|Born|| Mario César Trejo|
13 January 1926
|Died||14 May 2012 86)(aged|
|Occupation||Poet, playwright, and journalist.|
Mario Trejo (13 January 1926 – 14 May 2012) was an Argentine poet, playwright, screenwriter, and journalist.
Mario César Trejo was born on January 13, 1926, though there is disagreement on his birth city; some sources indicate the city of Buenos Aires,while others La Plata; yet, Jorge Ariel Madrazo states in his prologue written for Trejo's poem entitled Orgasm (Orgasmo) that "Mario Trejo declares, otherwise, being born in Tierra del Fuego, in Comodoro Rivadavia, or in many other locations: everything indicates that this happened in the southern part of the country, but he does not specify in which year (Trejo agrees with Marcel Duchamp in that such precisions "only serve the fools and Spanish literature professors." He collaborated with several Argentine literary journals such as Contemporánea (1949), Luz y sombra (1948), Cinedrama, revista de cine y teatro contemporáneos (1953), Ciclo y Conjugación de Buenos Aires, as well as others European publications such as L'Expresso of Rome.
Buenos Aires is the capital and largest city of Argentina. The city is located on the western shore of the estuary of the Río de la Plata, on the South American continent's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre". The Greater Buenos Aires conurbation, which also includes several Buenos Aires Province districts, constitutes the fourth-most populous metropolitan area in the Americas, with a population of around 15.6 million.
La Plata is the capital city of Buenos Aires Province, Argentina. According to the 2001 census [INDEC], it has a population of 765,378 and its metropolitan area has 899,523 inhabitants.
Henri-Robert-Marcel Duchamp was a French-American painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art. He was careful about his use of the term Dada and was not directly associated with Dada groups. Duchamp is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Duchamp has had an immense impact on twentieth-century and twenty first-century art, and he had a seminal influence on the development of conceptual art. By World War I, he had rejected the work of many of his fellow artists as "retinal" art, intended only to please the eye. Instead, Duchamp wanted to use art to serve the mind.
Trejo was part of the very important "Poetry Buenos Aires Movement", formed in the 50s around the "Poetry Buenos Aires" magazine directed by Raúl Gustavo Aguirre, of which 30 editions were published during a decade, starting on the spring of 1950. Other important poets of those years collaborated, like Alberto Vanasco, Edgar Bailey, Rodolfo Alonso, Ramiro de Casasbellas, Paco Urondo, Alejandra Pizarnik, Daniel Giribaldi, Miguel Brascó, Elizabeth Azcona Cronwell, Natalio Hocsman and Jorge Carrol.
Alberto Vanasco was an Argentine novelist, poet and short fiction writer.
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He also worked in cinema and two films must be mentioned: in The Oil Route (Italy, 1966) Trejo interpreted himself, directed by Bernardo Bertolucci, whereas Desarraigo (Uprooted, Cuba 1965), directed by Fausto Canel, obtained an honorable mention at the 1966 San Sebastián International Film Festival.
Bernardo Bertolucci was an Italian director and screenwriter, whose films include The Conformist, Last Tango in Paris, 1900, The Last Emperor, The Sheltering Sky, Little Buddha, Stealing Beauty and The Dreamers.
The San Sebastián International Film Festival is an annual FIAPF A category film festival held in the Spanish city of Donostia-San Sebastián in September, in the Basque Country.
His long relationship with music, his years of friendship with many musicians, derived in some very important collaborations like the songs The Lost Birds and Private Scandals with Ástor Piazzolla, or Enrico Rava's excellent album Quotation Marks (Japo Records, 1976), in which played, among others, John Abercrombie, Jack DeJohnette and the Argentinian musicians Néstor Astarita and Ricardo Lew, and in which the singer Jeanne Lee sings Trejo's poems written in English.
Enrico Rava, is an Italian jazz trumpeter. He started on trombone, then changed to the trumpet after hearing Miles Davis.
John Laird Abercrombie was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
Jack DeJohnette is an American jazz drummer, pianist, and composer.
In 1964, Trejo unanimously won the Casa de las Américas literary award for his book The use of the word.
Casa de las Américas is an organization that was founded by the Cuban Government in April 1959, four months after the Cuban Revolution, for the purpose of developing and extending the socio-cultural relations with the countries of Latin America, the Caribbean and the rest of the world. Originally a publishing house and information center, it has developed into the best-known and most prestigious cultural institution in Cuba.
He died on 14 May 2012 at the age of 86 years.
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Gaucho literature, also known as gauchesco ("gauchoesque") style was a literary movement purporting to use the language of the gauchos, comparable to the American cowboy, and reflecting their mentality. Although earlier works have been identified as gauchoesque, the movement particularly thrived from the 1870s to 1920s in Argentina, Uruguay and south of Brazil after which the movement petered out, although some works continued to be written. Gauchoesque works continue to be read and studied as a significant part of Argentine literary history.
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