Maurice William Prather (September 6, 1926 - January 9, 2001) was an American motion picture and still photographer and film director. He was born in Miami, Florida, the son of Maurice J. Prather, a mechanic, cabinet maker, and woodworker, and Zora M. Prather, both of them born in Missouri. Young Maurice Jr. also had a younger sister, Laura Jo, some two years his junior.
The Prather family was living in Kansas City, Missouri, by 1930, where Maurice Jr.'s father found work at a local business called Greenwood's. By the time he was in his senior year of high school, Maurice Jr. had become interested in photography and had an after-school job as an assistant cameraman and laboratory technician at the Calvin Company in Kansas City, the largest production company for industrial films in the world. Upon turning 18 in 1944, Prather did not join the armed forces as most American men did during those wartime days (Prather may have suffered from a physical problem which prevented him from serving in the armed forces). Instead, he found work as a photographer of wartime airplanes for North American Aviation in Kansas City. In 1945, he became an engineering photographer for Trans World Airlines (TWA), who for many years had a hub in Kansas City. Still living with his parents in Kansas City, Prather then returned to the Calvin Company as an assistant cameraman for industrial films once again. This was the longest Prather held onto a job during these early days in Kansas City---two years (1946-1948). For some reason, he decided to abandon photography altogether for a one-year stint as a schedule clerk at a Sears-Roebuck department store in Kansas City. In 1949, he decided to get a college education and so enrolled in the journalism program at the University of Kansas in Lawrence, Kansas.
While at KU, Prather got a part-time job at the local Centron Corporation film studio, working as a photographer once again on educational and industrial short films. Prather's college activities included writing for the University Daily Kansan newspaper at KU and writing and photographing with several other students a "highlight book" of the 1951-52 season of the KU Jayhawks basketball team. Prather completed his journalism degree in June, 1953, and immediately went to work full-time at Centron. Prather put in nearly ten years at Centron, making over one hundred educational and industrial films, many of them prize-winners. Other than motion picture and still photography, he did sound recording on films and after a while began to direct films. It was while at Centron that Prather met his wife, Rozanne, whom he married in the late 1950s. He also first became acquainted with director Herk Harvey.
In 1959, Centron's camera shop, Mosser-Wolf Cameras, was sold to Prather and several business partners who opened Photon Cameras, a successful camera retail store and portrait studio that Prather served as an owner-operator of until his leaving Lawrence in 1962. In 1961, Prather photographed Carnival of Souls, Herk Harvey's Lawrence-produced feature film whose groundbreaking cinematography influenced the horror and science fiction film genres, although the movie didn't really find its audience until 1989. By the time Carnival of Souls was released in late 1962, Prather had left Lawrence with his wife to work as services coordinator and photographer for Horizon Productions, a small, Kansas City-based nontheatrical film production studio. In 1967, Prather moved over to Coleman Film Enterprises, another educational film company, which was headquartered in Shawnee Mission, Kansas. Prather worked there as a photographer until 1977, when he and his wife (who had by this time had two daughters, Anne and Stefanie), moved to California where Prather attempted to give a Hollywood filmmaking career a try. He had little success. "My wife and I had lived in California and really didn't feel like moving back there," Prather said in a 2000 interview in Kansas City after the revival of interest in Carnival of Souls. "I did a lot of movie work and all of the still work for Centron. I prefer to do still photography. I came here to Kansas City [in 1983] and I got out of the motion picture business because it was too expensive. A lot of the stuff I did was food photography. I love food photography. I also did portraits to please myself, not to please the person I was photographing. You get a little old lady saying, 'Make me look like I'm 20 years old.'"
The revival of interest in his old feature film Carnival of Souls during the 1990s was a pleasant surprise for Prather, but for some reason he did not attend the 1989 reunion of the film's cast and crew in Lawrence, even though he was already listed in the advertisements and programs for the event as one of the featured speakers during the ceremonies. Prather died at the age of 74 on January 9, 2001, at his home in Kansas City, of an unspecified cause, most likely renal failure. However, Prather will remain well-known and widely praised for his innovative and creative photography in Carnival of Souls, as the film continues to be viewed in homes and theaters and aired on television, amazingly, after nearly forty years, when most black-and-white, low-budget films from the 1960s were long forgotten after less than only two or three years.
Lawrence is the county seat of Douglas County and sixth-largest city in Kansas. It is in the northeastern sector of the state, astride Interstate 70, between the Kansas and Wakarusa Rivers. As of the 2010 census, the city's population was 87,643; by 2019 the estimated population had risen to 98,193. Lawrence is a college town and the home to both the University of Kansas and Haskell Indian Nations University.
The Delinquents is a 1957 American drama film written, produced, and directed by Robert Altman in his hometown of Kansas City, Missouri during the summer of 1956 on a $63,000 budget. It is not only the first film Altman directed, but also the first to star Tom Laughlin.
