Marmorino Veneziano is a type of plaster or stucco. It is based on calcium oxide and used for interior and exterior wall decorations. Marmorino plaster can be finished via multiple techniques for a variety of matte, satin, and glossy final effects. It was used as far back as Roman times, but was made popular once more during the Renaissance 500 years ago in Venice.
Marmorino is made from crushed marble and lime putty, which can be tinted to give a wide range of colours. This can then be applied to make many textures, from polished marble to natural stone effects. Widely used in Italy, its appeal has spread through North America especially, but now worldwide. Because of the hours of workmanship, the pricing places it in the high-end market. However, many examples can be seen in public buildings, bars, restaurants, etc.
Its waterproofing and antibacterial qualities as well as visual effects have also made it very desirable for luxury bathrooms, honeymoon bedrooms and other wet areas. Not confined to interior use, it can be seen on the exterior of many buildings to great effect.
Marmorino is well known as a classic Venetian plaster; however, its origins are much older, dating to ancient Roman times. We can see evidence of it today in the villas of Pompeii and in various ancient Roman structures. In addition, it was also written about in Vitruvius's De architectura , a 1st Century B.C. history of Rome. Marmorino was rediscovered centuries later after the discovery of Vitruvio's ancient treatise in the 15th century. This 'new' plaster conformed well to the aesthetic requirements dictated by the classical ideal that in the 15th century had recently become fashionable in the Venetian lagoon area.
The first record of work being done with marmorino is a building contract with the nuns of Santa Chiara of Murano in 1473. In this document, it is written that before the marmorino could be applied, the wall had to be prepared with a mortar made of lime and "coccio pesto" (ground terra cotta). This "coccio pesto" was then excavated from tailings of bricks or recycled from old roof tiles.
At this point, to better understand the popularity of marmorino in Venetian life, two facts need to be considered. The first is that in a city that extends over water, the transport of sand for making plaster and the disposal of tailings was, and still is, a huge problem. So the use of marmorino was successful not only because the substrate was prepared using terra cotta scraps, but also the finish, marmorino, was made with leftover stone and marble, which were in great abundance at that time. These ground discards were mixed with lime to create marmorino.
Besides, marmorino and substrates made of "coccio pesto" resisted the ambient dampness of the lagoon better than almost any other plaster. The first because it is extremely breathable by virtue of the kind of lime used (only lime which sets on exposure to air after losing excess water) and the second, because it contains terracotta which when added to lime makes the mixture hydraulic, that is, it's effective even in very damp conditions (because it contains silica and aluminium, bases of modern cement and Hydraulic lime preparations). The second consideration is that an aesthetically pleasing result could be achieved in an era dominated by the return of a classical Greco-Roman style allowing less weight to be transmitted to the foundation when compared to the habit of covering facades with slabs of stone.
Usually, marmorino was white to imitate Istrian stone, which was most often used in Venetian construction, but was occasionally decorated with frescoes to imitate the marble, which Venetian merchants brought home from their voyages to the Orient. (In this period of the Republic of Venice, merchants felt obliged to return home bearing precious, exotic marble as a tribute to the beauty of their own city.)
Marmorino maintained its prestige for centuries until the end of the 1800s when interest in it faded and it was considered only an economical solution to the use of marble. Only at the end of the 1970s, thanks in part to architect Carlo Scarpa's use of marmorino, did this finishing technique return to the interest of the best modern architects.
For about 10 years, industries were also interested in marmorino which was only produced by artisans. Today, however, ready-to-use marmorino can be found, often with glue added to allow it to be applied on non-traditional surfaces such as drywall or wood panelling.
A cement is a binder, a chemical substance used for construction that sets, hardens, and adheres to other materials to bind them together. Cement is seldom used on its own, but rather to bind sand and gravel (aggregate) together. Cement mixed with fine aggregate produces mortar for masonry, or with sand and gravel, produces concrete. Concrete is the most widely used material in existence and is behind only water as the planet's most-consumed resource.
Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently Buon fresco technology, the use of supplementary organic materials was widespread, if underrecognized.
Terrazzo is a composite material, poured in place or precast, which is used for floor and wall treatments. It consists of chips of marble, quartz, granite, glass, or other suitable material, poured with a cementitious binder, polymeric, or a combination of both. Metal strips often divide sections, or changes in color or material in a pattern. Additional chips may be sprinkled atop the mix before it sets. After it is cured it is ground and polished smooth or otherwise finished to produce a uniformly textured surface. "Terrazzo" is also often used to describe any pattern similar to the original terrazzo floors.
