Napoleon I as Emperor, also known as Napoleon I in his Coronation Robes is an oil on canvas painting by the French artist François Gérard, produced in 1805 under the First French Empire. Gerard initially produced the painting as an official portrait of Napoleon I for his throne room at the Tuileries Palace. It was later moved to the Palace of Versailles. It spent time at in the Louvre Museum, at the Élysée Palace from 1849 to 1851 under the presidency of Louis-Napoléon Bonaparte, then at the Château de Saint-Cloud, and returned to Versailles in 1894.
Saint Jerome and the Angel of Judgement is an oil on canvas painting by Jusepe de Ribera, signed and dated by the artist in 1626. It was produced as a display for a side chapel next to the high altar of the church of Santissima Trinità delle Monache, which also housed Ribera's Earthly Trinity. The religious order running the building was suppressed in 1813 and the canvas instead entered the Bourbon Collection and the National Museum of Capodimonte in Naples - it still hangs in the latter.
The Temples of Paestum is an 1824 painting by Antonie Sminck Pitloo. It shows two of the temples at Paestum, probably during an excavation.
Ptolemy Philadelphus in the Library of Alexandria is an 1813 oil on canvas painting by Vincenzo Camuccini. It is now in the National Museum of Capodimonte in Naples.
Sacrificial Scene is a grisaille tempera on canvas painting by Pontormo, produced around 1520 and now in the National Museum of Capodimonte in Naples. It was probably originally produced as part of the decoration of an interior in honour of Cosimo de' Medici.
Charles III's Departure for Spain, Seen from the Sea is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Land are now in the National Museum of Capodimonte in Naples.
Charles III's Departure for Spain, Seen from the Land is a 1759 oil on canvas painting by Antonio Joli, showing Charles leaving Naples to be crowned king of Spain after the death of his two elder brothers. It and its pair Charles III's Departure for Spain, Seen from the Sea are now in the National Museum of Capodimonte in Naples.
Last Judgement is a 1549 tempera on panel painting by Marcello Venusti after Michelangelo's Sistine Chapel The Last Judgement (1541). It is now in the National Museum of Capodimonte in Naples.
Harvest Time at Carditello is a 1791 oil on canvas painting by Jakob Philipp Hackert, who had become a painter to the royal court at Naples. In 1791 he was commissioned to paint frescoes in the 'salottino' of the manorhouse at Carditello, but the cycle was partly destroyed by anti-Bourbon figures following the unification of Italy.
Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale is a painting by Giovanni Paolo Pannini, commissioned by Charles of Bourbon in 1746 and completed the same year. It showed and commemorated Charles' visit to Rome after the Bourbon victory over the Austrians at the Battle of Velletri in 1744 - he and pope Benedict XIV were already friends and had signed a Concordat in 1741.
Charles of Bourbon Visiting St Peter's Basilica is a painting by Giovanni Paolo Pannini, commissioned by its subject Charles of Bourbon in 1746 and completed later that year. It was part of the same commission as the same artist's Charles of Bourbon Visiting Pope Benedict XIV at the Coffee House del Quirinale and both works are now in the National Museum of Capodimonte in Naples.
Ferdinand I and His Family is a 1782 oil on canvas painting by Angelica Kauffman, now in Room 37 of the National Museum of Capodimonte in Naples.
Francis I and His Family is an 1820 oil on canvas painting by Giuseppe Cammarano, now in the National Museum of Capodimonte in Naples.
Portrait of Charles of Bourbon in Hunting Dress is an oil on canvas painting by Antonio Sebastiani, likely produced in the 1730s either whilst Charles was still in the Duchy of Parma and Piacenza or at the latest during the early years of his rule of Naples and Sicily - Sebastiani was the court painter. It is now in Room 32 of the National Museum of Capodimonte in Naples, part of the building's former royal apartments.
Portrait of Charles IV of Spain is a portrait of Charles IV of Spain in hunting dress with a hunting dog. Both it and a pendant of his wife were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by Charles's daughter Maria Isabella of Spain along with. It was sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Goya was a court artist to the royal family, though most of his paintings of them are still in the Prado Museum. The two works were commissioned by the couple's daughter Maria Isabella of Spain. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.
Portrait of Ferdinand I is an oil on canvas painting by Anton Raphael Mengs, now in the National Museum of Capodimonte. It shows Ferdinand and was commissioned by his mother Maria Amalia of Saxony to celebrate Ferdinand's accession to the throne of the Two Sicilies aged only eight after his father Charles of Bourbon's abdicated that throne to be king of Spain. This makes it the first official painting of the new king, produced by the artist in October 1759 in around a month, though it was critiqued by the other court artists Luigi Vanvitelli, Giuseppe Bonito and Francesco Liani, who had been passed over for the commission. Mengs also produced a lower-quality second copy the following year which is now in the Prado Museum in Madrid.
Portrait of Philip II is an oil on canvas portrait by Titian of Philip II of Spain wearing the chain of the Order of the Golden Fleece. It is in the collection of the Museo di Capodimonte in Naples, Italy.
Portrait of Joachim Murat is an 1808 oil on canvas painting of Joachim Murat by François Gérard, now in Room 54 of the National Museum of Capodimonte. It shows its subject in the pose of Michelangelo's David and was commissioned by him after his accession to the throne of the Two Sicilies for the Palace of Portici. It is a replica of a painting commissioned for the Diana Gallery at the Tuileries Palace, later moved to the Palace of Versailles.
Equestrian Portrait of Charles of Bourbon is a mid-18th century oil on canvas portrait of Charles of Bourbon, produced by Francesco Liani towards the end of Charles' rule in Naples before becoming Charles III of Spain. Liani also produced a portrait of Charles' wife, Maria Amalia of Saxony. Both works are now in Room 34 of the National Museum of Capodimonte.
