Mary Tudor | |
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Directed by | Giuseppe de Liguoro |
Production company | |
Distributed by | Milano Film |
Release date |
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Country | Italy |
Language | Italian |
Mary Tudor (Italian: Maria Tudor) is a 1911 Italian silent historical film directed by Giuseppe de Liguoro. It is now a lost film and very little is known about it other than its portrayal of Mary I of England. [1] It might be based on the play Marie Tudor by Victor Hugo. De Liguoro directed a number of historical films during the era.
The Last Days of Pompei is a 1926 Italian historical silent drama film. The film was directed by Carmine Gallone and Amleto Palermi based on the 1834 novel The Last Days of Pompeii by Edward Bulwer-Lytton. Original release prints of the film were entirely colorized by the Pathechrome stencil color process.
Assunta Spina is a 1930 Italian silent drama film directed by Roberto Roberti and starring Rina De Liguoro and Febo Mari. It is based on the play of the same title by Salvatore Di Giacomo.
Rina De Liguoro was an Italian film actress. Born Elena Caterina Catardi, she changed her name after marrying film actor and director Wladimiro De Liguoro in 1918. She appeared in leading roles in a number of Italian epics during the 1920s such as The Last Days of Pompeii. She later appeared in character roles after an unsuccessful spell in Hollywood. Her final film was Luchino Visconti's The Leopard.
Marie Tudor is an 1833 play by the French writer Victor Hugo. It is a historical work portraying the rise, fall and execution of Fabiano Fabiani, a fictional favourite of Mary I of England (1516–1558). Mary has Fabiani thrown in the Tower of London and despite later wishing to spare his life, is unable to do so. This was an influence on Oscar Wilde's later The Duchess of Padua.
Marie Tudor is a 1912 French silent historical film directed by Albert Capellani and starring Jeanne Delvair, Paul Capellani and Romuald Joubé. The film is an adaptation of Victor Hugo's 1833 play of the same title set at the court of Mary I of England. It was re-released in 1917, and is sometimes dated to that year.
The Courier of Moncenisio is a 1927 Italian silent drama film directed by Baldassarre Negroni and starring Bartolomeo Pagano, Rina De Liguoro and Umberto Casilini. It is an adaptation of the 1852 play Jean le cocher by Joseph Bouchardy.
Country Air is a 1933 Italian comedy film directed by Eugenio de Liguoro and starring Erminio Macario, Laura Adani and Evangelina Vitaliani. It marked the debut of Macario. An unemployed drifter takes a series of jobs, each one of which he quickly loses. He then goes to the countryside for a while where he falls in love with a woman.
Eugenio de Liguoro was an Italian actor and film director. He was the son of Giuseppe de Liguoro, and acted in several of his films during the 1910s as well as some in the United States. He increasingly moved behind the camera, and directed the 1933 Italian comedy Country Air. His career later took him to India and Chile. His final film was the American Stop That Cab, made for Lippert Pictures. He died suddenly in Los Angeles after making the film.
Giuseppe de Liguoro (1869–1944) was an Italian actor and film director of the silent era. He came from an aristocratic Neapolitan family. De Liguoro was a pioneering figure of early Italian cinema, making a number of historical films in the early 1910s such as L'Inferno (1911) and Mary Tudor (1911).
Wladimiro de Liguoro was an Italian actor and film director. He was the son of the director Giuseppe de Liguoro and the brother of Eugenio de Liguoro. He was the husband of the film star Rina De Liguoro, who took her stage name from him.
Quanto è bello lu murire acciso, also known as The Expedition and How Wonderful to Die Assassinated, is a 1976 Italian historical drama film directed by Ennio Lorenzini. It depicts the failed expedition organized by Carlo Pisacane in 1857 to provoke a rising in the Kingdom of the Two Sicilies.
Messalina is a 1924 Italian historical drama film directed by Enrico Guazzoni and starring Rina De Liguoro, Calisto Bertramo, and Gildo Bocci. It portrays the life of Messalina, the third wife of the Roman Emperor Claudius.
Odette is a 1916 Italian silent drama film based upon the play by Victorien Sardou, directed by Giuseppe de Liguoro, and starring Francesca Bertini, Alfredo De Antoni, and Carlo Benetti. It was remade in 1928 and 1935, with both versions starring Bertini.
L'Odissea is a 1911 Italian silent film, the third known adaptation from Homer's Odyssey. The film was made in the context of the world's fair of Turin International in 1911, on the occasion of the 50th anniversary of the unification of Italy, where he launched a film competition for films artistic, scientific and with educational purposes.
Mary Stuart is a 1927 German silent historical film directed by Friedrich Feher and Leopold Jessner and starring Magda Sonja, Fritz Kortner and Walter Janssen. It portrays the reign of Mary, Queen of Scots. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert A. Dietrich. It was made by the production company National Film and released in two parts.
The Hearth Turned Off is a 1925 Italian silent film directed by Augusto Genina and starring Carmen Boni.
The Beautiful Corsair is a 1928 Italian silent film directed by Wladimiro De Liguoro and starring Rina De Liguoro, Bruto Castellani and Carlos Montes.
Mary Tudor is a 1920 German silent historical film directed by Adolf Gärtner and starring Ellen Richter, Hans Adalbert Schlettow and Hanni Reinwald. It is based on the play Marie Tudor by Victor Hugo. In 1922 it was given an American release under the title Judgement.
Farewell, My Beautiful Naples is a 1917 Italian silent romance film directed by Giuseppe de Liguoro. It is based on a 1910 play, which was later turned into a 1946 sound film of the same name.