Mortar is a workable paste which hardens to bind building blocks such as stones, bricks, and concrete masonry units, to fill and seal the irregular gaps between them, spread the weight of them evenly, and sometimes to add decorative colors or patterns to masonry walls. In its broadest sense, mortar includes pitch, asphalt, and soft mud or clay, as those used between mud bricks, as well as cement mortar. The word "mortar" comes from Old French mortier, "builder's mortar, plaster; bowl for mixing." (13c.).
Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. Another imprecise term used for the material is stucco, which is also often used for plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.
Whitewash, or calcimine, kalsomine, calsomine, or lime paint is a type of paint made from slaked lime (calcium hydroxide, Ca(OH)2) or chalk calcium carbonate, (CaCO3), sometimes known as "whiting". Various other additives are sometimes used.
Stucco or render is a construction material made of aggregates, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as a decorative coating for walls and ceilings, exterior walls, and as a sculptural and artistic material in architecture. Stucco can be applied on construction materials such as metal, expanded metal lath, concrete, cinder block, or clay brick and adobe for decorative and structural purposes.
Scagliola is a type of fine plaster used in architecture and sculpture. The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. The scagliola technique came into fashion in 17th-century Tuscany as an effective substitute for costly marble inlays, the pietra dura works created for the Medici family in Florence. The use of scagliola declined in the 20th century.
Lime is an inorganic material composed primarily of calcium oxides and hydroxides, usually calcium oxide and/or calcium hydroxide. It is also the name for calcium oxide which occurs as a product of coal-seam fires and in altered limestone xenoliths in volcanic ejecta. The International Mineralogical Association recognizes lime as a mineral with the chemical formula of CaO. The word lime originates with its earliest use as building mortar and has the sense of sticking or adhering.
Tadelakt is a waterproof plaster surface used in Moroccan architecture to make baths, sinks, water vessels, interior and exterior walls, ceilings, roofs, and floors. It is made from lime plaster, which is rammed, polished, and treated with soap to make it waterproof and water-repellent. Tadelakt is labour-intensive to install, but durable. Since it is applied as a paste, tadelakt has a soft, undulating character, it can form curves, and it is seamless. Pigment can be added to give it any colour, but deep red is traditional. It may have a shiny or matte finish.
Lime plaster is a type of plaster composed of sand, water, and lime, usually non-hydraulic hydrated lime. Ancient lime plaster often contained horse hair for reinforcement and pozzolan additives to reduce the working time.
Plasterwork is construction or ornamentation done with plaster, such as a layer of plaster on an interior or exterior wall structure, or plaster decorative moldings on ceilings or walls. This is also sometimes called pargeting. The process of creating plasterwork, called plastering or rendering, has been used in building construction for centuries. For the art history of three-dimensional plaster, see stucco.
A plasterer is a tradesman or tradesperson who works with plaster, such as forming a layer of plaster on an interior wall or plaster decorative moldings on ceilings or walls. The process of creating plasterwork, called plastering, has been used in building construction for centuries. A plasterer is someone who does a full 4 or 2 years apprenticeship to be fully qualified
Lime mortar or torching is a masonry mortar composed of lime and an aggregate such as sand, mixed with water. It is one of the oldest known types of mortar, used in ancient Rome and Greece, when it largely replaced the clay and gypsum mortars common to ancient Egyptian construction.
Architectural sculpture is a general categorization used to describe items used for the decoration of buildings and structures. In the United States, the term encompasses both sculpture that is attached to a building and free-standing pieces that are a part of an architects design.
Stucco decoration in Islamic architecture refers to carved or molded stucco and plaster. The terms "stucco" and "plaster" are used almost interchangeably in this context to denote most types of stucco or plaster decoration with slightly varying compositions. This decoration was mainly used to cover walls and surfaces and the main motifs were those predominant in Islamic art: geometric, arabesque, and calligraphic, as well as three-dimensional muqarnas. Plaster of gypsum composition was extremely important in Islamic architectural decoration as the relatively dry climate throughout much of the Islamic world made it easy to use this cheap and versatile material in a variety of spaces.
Polished plaster is a term for the finish of some plasters and for the description of new and updated forms of traditional Italian plaster finishes. The term covers a whole range of decorative plaster finishes, from the very highly polished Venetian plaster and Marmorino to the rugged look of textured polished plasters. Polished plaster itself tends to consist of slaked lime, marble dust, and/or marble chips, which give each plaster its distinctive look. A lime-based polished plaster may contain over 40% of marble powder.
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word faux, meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces.
Cement render or cement plaster is the application of a mortar mix of sand and cement, and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. Depending on the 'look' required, rendering can be fine or coarse, textured or smooth, natural or colored, pigmented or painted.
Qadad or qudad is a waterproof plaster surface, made of a lime plaster treated with slaked lime and oils and fats. The technique is over a thousand years old, with the remains of this early plaster still seen on the standing sluices of the ancient Marib Dam.