Gordon Roger Alexander Buchanan Parks was an American photographer, musician, writer and film director, who became prominent in U.S. documentary photojournalism in the 1940s through 1970s—particularly in issues of civil rights, poverty and African-Americans—and in glamour photography.
Tank Man is the nickname of an unidentified Chinese man who stood in front of a column of tanks leaving Tiananmen Square on June 5, 1989, the day after the Chinese military had suppressed the Tiananmen Square protests. As the lead tank maneuvered to pass by the man, he repeatedly shifted his position in order to obstruct the tank's attempted path around him. The incident was filmed and shared to a worldwide audience. Internationally, it is considered one of the most iconic images of all time. Inside China, the image and the accompanying events are subject to censorship.
Harold Arnold "Herk" Harvey was an American film director, screenwriter, actor and film producer.
Carnival of Souls is a 1962 American independent horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.
Shelby William Storck was an American newscaster, actor, writer, journalist, public relations specialist, and motion picture and television producer-director. He was a radio actor on The Air Adventures of Jimmie Allen and other programs, and appeared in the feature films The Delinquents and The Cool and the Crazy.
Willard Van Dyke was an American filmmaker, photographer, arts administrator, teacher, and former director of the film department at the Museum of Modern Art. Van Dyke went to the University of California, dropping out for a time to avoid taking an ROTC course.
War Photographer is a documentary by Christian Frei about the photographer James Nachtwey. As well as telling the story of an iconic man in the field of war photography, the film addresses the broader scope of ideas common to all those involved in war journalism, as well as the issues that they cover.
Film in Kansas City possesses a rich heritage and a large film community. Kansas City, Missouri and the surrounding Kansas City Metropolitan Area have often been a locale for Hollywood productions and television programming.
Karl Struss, A.S.C. was an American photographer and a cinematographer of the 1900s through the 1950s. He was also one of the earliest pioneers of 3-D films. While he mostly worked on films, such as F.W. Murnau's Sunrise: A Song of Two Humans and Charlie Chaplin's The Great Dictator and Limelight, he was also one of the cinematographers for the television series Broken Arrow and photographed 19 episodes of My Friend Flicka.
Centron Corporation was a leading industrial and educational film production company, specializing in classroom and corporate 16mm films and VHS videocassettes. Although a slightly smaller company than its contemporaries, it was nonetheless very successful from the late 1940s through the early 1990s, gaining added fame with the Academy Award-nominated Leo Beuerman in 1969.
Archibald Job Stout, A.S.C. was an American cinematographer whose career spanned from 1914 to 1954. He enjoyed a long and fruitful association with John Ford, working as the principal cinematographer on Fort Apache (1948) and second unit cinematographer on She Wore a Yellow Ribbon (1949) and The Quiet Man (1952), becoming the only 2nd unit cinematographer to receive an Oscar. In a wide-ranging career, he also worked on such films as the original version of The Ten Commandments (1923) and several Hopalong Cassidy and Tarzan films. His last film was the airborne disaster movie The High and the Mighty in 1954.
Thomas Kimmwood Peters was a pioneer American motion picture producer, newsreel cameraman, photographer, educator, and inventor.
William G. Wilson was an American cinematographer and Director of Photography (DP) who filmed hundreds of championship sporting events during a career that spanned more than 50 years. Wilson filmed baseball, football, basketball, ice hockey, golf, boxing, horse-racing and auto racing. His pioneering work in television news-filming for WFIL-TV in Philadelphia, the first ABC affiliate station in the nation, set early standards for filming news and sports. During World War II, Wilson served as a combat cameraman and aviator with the United States Marine Corps, filming major action in the South Pacific on the ground and in the air.
John Gerald Zimmerman was an American photographer. He was among the first sports photographers to use remote controlled cameras for unique camera placements, and was "a pioneer in the use of motor-driven camera sequences, slit cameras and double-shutter designs to show athletes in motion."
Willy Kurant was a Belgian cinematographer.
Arthur Wayland Ellison (1899–1994) was an actor and director who worked for the Kansas City Power and Light Company for forty-eight years before becoming a professional actor. Prior to that, he had appeared in scores of amateur stage productions in the Kansas City area. He was born in Potsdam, New York and he died in Kansas City, Missouri. Director Herk Harvey speculated that Art Ellison had acted in more industrial and educational films than any other, including some directed by a young Robert Altman. He is best known for his part in the 1962 cult-classic horror film Carnival of Souls.
Winter Phillips Prather (1926-2005) was a commercial and fine art photographer who worked in Denver, Colorado and Taos, New Mexico from the 1940s to the 1970s.
Paul Beeson, B.S.C. was a British cinematographer. He was initially at Ealing Studios before going on to work on films for various other companies. He worked on over three hundred feature films, including 74 where he was director of photography.