Matteo Zamboni (active early 18th century) was an Italian painter, active in Emilia-Romagna. He was the pupil of Carlo Cignani.
Emilia-Romagna is an administrative region of Northeast Italy comprising the historical regions of Emilia and Romagna. Its capital is Bologna. It has an area of 22,446 km2 (8,666 sq mi), and about 4.4 million inhabitants.
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
This Matteo Zamboni died young, and was active circa 1710, and is best known for two altarpieces from the church of San Niccolo in Rimini, one depicting San Pietro Celestino and the other San Benedetto. [1] Lanzi notes some works in private houses, such as Casa Panzachi, [2] and that he painted in a style resembling his teacher. [3]
Rimini is a city of 150.590 inhabitants in the Emilia-Romagna region of northern Italy and capital city of the Province of Rimini. It is located on the Adriatic Sea, on the coast between the rivers Marecchia and Ausa. It is one of the most famous seaside resorts in Europe, thanks to its 15-kilometre-long (9 mi) sandy beach, over 1,000 hotels, and thousands of bars, restaurants and discos. The first bathing establishment opened in 1843. An art city with ancient Roman and Renaissance monuments, Rimini is the hometown of the famous film director Federico Fellini as well.
The name Matteo Zamboni also applies to a painter from Cento, but known as Cremonini, who was a master of Guercino. He lived in the parish of San Marmolo. [4]
Giovanni Francesco Barbieri, better known as Guercino, or il Guercino[ɡwerˈtʃiːno], was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
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Piermaria Bagnadore, also called Pietro Maria Bagnatori, was an Italian painter, sculptor, and architect of the late-Renaissance period.
Giacomo Boni was an Italian painter of the late-Baroque period, active mainly in Genoa.
Giovanni Battista Cremonini was an Italian painter of the Renaissance period.
Luigi Quaini (1643–1717) was an Italian painter of the Baroque period.
Giacinto Garofalini (1661–1723) was an Italian painter of the Baroque period, active mainly in Bologna. He was initially a pupil of Donato Creti, then a pupil of the painter Marcantonio Franceschini. Also called Garofolini by Luigi Lanzi. He was an professor at the Accademia Clementina, where he taught figure painting.
Zanobi Poggino of Zanobi di Poggino was an Italian painter, active as a portrait and historical painter in Florence. He was a pupil of Giovanni Antonio Sogliani. While he was noted by Filippo Baldinucci, none of his works could be identified by Luigi Lanzi.
Pasquale Cati was an Italian Mannerist painter active mostly in Rome.
Matteo Bonechi was an Italian painter of the late Baroque period, active mainly in Florence. He trained under Giovanni Camillo Sagrestani. He also executed works in the church of San Frediano in Cestello, in the Oltrarno district of Florence. He also painted for the Palazzo Capponi-Covoni near the Nunziata in Florence.
Giovanni Domenico Brugieri (1678–1744) was an Italian painter of the late-Baroque period in Lucca. Lanzi is cited as referring to him as either Giovanni Domenico or in other places as Giovanni Batista or Battista,.
Giorgio Alberino was an Italian painter, depicting sacred subjects, active in Casale Monferrato in early 17th century.
Giovanni Evangelista Draghi (1654–1712) was an Italian painter of the late-Baroque or Rococo period. Luigi Lanzi erroneously refers to him as Giovanni Battista Draghi, who should not be confused with the composer of the same name.
Jacobello di Bonomo was an Italian painter, active in an early Renaissance style.
Anton or Antonio Maria Fabrizi or Fabrizzi was an Italian painter, active in Perugia and Foligno in a Baroque style.
Matteo Piccione was an Italian painter, active in Rome, as a painter of religious subjects. He was born in Ancona. He is noted by Lanzi to be a collaborator with Giovanni Antonio Spadarini He was an academic in the Accademia di San Luca in 1655. One of his paintings is in San Martino ai Monti, Rome. Mariette's catalogue lists paintings in the style of Veronese and Cesi.
Andrea Mainardi, also known as il Chiaveghino, was an Italian painter of the late-Renaissance period, active in Cremona.
Agostino Castellacci was an Italian painter of the Baroque period.
Mauro Soderini was an Italian painter of the late Baroque period, mainly painting sacred subjects and active in his native Florence.
Sebeto da Verona is a late 14th-century Italian painter, active in both Verona and Padua. Little is known about his biography. The name Sebeto is first bandied by Giorgio Vasari in his Lives of the Painters, however some sources claim the name is derived from De Jebeto, a vulgarization of da Zevio. They claim that such a painter was a pupil of either Francesco Squarcione or Liberale da Verona.
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