McDibbs, a music house in Black Mountain, North Carolina pioneered the development of both the non-smoking bar, and the now thriving Asheville area music scene. David Peele founded McDibbs in the late 70's to showcase local talent. His innovations in running McDibbs eventually drew high-profile regional acts like Bela Fleck while retaining a rich bohemian vibe within the establishment. McDibbs reflected a community reminiscent of the Greenwich Village Folk Revival of the 1960s, and reflected a non traditional aesthetic. The community of musicians, artists, and storytellers viewed McDibbs as a cultural landmark that set the stage for the rise of the Asheville area's music and art scene. It was from this environment that current international acts like David Wilcox and Poetry Alive! began at McDibbs.
McDibbs was founded in 1978 on Cherry Street in Black Mountain, North Carolina, which is just east of Asheville. Originally established at the former Wonk's Dymaxion Bar, McDibbs offered an immediate change of atmosphere.
McDibbs eventually moved to another location a few doors north to 119 Cherry Street. Moving into the former Anne's Café, a Black Mountain icon around for more than 40 years, McDibbs utilized friends of the community to construct and refurbish the location. Certain staple items in McDibbs were left over from Anne's Café, like the cookstove in the rear of the bar used to house anything from beer to paintings.
McDibb's non-smoking environment created an atmosphere that put emphasis on the music. McDibbs became a hangout for both musicians and listeners, and led to the development of a strong sense of community. A.D. Anderson, both a frequent patron and musician, offered this memoir of McDibbs.
I think that was one of the first real differences that set McDibbs apart – it was, by David Peele's design, a true "listening room", as opposed to a bar with music in the background, and performers really dug it. Word got out regionally, probably in large part thanks to Fred and the dance community, and people started coming from Atlanta, Tennessee and beyond. And performers heard and responded – all of a sudden we were able to see Norman Blake, Doc Watson, Taj Mahal, John Sebastian and John Hartford on a regular basis! And since the place only held about 150 seats, there was no bad seat in the house. Plus, there was no "Green Room" for the performers, so they pretty much had to hang out and visit with the fans. It was truly unbelievable, and many a legendary night was experienced. Of course, it wasn't all folk music and gentle listening. I used to rock the place, with as many as 250 people crammed into that tiny space. I remember exchanging nervous glances with your dad as the speaker cabinets, placed precariously on top of beer boxes, would sway and rock, as the floor sagged and groaned under so many happy feet. Several times we drank the place dry, but it was really rare for there to be any unpleasant drunkenness or weirdness. Women brought their babies and nursed them on the dance floor, then lined them up on blankets behind the speakers to sleep through the ruckus. Good dogs were always welcome – mine would sleep on the stage to avoid being trampled by dancers. Many winter nights were so cold outside and so hot inside that the windows would drip with condensation, and on more than one occasion the evening would end with a snake line of dancers flooding out onto Cherry Street. It was all very groovy.
The rich social environment was coupled with a nostalgia inspired decor. The McDibbs rat served as the mascot for the establishment, often showing up on the covers of the monthly calendars showing the upcoming acts. The rat and its tambourine served as the 'hat' for compensation for artists on a night without a cover charge. A regular would sit at the wood grained bar facing a full mirrored bar. The only beer served was import and microbrewed beer. Bass ale, David Peele's unofficial favorite beer, among others, was often on tap or by the bottle. Also adding to the McDibbs atmosphere were winter plants. Asparagus ferns and Jade plants showed up behind the bar during the winter months. The atmosphere was not that of a typical bar, but of a hangout. Its this environment that is so often emulated in the Asheville area.
McDibbs' role as developing a sense of community can also be seen from the Swannanoa Food Co-op utilizing McDibbs as an occasional center for operation. With McDibbs vacant during daylight hours, the co-op would get permission from David Peele to meet and operate. The development of a community within McDibbs doors led it to be an icon among locals for identity. Locals could identify with the community that came with being a regular at McDibbs.
