supervises the performance, accompanied by his wife and daughter. Coulmier, who supports Napoleon's government, believes that the play will support his bourgeois ideas, and denounce those of the French Revolution that Marat helped lead. His patients, however, have other ideas, and they make a habit of speaking lines he had attempted to suppress, or deviating entirely into personal opinion. The Marquis himself, meanwhile, subtly manipulates both the players and the audience to create an atmosphere of chaos and nihilism that ultimately brings on an orgy of destruction.
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Film review aggregator Rotten Tomatoes reported an approval rating of 94%, based on 14 reviews, with an average rating of 8/10. [3]
Roger Ebert wrote, "The actors are superb. When we first see the Marquis (Patrick Magee), he looks steadily into the camera for half a minute and the full terror of his perversion becomes clearer than any dialog can make it. Glenda Jackson, as Marat's assassin Charlotte Corday, weaves back and forth between the melancholy of her mental illness and the fire of the role she plays. Ian Richardson, as Marat, still advocates violence and revolution even though thousands have died and nothing has been accomplished." [4]
Film critic Leonard Maltin awarded the film 4 out of a possible 4 stars, calling the film "chilling", and praising the film's atmosphere as being "so vivid that it seems actors are breathing down your neck". [5]
The film received the "Youth Jury Mention, feature films" award at the 1967 Locarno International Film Festival. [6] Brook shared the 1969 Nastro d'Argento prize for Best Director of a Foreign Film (shared with Robert Bresson). [7]
Quills is a 2000 period film directed by Philip Kaufman and adapted from the Obie award-winning 1995 play by Doug Wright, who also wrote the original screenplay. Inspired by the life and work of the Marquis de Sade, Quills re-imagines the last years of the Marquis's incarceration in the insane asylum at Charenton. It stars Geoffrey Rush as de Sade, Kate Winslet as laundress Madeleine "Maddie" LeClerc, Joaquin Phoenix as the Abbé de Coulmier, and Michael Caine as Dr. Royer-Collard.
Women in Love is a 1969 British romantic drama film directed by Ken Russell and starring Alan Bates, Oliver Reed, Glenda Jackson, and Jennie Linden. The film was adapted by Larry Kramer from D. H. Lawrence's 1920 novel Women in Love. It was the first film to be released by Brandywine Productions.
Marie-Anne Charlotte de Corday d'Armont, known simply as Charlotte Corday, was a figure of the French Revolution who assassinated revolutionary and Jacobin leader Jean-Paul Marat on 13 July 1793.
Peter Ulrich Weiss was a German writer, painter, graphic artist, and experimental filmmaker of adopted Swedish nationality. He is particularly known for his plays Marat/Sade and The Investigation and his novel The Aesthetics of Resistance.
Ian William Richardson was a Scottish actor. He was best known for his portrayal of machiavellian Conservative politician Francis Urquhart in the BBC's House of Cards (1990–1995) television trilogy, as well as the pivotal spy Bill Haydon in Tinker Tailor Soldier Spy (1979). His other notable screen work included a portrayal of Sherlock Holmes in two films, as well as significant roles in Brazil, M. Butterfly, and Dark City.
The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade, usually shortened to Marat/Sade, is a 1963 play by Peter Weiss. The work was first published in German.
Charenton was a lunatic asylum founded in 1645 by the Frères de la Charité in Charenton-Saint-Maurice, now Saint-Maurice, Val-de-Marne, France.
François Simonet de Coulmier was a French Catholic priest, originally a member of the Premonstratensian canons regular, and an active member of the French legislature at the start of the French Revolution and again during the First French Empire.
Patrick George Magee was an Irish actor. He was noted for his collaborations with playwrights Samuel Beckett and Harold Pinter, sometimes called "Beckett's favourite actor," as well as creating the role of the Marquis de Sade in the original stage and screen productions of Marat/Sade.
Verna Frances Bloom was an American actress.
The Doughnut in Granny's Greenhouse is the second album by the British comedy rock group Bonzo Dog Doo-Dah Band. In the United States, it was released as Urban Spaceman and added their U.K. hit single "I'm the Urban Spaceman" to the track listing.
Mark Jones was a British actor, who appeared frequently in various films and television series.
There have been many and varied references to the Marquis de Sade in popular culture, including fictional works, biographies and more minor references. The namesake of the psychological and subcultural term sadism, his name is used variously to evoke sexual violence, licentiousness and freedom of speech. In modern culture his works are simultaneously viewed as masterful analyses of how power and economics work, and as erotica. Sade's sexually explicit works were a medium for the articulation of the corrupt and hypocritical values of the elite in his society, which caused him to become imprisoned. He thus became a symbol of the artist's struggle with the censor. Sade's use of pornographic devices to create provocative works that subvert the prevailing moral values of his time inspired many other artists in a variety of media. The cruelties depicted in his works gave rise to the concept of sadism. Sade's works have to this day been kept alive by artists and intellectuals because they espouse a philosophy of extreme individualism that became reality in the economic liberalism of the following centuries.
Bedlam is a 1946 American horror film directed by Mark Robson and starring Boris Karloff, Anna Lee and Richard Fraser, and was the last in a series of stylish horror B films produced by Val Lewton for RKO Radio Pictures. The film was inspired by William Hogarth's 1732–1734 painting series A Rake's Progress, and Hogarth was given a writing credit.
The Maids is a 1975 British film that was directed by Christopher Miles. It is based on the play of the same title by the French dramatist Jean Genet. The film stars Glenda Jackson as Solange, Susannah York as Claire, Vivien Merchant as Madame, and Mark Burns as Monsieur. The film was produced by Ely Landau for the American Film Theatre, which presented thirteen film adaptations of plays in the United States from 1973 to 1975.
Donatien Alphonse François, Marquis de Sade was a French writer, libertine, political activist and nobleman best known for his libertine novels and imprisonment for sex crimes, blasphemy and pornography. His works include novels, short stories, plays, dialogues, and political tracts. Some of these were published under his own name during his lifetime, but most appeared anonymously or posthumously.
French history has been the basis of plays in the English-speaking theatre since the English Renaissance theatre.
Always Goodbye is a 1938 American romantic drama film directed by Sidney Lanfield and starring Barbara Stanwyck, Herbert Marshall, and Ian Hunter.
City Without Men is a 1943 American film noir crime film directed by Sidney Salkow and starring Linda Darnell, Edgar Buchanan and Michael Duane. It was released by Columbia Pictures on January 14, 1943. A group of women lives in a boarding house near a prison where the residents are the wives of the prison inmates.