Matteo Zamboni

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Matteo Zamboni (active early 18th century) was an Italian painter, active in Emilia-Romagna. He was the pupil of Carlo Cignani.

Emilia-Romagna Region of Italy

Emilia-Romagna is an administrative region of Northeast Italy comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has an area of 22,446 km2 (8,666 sq mi), and about 4.4 million inhabitants.

Carlo Cignani Italian painter

Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.

Biography

This Matteo Zamboni died young, and was active circa 1710, and is best known for two altarpieces from the church of San Niccolo in Rimini, one depicting San Pietro Celestino and the other San Benedetto. [1] Lanzi notes some works in private houses, such as Casa Panzachi, [2] and that he painted in a style resembling his teacher. [3]

Rimini Comune in Emilia-Romagna, Italy

Rimini is a city of 150.590 inhabitants in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. It is located on the Adriatic Sea, on the coast between the rivers Marecchia and Ausa. It is one of the most famous seaside resorts in Europe, thanks to its 15-kilometre-long (9 mi) sandy beach, over 1,000 hotels, and thousands of bars, restaurants and discos. The first bathing establishment opened in 1843. An art city with ancient Roman and Renaissance monuments, Rimini is the hometown of the famous film director Federico Fellini as well.

The name Matteo Zamboni also applies to a painter from Cento, but known as Cremonini, who was a master of Guercino. He lived in the parish of San Marmolo. [4]

Guercino 17th-century painter of the Italian Seicento

Giovanni Francesco Barbieri, better known as Guercino, or il Guercino[ɡwerˈtʃiːno], was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.

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