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Marthe, histoire d'une fille (English: Marthe, the Story of a Girl - where "girl" has the implication "prostitute" ) was the first novel by the French writer Joris-Karl Huysmans, published in 1876.
The book is autobiographical in inspiration and tells the story of the love affair between a young journalist called Léo and the heroine of the title, a would-be actress who works in a factory for artificial pearls as well as in a licensed brothel. The love affair breaks up and Marthe goes to live with the alcoholic actor-manager Ginginet. After his death, she is reduced to living on the streets. Huysmans was worried about the response to the book's controversial subject matter, since the author Jean Richepin had recently been imprisoned for a month and fined for writing a book on the theme of prostitution. In spite of this, Marthe is not pornographic. Huysmans intended its squalid realism as an attack on the overidealised view of bohemian life in Paris he found in such Romantic writers as Henri Murger, whose famous Scènes de la vie bohème had appeared in 1848. Huysmans' style in Marthe owes a great deal to his literary hero at the time, Edmond de Goncourt.
To avoid prosecution, Huysmans travelled to Brussels to have Marthe issued by the Belgian publisher Jean Gay, who had considerable experience smuggling contraband books across the French border. The novel appeared for sale in Belgium on October 1, 1876. Huysmans decided against smuggling it into France but when he attempted to take 400 copies through French customs, all but a handful were impounded. Huysmans decided to send some of the few remaining copies to leading figures of the literary scene in Paris. Edmond de Goncourt offered qualified praise but Émile Zola was most enthusiastic. Zola, the head of the new Naturalist school of French fiction, soon became a friend and mentor to the young Huysmans, whose association with the Naturalist group would last until his most famous novel, A rebours (1884), took Huysmans' writing in a completely different direction.
Émile Édouard Charles Antoine Zola was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…! Zola was nominated for the first and second Nobel prizes in literature in 1901 and 1902.
Charles-Marie-Georges Huysmans was a French novelist and art critic who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours. He supported himself by way of a 30-year career in the French civil service.
The Prix Goncourt is a prize in French literature, given by the académie Goncourt to the author of "the best and most imaginative prose work of the year". The prize carries a symbolic reward of only 10 euros, but results in considerable recognition and book sales for the winning author. Four other prizes are also awarded: prix Goncourt du Premier Roman, prix Goncourt de la Nouvelle, prix Goncourt de la Poésie (poetry) and prix Goncourt de la Biographie (biography). Of the "big six" French literary awards, the Prix Goncourt is the best known and most prestigious. The other major literary prizes include the Grand Prix du roman de l'Académie française, the Prix Femina, the Prix Renaudot, the Prix Interallié and the Prix Médicis.
Edmond Louis Antoine Huot de Goncourt was a French writer, literary critic, art critic, book publisher and the founder of the Académie Goncourt.
Octave Henri Marie Mirbeau was a French novelist, art critic, travel writer, pamphleteer, journalist and playwright, who achieved celebrity in Europe and great success among the public, whilst still appealing to the literary and artistic avant-garde with highly transgressive novels that explored violence, abuse and psychological detachment. His work has been translated into 30 languages.
Nana is a novel by the French naturalist author Émile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series.
Georges Eekhoud was a Belgian novelist of Flemish descent, but writing in French.
À rebours is an 1884 novel by the French writer Joris-Karl Huysmans. The narrative centers on a single character: Jean des Esseintes, an eccentric, reclusive, ailing aesthete. The last scion of an aristocratic family, Des Esseintes loathes nineteenth-century bourgeois society and tries to retreat into an ideal artistic world of his own creation. The narrative is almost entirely a catalogue of the neurotic Des Esseintes's aesthetic tastes, musings on literature, painting, and religion, and hyperaesthesic sensory experiences.
19th-century French literature concerns the developments in French literature during a dynamic period in French history that saw the rise of Democracy and the fitful end of Monarchy and Empire. The period covered spans the following political regimes: Napoleon Bonaparte's Consulate (1799–1804) and Empire (1804–1814), the Restoration under Louis XVIII and Charles X (1814–1830), the July Monarchy under Louis Philippe d'Orléans (1830–1848), the Second Republic (1848–1852), the Second Empire under Napoleon III (1852–1871), and the first decades of the Third Republic (1871–1940).
Robert André Edouard Baldick, FRSL, was a British scholar of French literature, writer, translator and joint editor of the Penguin Classics series with Betty Radice. He was a Fellow of Pembroke College, Oxford.
Là-Bas, translated as Down There or The Damned, is a novel by the French writer Joris-Karl Huysmans, first published in 1891. It is Huysmans's most famous work after À rebours. Là-Bas deals with the subject of Satanism in contemporary France, and the novel stirred a certain amount of controversy on its first appearance. It is the first of Huysmans's books to feature the character Durtal, a thinly disguised portrait of the author himself, who would go on to be the protagonist of all of Huysmans's subsequent novels: En route, La cathédrale and L'oblat.
Les Sœurs Vatard is a novel by the French writer Joris-Karl Huysmans, first published in 1879. It was the author's second novel. His first, Marthe (1876), had earned the praise of Émile Zola and Huysmans had come to be associated with the older author and his Naturalist school of fiction. Les Sœurs Vatard shows the clear influence of Naturalism, being a realistic depiction of working-class life based on meticulous documentation.
À vau-l'eau is a novella by the French writer Joris-Karl Huysmans, first published by Henry Kistmaeckers in Brussels on January 26, 1882.
Jules Huret was a French journalist, best known for his interviews with writers.
Léon Louis Deffoux was a 20th-century French journalist.
Marguerite Charpentier was a French salonist and art collector who was one of the earliest champions of the Impressionists, especially Pierre-Auguste Renoir.
Georges Charpentier was a 19th-century French publisher who became known as a champion of naturalist writers, especially Émile Zola, Gustave Flaubert, and Guy de Maupassant. He also promoted Impressionist painters and together with his wife, Marguerite Charpentier, built a small but significant art collection.
The Goncourt Journal was a diary written in collaboration by the brothers Edmond and Jules de Goncourt from 1850 up to Jules' death in 1870, and then by Edmond alone up to a few weeks before his own death in 1896. It forms an unrivalled and entirely candid chronicle of the literary and artistic Parisian world in which they lived; "a world", it has been said, "of bitter rivalries and bitterer friendships, in which every gathering around a café table on the Grands Boulevards [was] a chance to raise one's status in the byzantine literary hierarchy".
Prostitution in Impressionist painting was a common subject in the art of the period. Prostitution was a very widespread phenomenon in nineteenth-century Paris and although an accepted practice among the nineteenth century bourgeoisie, it was nevertheless a topic that remained largely taboo in polite society. As a result, Impressionist works depicting the prostitute often became the subject of scandal, and particularly venomous criticism. Some works showed her with considerable sympathy, while others attempted to impart an agency to her; likewise some work showed high-class courtesans, and others prostitutes awaiting clients on the streets. In addition to the sexual revulsion/attraction the figure of the prostitute stirred, she functioned as a sign of modernity, a clear sign of the entanglement of sex, class, power and money.
Théodore (Théo) Hannon (1851-1916) was a Belgian painter, watercolorist, engraver, and man of letters. As a man of letters, he was a scenarist, theatrical-parodist, and poet.