MediaWest*Con

Last updated

MediaWest*Con is one of the largest and longest running media-based (TV shows/film) fan-run conventions in the United States. [1] It is held annually over Memorial Day weekend in Lansing, Michigan. The convention emerged in the late 1970s, beginning as T'Con in 1978 and 2'Con in 1979 before taking on the name MediaWest*Con in 1981. [2] The convention remains the world's largest gathering of Fanzine writers, artists, and publishers, and for decades was the event where most new science fiction and fantasy Fanzines were released. [3] The annual "Fan Quality Awards" for Fanzine excellence, known as the "Fan Q's", have been given out at MediaWest*Con since 1981. [4] In addition, the convention's art show has been the principal location for the display and sale of published Fanzine art and illustrations.

Contents

History

MediaWest*Con was founded by members of T'Kuhtian Press, then a registered student organization at Michigan State University. The earliest convention sponsored by T'Kuhtian Press (jointly with boojums press) was T'Con in 1978, [5] followed by 2'Con in 1979. [6] T'Kuhtian Press was also active in fanzine publishing, principally Star Trek and, later, Star Wars fanzines. Because of this the convention soon attracted the attention of other fanzine publishers and writers. By the time the name was changed to MediaWest*Con in 1981 [7] the convention was well known in the fanzine community as the event at which to introduce new fanzine releases. Many fanzine releases have been timed around the convention's annual Memorial Day schedule.

MediaWest*Con was the first media fandom convention focused on the "media geek" culture that emerged following a split between people who liked all forms of science fiction media, and those fans of only literary science fiction. [8] At first MediaWest*Con was a convention principally for fans of Star Trek, Star Wars, and the Indiana Jones franchise, as well as fans of Monty Python's Flying Circus . After a few years the con began attracting other fandoms, such as Doctor Who , Beauty and the Beast , Red Dwarf , and the Hitchhiker's Guide to the Galaxy . By the 21st century it boasted the attendance of fans of over fifty different science fiction media fandoms.

Annual activities at MediaWest*Con include awards for fan fiction zines, cosplay, filking, costuming, plays and skits, and crafts. MediaWest*Con is also notable as the first convention to host a dedicated place to show fan vids, and give awards for fan videos. [8]

MediaWest*Con remains a fan run and organized convention and is not affiliated with any national promotion group, or business. The convention has no paid "guest stars" or celebrity appearances, although several celebrities from science fiction shows have appeared over the years at their own expense. The focus of the convention remains fan interaction in a setting promoting fannish interests with a special emphasis on the production and sale of media fanzines. [9]

On February 4, 2020, the convention posted an update on its official blog informing members that MW*C 40 was canceled due to lack of memberships. All paid memberships were refunded. According to the organizers, it is unlikely that there will be any future MediaWest*Cons. [10]

Related Research Articles

A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and first popularized within science fiction fandom, and from there the term was adopted by other communities.

<span class="mw-page-title-main">Fandom</span> Subculture composed of fans sharing a common interest

A fandom is a subculture composed of fans characterized by a feeling of empathy and camaraderie with others who share a common interest. Fans typically are interested in even minor details of the objects of their fandom and spend a significant portion of their time and energy involved with their interest, often as a part of a social network with particular practices, differentiating fandom-affiliated people from those with only a casual interest.

<span class="mw-page-title-main">Science fiction fandom</span> Subculture of fans who enjoy science fiction

Science fiction fandom or SF fandom is a community or fandom of people interested in science fiction in contact with one another based upon that interest. SF fandom has a life of its own, but not much in the way of formal organization.

<span class="mw-page-title-main">Zine</span> Collection of self-published work reproduced by photocopying

A zine is a small-circulation self-published work of original or appropriated texts and images, usually reproduced via a copy machine. Zines are the product of either a single person or of a very small group, and are popularly photocopied into physical prints for circulation. A fanzine is a non-professional and non-official publication produced by enthusiasts of a particular cultural phenomenon for the pleasure of others who share their interest. The term was coined in an October 1940 science fiction fanzine by Russ Chauvenet and popularized within science fiction fandom, entering the Oxford English Dictionary in 1949.

<span class="mw-page-title-main">Science-fiction fanzine</span> Fanzine on science fiction

A science-fiction fanzine is an amateur or semi-professional magazine published by members of science-fiction fandom, from the 1930s to the present day. They were one of the earliest forms of fanzine, within one of which the term "fanzine" was coined, and at one time constituted the primary type of science-fictional fannish activity ("fanac").

