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The Academy Award for Best Visual Effects is presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for the best achievement in visual effects. It has been handed to four members of the team directly responsible for creating the film's visual effects since 1980.
Geoffrey Gilyard Unsworth, OBE, BSC was a British cinematographer who worked on nearly ninety feature films during a career that wound up spanning over more than forty years. He is best known for his work on critically acclaimed releases such as Stanley Kubrick's 2001: A Space Odyssey, Bob Fosse's Cabaret and Richard Donner's Superman.
Dennis Muren, A.S.C is an American film visual effects artist and supervisor. He has worked on the films of George Lucas, Steven Spielberg, and James Cameron, among others, and has won nine Oscars in total: eight for Best Visual Effects and a Technical Achievement Academy Award. The Visual Effects Society has called him "a perpetual student, teacher, innovator, and mentor."
Richard Edlund, ASC is an American visual effects artist and inventor. He was a founding member of Industrial Light & Magic, having already founded Pignose amplifiers, and later co-founded Boss Film Studios and DuMonde VFX. He has won four Academy Awards for Best Visual Effects, as well as two Special Achievement Awards, two Scientific and Technical Awards, and the Medal of Commendation. He is also a BAFTA and Emmy Award recipient.
Linwood G. Dunn, A.S.C. was an American pioneer of visual special effects in motion pictures and an inventor of related technology. Dunn worked on many films and television series, including the original 1933 King Kong (1933), Citizen Kane (1941), and Star Trek (1966–69).
Denys Neil Coop was an English camera operator and cinematographer. He was a president of the British Society of Cinematographers from 1973 to 1975.
Boss Film Studios was a prominent American visual effects company, founded by visual effects veteran Richard Edlund after his departure from Industrial Light and Magic, producing visual effects for over thirty films from 1983 to 1997. Before that period Edlund had worked at ILM on films like Raiders of the Lost Ark (1981) and the original Star Wars trilogy (1977-1983).
Robert Christopher Elswit, ASC is an American cinematographer. He has collaborated with Paul Thomas Anderson on six of his films and won the Academy Award for Best Cinematography for There Will Be Blood. Elswit has also collaborated with directors and screenwriters Tony and Dan Gilroy on all of the six films that either brother directed.
Garry Waller is an American director of photography and visual effects supervisor who has worked in Hollywood for nearly thirty years. He has been nominated for both an Academy Award and an Emmy Award and has worked with, among others, Tim Burton, Michael Mann, Mark Romanek, and Steven Spielberg. Garry also collaborated with director David Fincher on the visionary 'Constant Change' HP commercial and shot the 'Love is Strong' music video for the Rolling Stones, for which he received the MTV Video Music Award for Cinematography. Among his countless commercials credits are the iconic iPod silhouette spot for Apple Inc. and a recent Volkswagen campaign filmed on location in Shanghai, China.
Robert Blalack was a Panama-born American mass-media visual artist, independent filmmaker, and producer. He is one of the founders of Industrial Light & Magic. Blalack received the Academy Award for Best Visual Effects in 1978 for his work on the first Star Wars film. He also received the Primetime Emmy Award for Outstanding Special Visual Effects in 1984 for his work on the 1983 television film The Day After. Blalack directed experimental films and mixed-media television commercials, and he produced visual effects for theme park rides.
Farciot Edouart, ASC was a film special-effects artist and innovator perhaps best known for his work with process photography, also known as rear projection.
Robert Legato is an American visual effects supervisor, second unit director, and second unit director of photography.
John Nelson is an American visual effects supervisor. He has won two Academy Awards for Best Visual Effects for his work on the film Gladiator (2000) and Blade Runner 2049 (2017). He has also been nominated for I, Robot (2004) and Iron Man (2008).
Dennis Ayling BSC was a British cinematographer. He is best known for his miniature effects cinematography for the 1979 science fiction film Alien, for which he won an Academy Award for Best Visual Effects.
Chris Lawrence is a visual effects supervisor. Lawrence and his fellow visual effects artists received an Academy Award for Best Visual Effects for the 2013 film, Gravity. In 2016, Lawrence received his second Academy Award nomination for his work on the film, The Martian, at the 88th Academy Awards. In 2018, he received his third Academy Award nomination for his work on the film, Christopher Robin, at the 91st Academy Awards, and received his fourth nomination in 2021, at the 93rd Academy Awards for the 2020 Netflix film The Midnight Sky. He is the eldest son and heir apparent of Sir Henry Lawrence, 7th Baronet of Lucknow.
John Bruno is an American visual effects artist and filmmaker known for his prolific collaborations with director James Cameron on films like Terminator 2: Judgment Day, True Lies, Titanic, Avatar, and The Abyss, for which he won the Academy Award for Best Visual Effects.
Lorne Peterson is a Canadian special effects artist most known for the Indiana Jones and Star Wars films.
Chuck Gaspar was an American special effects artist who worked on 70 different films and TV shows, such as The Birds, Ghostbusters, Pale Rider and Armageddon.
Mark Stetson is a visual effects artist, specializing in miniature effects.
Roy Field was a British special effects artist in the film industry. He worked on the first seven James Bond films before joining the team of 1978's Superman. He experimented with using animation to depict the flight of Superman and also used optical printing techniques to depict bullets bouncing off his body. The team shared the 1978 Academy Award for Best Visual Effects and the 1978 Michael Balcon award for Outstanding British Contribution to Cinema. Field received two BAFTA nominations for visual effects on the Jim Henson films The Dark Crystal (1982) and Labyrinth (1986).
References
- ↑ "The 57th Academy Awards (1985) Nominees and Winners". oscars.org. Retrieved April 13, 2014.
