This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations . (December 2007) (Learn how and when to remove this template message) |
Marie Fedor was a stage actress from Boston, Massachusetts who performed in theater at the beginning of the 20th century.
Fedor spent most of her early life in Paris, France with her mother. She developed both musical and artistic tastes there. She returned to Boston and entered Radcliffe College. Fedor was forced to end her studies there because of severe illness.
Fedor, a debutante, became well known in Boston society before her entrance into the theater. She made her stage debut in Leah Kleschna , in December 1904, with the stock company of Minnie Maddern Fiske. The premiere occurred at the Manhattan Theatre, Broadway (Manhattan) and 33rd Street. Fedor portrayed the role of a peasant girl in an Austrian village.
Reviewer Robert Butler commented on Fedor's acting: "She displayed unusual understanding of stage technique. In the role of Frieda, an Austrian peasant girl, she appeared to an advantage that did not fail to win favorable comment. Miss Fedor fitted decidedly well into the beautiful picture of the fifth act. She will bear a deal of watching in the future."
Grace Patricia Kelly was an American film actress who, after starring in several significant films in the early to mid-1950s, became Princess of Monaco by marrying Prince Rainier III in April 1956.
Claudette Colbert was an American actress.
Mildred Dorothy Dunnock was an American stage and screen actress. She received two Academy Award nominations for Death of a Salesman in 1951, and for Baby Doll in 1956.
Once on This Island is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. Based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, it is set in the French Antilles archipelago in the Caribbean Sea. It concerns a peasant girl on a tropical island, who uses the power of love to bring people together of different social classes.
Edith Marie Blossom MacDonald, also known as Blossom Rock, was an American actress of vaudeville, stage, film and television. During her career she was also billed as Marie Blake or Blossom MacDonald. Her younger sister was screen actress and singer Jeanette MacDonald. Rock is probably best known for her role as "Grandmama" on the 1960s macabre/black comedy sitcom The Addams Family.
Marie Doro was an American stage and film actress of the early silent film era.
Constance Collier was an English stage and film actress and acting coach.
Tilla Durieux was an Austrian theatre and film actress of the first decades of the 20th century.
Laura Nelson Hall was an actress in theater and vaudeville stock companies in the late 19th century and early 20th century.
Dorothy Burgess was an American stage and motion-picture actress.
Ethel Jackson was a United States actress and comic prima donna of the late 19th and early 20th centuries. She appeared in Broadway theatrical productions, creating the title role in the original Broadway production of The Merry Widow.
Virginia Earle was an American stage actress remembered for her work in light operas, Edwardian musical comedies and vaudeville over the decades surrounding the turn of the twentieth century.
Joan Elmer Woodbury was an American actress beginning in the 1930s and continuing well into the 1960s.
The Manhattan Theatre was located at 102 West 33rd Street in Midtown Manhattan, New York City, directly across from Greeley Square at Sixth Avenue and 33rd Street. The 1,100-seat theatre opened in 1875 as the Eagle Theatre, and was renamed the Standard Theatre in 1878. All but destroyed by a fire in 1883, it was rebuilt in a more modern style and re-opened in December 1884. In 1898, the Standard was refurbished by architect Howard Constable and renamed the Manhattan Theatre. The theatre was demolished in 1909 for the construction of a Gimbels department store.
The Fruits of Enlightenment, aka Fruits of Culture is a play by the Russian writer Leo Tolstoy. It satirizes the persistence of unenlightened attitudes towards the peasants amongst the Russian landed aristocracy. In 1891 Constantin Stanislavski achieved success when he directed the play for his Society of Art and Literature organization.
Leah Kleschna is a drama in five acts by C.M.S. McLellan produced for the first time on Broadway by Minnie Maddern Fiske, Harrison Grey Fiske and the Manhattan Company with set design provided by Frank E. Gates and E. A. Morange.
Sarah Frances Marie Martinot was an American actress and soprano singer who performed on stage in dramas, musical comedy and comic opera. Her career began at the age fifteen as Cupid in Ixion; or, the Man at the Wheel and, but for a few years absence, she remained active on stage in America and abroad until 1908. She was the first to play Hebe in an American production of H.M.S. Pinafore, the first Katrina in the comic opera Rip Van Winkle and the first to play the title role in an English adaptation of the operetta Nanon. Late in her life Martinot would fall victim to mental illness and spend her last few years confined to psychiatric institutions.
Adrienne Adele Augarde was an English actress and singer popular for nearly a decade on both sides of the Atlantic Ocean, primarily for her roles in Edwardian musical comedy.
Brenda Lewis was an American operatic soprano, musical theatre actress, opera director, and music educator. She enjoyed a 20-year-long collaboration with the New York City Opera (NYCO) with whom she notably created roles in several world premieres by American composers; including the title role in Jack Beeson's Lizzie Borden in 1965. She also performed with frequency at the Metropolitan Opera from 1952 to 1965, and was active as a guest artist with notable opera companies both nationally and internationally. Although she is mainly remembered as an exponent of American operas and musicals, she performed a broad repertoire of works and was particularly celebrated for her portrayals of Marie in Wozzeck, Rosalinde in Die Fledermaus, and the title roles of Carmen and Salome; the latter of which she performed for the inauguration of the Houston Grand Opera in 1956.
Marie Charlotte Cäcilie Geistinger (1836–1903) was a celebrated Austrian actress and operatic soprano, known as the "Queen of Operetta". She frequently appeared in works by Jacques Offenbach, Johann Strauss II and Franz von Suppé. She achieved particular acclaim for performing Rosalinda in the première of Die Fledermaus at the Theater an der Wien in 1874. In 1881, her debut at the Thalia Theatre in New York was well received.