McDibbs regular and occasional performer Adrienne Hollifield offered her recollection of McDibbs.
McDibbs was THE place to be--the ONLY place to be. David Peele was instrumental in bringing folk and blues music to the fore in this area with the creation of McDibbs and the Black Mountain Festival. No one else was doing it at the time. Now you can go hear different kinds of music in a variety of places. Not back in the days of McDibbs. He set the standard. And I am proud to say that during some of the open mic sessions (I'm not sure they were called that), I got to sing at McDibbs. What an honor! It was also a family place. Clyde and I did a puppet show there, I know. And when Reuben was born, and when we could manage to drag our sleep-deprived bodies out for an evening, we could bring our little tyke to McDibbs to run and play while we enjoyed a beer.
Other comments on what made McDibbs unique:
Asheville just didn't exist culturally yet outside of the traditional music or folkart. It felt very much like McDibbs was the beginning of Asheville becoming hip musically. The Black Mountain Festival grew as an extension of what was happening at McDibbs. It was the cultural hub.
— Hobey Ford, puppeteer
Ahhh yes - McDibbs were the place to go for folkies - and David Peele was so open to storytelling! I remember performing there a LONG time ago! And the weekend I got married at Lake Eden, we even had our "post-rehearsal-dinner-celebration" there - with about 10 storytellers from around the country entertaining us all!
— Connie Regan-Blake
With the passing of time, things we sometimes took for granted become legendary; time brings perspective , and the loss of something so central to a unique community of people becomes a defining icon to an era. Such is the legacy of McDibb's in my view, and perhaps to thousands of others who were apart of that time and place ..... McDibb's was a unique and striking alternative to the superficiality of the disco era and the general mediocrity of so-called music venues that were then and remain today little more than an excuse to sell food and alcohol ..... There is a remarkable energy that can happen in music, where something electric and deeply felt can be created and shared equally between all who are fortunate enough to be there to witness it; I personally think it is why people seek music,and why musicians play it, to touch and be touched by that elusive, elemental magic. You can go out seeking it many times and never find it, but having felt it even once, you keep searching, knowing that it exists, like some grail of experience that cannot be faked but must be sought, to simply feel it again. In this year of 2011, it has become harder and harder to find and connect with this magic; it happened constantly over the years that our fortunate community gathered at McDibb's. Thank you, David Peele.
— Dan Lewis
David Peele decided to close McDibbs in 1992 in the interest of his family.
Area businesses regard McDibbs atmosphere as the model for a successful music environment. In a dispute regarding area music establishments, The Mountain XPress printed this statement.
It [The Grey Eagle] was started with an attempt to create a McDibbs type of ambiance for the customers – both old and young. The first lessees, Edd and Lee Ann Knopka, ran a clean place with a friendly, receptive atmostphere, [hosting] a number of charitable events for the community, as we had requested of them.
The legacy of McDibbs' model is shown through the rise in the popularity of the Non-Smoking Bar in the Asheville area. Most notably emulating this model is The Orange Peel, The Grey Eagle, and Jack of The Wood. In November 2008 another music venue opened, using this model. White Horse Black Mountain www.whitehorseblackmountain.com, owned by Bob Hinkle www.bobhinkle.com, who was the former manager of Harry Chapin, Tom Chapin, the J. Geils Band, Etta James, Manfred Mann, Kenny Rogers, and Dottie West.
In 2011, McDibbs' founder David Peele and Don Talley (who operates a local music website called The Black Mountain Music Scene) launched a new concert series to honor the "listening room" legacy of McDibbs. The new series is called McDibbs Reunion and features past McDibbs performers.
Always an innovator, David Peele added a new twist to the new concert series. Past performers and McDibbs audience members play a role in creating the new series and are invited to create their own "reunion" events to celebrate the memory of McDibbs.
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s by African-Americans from roots in African-American work songs and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes, usually thirds, fifths or sevenths flattened in pitch are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Asheville is a city in, and the county seat of, Buncombe County, North Carolina, United States. Located at the confluence of the French Broad and Swannanoa rivers, it is the largest city in Western North Carolina, and the state's 12th-most populous city. According to the 2020 United States Census, the city's population was 94,589, up from 83,393 in the 2010 census. It is the principal city in the four-county Asheville metropolitan area, which had a population of 424,858 in 2010, and of 469,015 in 2020.
Black Mountain is a town in Buncombe County, North Carolina, United States. The population was 7,848 at the 2010 census. It is part of the Asheville Metropolitan Statistical Area. The town is named for the old train stop at the Black Mountain Depot and is located at the southern end of the Black Mountain range of the Blue Ridge Mountains in the Southern Appalachians.
Piedmont blues refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern supports a syncopated melody using the treble strings generally picked with the fore-finger, occasionally others. The result is comparable in sound to ragtime or stride piano styles. Blues researcher Peter B. Lowry coined the term, giving co-credit to fellow folklorist Bruce Bastin. The Piedmont style is differentiated from other styles, particularly the Mississippi Delta blues, by its ragtime-based rhythms.
Atmosphere is an American hip hop duo from Minneapolis, Minnesota, consisting of rapper Slug and DJ/producer Ant. Since its formation in 1996, the group has released twelve studio albums and ten extended plays.
Warren Wilson College (WWC) is a private liberal arts college in Swannanoa, North Carolina. It is known for its curriculum that combines academics, work, and service as every student must complete a requisite course of study, work an on-campus job, and perform community service. Warren Wilson is one of the few colleges in the United States that requires students to work for the institution in order to graduate and is one of only nine colleges in the Work Colleges Consortium.
David Patrick Wilcox is an American folk musician and singer-songwriter guitarist. He has been active in the music business since the late 1980s.
Themes from William Blake's The Marriage of Heaven and Hell is the fourth studio album by Norwegian experimental electronica band Ulver. Produced with Kristoffer Rygg, together with Knut Magne Valle and Tore Ylwizaker, it was issued on 17 December 1998 via Jester Records. It is a musical adaptation of William Blake's poem The Marriage of Heaven and Hell. The album blends electronics, industrial music elements, progressive metal, avant-garde rock and ambient passages, following Blake's plates as track indexes. Stine Grytøyr, Ihsahn, Samoth and Fenriz all feature as guest vocalists.
The music of Baltimore, the largest city in Maryland, can be documented as far back as 1784, and the city has become a regional center for Western classical music and jazz. Early Baltimore was home to popular opera and musical theatre, and an important part of the music of Maryland, while the city also hosted several major music publishing firms until well into the 19th century, when Baltimore also saw the rise of native musical instrument manufacturing, specifically pianos and woodwind instruments. African American music existed in Baltimore during the colonial era, and the city was home to vibrant black musical life by the 1860s. Baltimore's African American heritage to the start of the 20th century included ragtime and gospel music. By the end of that century, Baltimore jazz had become a well-recognized scene among jazz fans, and produced a number of local performers to gain national reputations. The city was a major stop on the African American East Coast touring circuit, and it remains a popular regional draw for live performances. Baltimore has produced a wide range of modern rock, punk and metal bands and several indie labels catering to a variety of audiences.
Fife and drum blues is an American folk music form derived from country blues, martial music tradition, and African rhythms. It is performed typically with one lead fife player and a troop of drummers. Unlike a drum corps, the drum troop is loosely structured. As such, a fife and drum band may have a variable number of snare, tom, and bass drum players. A large military-style bass drum is preferred. Fife and drum performances are often family affairs held at reunions, summer community picnics, and on holidays.
Sin-é was a music venue in New York City that helped launch the careers of several noted musicians in the early 1990s.
James David Walker Jr., better known by his stage name Jimmy McCracklin, was an American pianist, vocalist, and songwriter. His style contained West Coast blues, Jump blues, and R&B. Over a career that spanned seven decades, he said he had written almost a thousand songs and had recorded hundreds of them. McCracklin recorded over 30 albums, and earned four gold records. Tom Mazzolini of the San Francisco Blues Festival said of him, "He was probably the most important musician to come out of the Bay Area in the post-World War II years."
A house concert or home concert is a musical concert or performance art that is presented in someone's home or apartment, or a nearby small private space such as a barn, apartment rec room, lawn, or backyard.
The Main Point was a small coffeehouse venue in Bryn Mawr, Pennsylvania, that operated from 1964 to 1981. The venue hosted concerts by some of the top names in folk and traditional music, blues, rock, country music, and other musical genres, as well as comedy and poetry. The club, located on Lancaster Avenue, was known for its small intimate atmosphere and low ticket prices.
Billy Jonas of Asheville, North Carolina is a singer-songwriter, percussionist, and multi-instrumentalist who works as both a general audience performer and family entertainer. He is a member of Congregation Beth HaTephila and a part of the Sacred Music Team. He trains students at the age of 11-13 for their Bar Mitzvah (boy) or Bat Mitzvah (girl) which means son/daughter of commandment. As a founding member of the folk music duo, "The Billys," and current leader of The Billy Jonas Band, Jonas has made use of recyclable items as instruments. His show focuses on enlightening audiences to each person’s inherent musical ability, and the musical potential of common “found objects.” Billy Jonas' 7 albums, PBS special, and 2 decades of live concerts have generated a following throughout North America.
Animal Collective is an American experimental pop band formed in Baltimore, Maryland. Its members consist of Avey Tare, Panda Bear, Geologist, and Deakin. The band's work is characterized by an eclectic exploration of styles, including psychedelia, freak folk, noise, and electronica, with the use of elements such as loops, drones, sampling, vocal harmonies, and sound collage. AllMusic's Fred Thomas suggests that the group defined "the face of independent experimental rock during the 2000s and 2010s."
Riot grrrl is an underground feminist punk movement that began during the early 1990s within the United States in Olympia, Washington and the greater Pacific Northwest and has expanded to at least 26 other countries. Riot grrrl is a subcultural movement that combines feminism, punk music and politics. It is often associated with third-wave feminism, which is sometimes seen as having grown out of the riot grrrl movement and has recently been seen in fourth-wave feminist punk music that rose in the 2010s. The genre has also been described as coming out of indie rock, with the punk scene serving as an inspiration for a movement in which women could express themselves the same way men have been doing all along. To quote Liz Naylor, who would become the manager of riot grrrl band Huggy Bear:
There was a lot of anger and self-mutilation. In a symbolic sense, women were cutting and destroying the established image of femininity, aggressively tearing it down.
Leah Song is an American singer-songwriter, multi-instrumental musician, storyteller, poet, artist, and activist known for her role as one of the two frontsisters of Rising Appalachia — with younger sister Chloe Smith — incorporating sultry vocals, rhythm, banjo, guitar, ballads, dance, spoken-word and storytelling into her work. Her music is based in the traditions of Southern soul and international roots music.
The Blue Rags are an American revivalist, ragtime and boogie-woogie band from Asheville, North Carolina, United States. The band released two albums on the trendsetting Sub Pop label - 1997’s Rag-N-Roll and 1999’s Eat at Joe’s - and toured extensively in the late 1990s. The band’s sound, sometimes described as “punk ragtime”, was an early influence on artists such as The Avett Brothers and Old Crow Medicine Show.
Get Out is a 2017 American horror film written, co-produced, and directed by Jordan Peele in his directorial debut. It stars Daniel Kaluuya, Allison Williams, Bradley Whitford, Caleb Landry Jones, Stephen Root, and Catherine Keener. The plot follows a young black man (Kaluuya), who uncovers shocking secrets when he meets the family of his white girlfriend (Williams).
Sources for this page were compiled by personal interviews with Adrienne Hollifield and A.D. Anderson