<span class="mw-page-title-main">Tom Reamy</span> American writer

Tom Reamy was an American science fiction and fantasy author and a key figure in 1960s and 1970s science fiction fandom. He died at age 42 prior to the publication of his first novel; his work is primarily dark fantasy.

Mike Glyer is both the editor and publisher of the long-running science fiction fan newszine File 770. He has won the Hugo Award 12 times in two categories: File 770 won the Best Fanzine Hugo in 1984, 1985, 1989, 2000, 2001, 2008, 2016 and 2018. Glyer won the Best Fan Writer Hugo in 1984, 1986, 1988, and 2016. The 1982 World Science Fiction Convention (Worldcon) committee presented Glyer a special award in 1982 for "Keeping the Fan in Fanzine Publishing."

Betty JoAnne Trimble, known as Bjo, is an American science fiction fan and writer, initially entering fandom in the early 1950s.

<span class="mw-page-title-main">Wilson Tucker (writer)</span> American writer (1914–2006)

Arthur Wilson "Bob" Tucker was an American author who became well known as a writer of mystery, action adventure, and science fiction under the name Wilson Tucker.

<span class="mw-page-title-main">Kirk/Spock</span> Star Trek characters in slash fiction

Kirk/Spock, commonly abbreviated as K/S or Spirk and referring to James T. Kirk and Spock from Star Trek, is a pairing popular in slash fiction, possibly the first slash pairing, according to Henry Jenkins, an early slash fiction scholar. Early in the history of Star Trek fan fiction, a few fan writers started writing about a romantic and sexual relationship between Kirk and Spock, highlighting a romantic or sexual element to the friendship between the men. As of 1998, most academic studies on slash fiction focused on Kirk/Spock, as Star Trek was by that point one of the longest-lived and most prosperous subjects of slash fiction, while its mainstream popularity made it one of the most accessible titles for academics and their audience. As the first slash pairing, K/S was created and developed largely independently from the influence of other slash fiction, with most of the conventions of the slash genre seeing their debut first in K/S slash.

The Kraith stories are a well-known set of early Star Trek fan fiction. The earliest entries were written by Jacqueline Lichtenberg starting in 1969. These continuing through the first few years after the cancellation of the first Star Trek series. The stories are named after the kraith, a goblet or chalice used in the performance of certain Vulcan rituals which feature prominently in several of the stories.

<i>Doctor Who</i> fandom Fan base of British television series Doctor Who

The long-running British science fiction television series Doctor Who has developed a large fan base over the years.

<span class="mw-page-title-main">Andrew I. Porter</span> American science fiction editor

Andrew Ian Porter is an American editor, publisher and active science fiction fan.

<i>Janus</i> (science fiction magazine)

Janus was a feminist science fiction fanzine edited by Janice Bogstad and Jeanne Gomoll in Madison, Wisconsin, and closely associated with that city's science fiction convention, WisCon. It was repeatedly nominated for the Hugo Award for Best Fanzine ; this led to accusations that if Janus had not been feminist, it wouldn't have been nominated. Eighteen issues were published under this name from 1975 to 1980; it was succeeded by Aurora SF.

<span class="mw-page-title-main">Trekkie</span> Fan of the television program Star Trek

A Trekkie or Trekker is a fan of the Star Trek franchise, or of specific television series or films within that franchise.

The role of women in speculative fiction has changed a great deal since the early to mid-20th century. There are several aspects to women's roles, including their participation as authors of speculative fiction and their role in science fiction fandom. Regarding authorship, in 1948, 10–15% of science fiction writers were female. Women's role in speculative fiction has grown since then, and in 1999, women comprised 36% of the Science Fiction and Fantasy Writers of America's professional members. Frankenstein (1818) by Mary Shelley has been called the first science fiction novel, although women wrote utopian novels even before that, with Margaret Cavendish publishing the first in the seventeenth century. Early published fantasy was written by and for any gender. However, speculative fiction, with science fiction in particular, has traditionally been viewed as a male-oriented genre.

Jeanne Gomoll is an American artist, writer, editor, and science fiction fan, who was recognized as one of the guests of honor at the 72nd World Science Fiction Convention, having been a guest of honor at numerous previous science fiction conventions. She has been nominated multiple times for awards in artist and fanzine categories, and for service to the genre of science fiction, particularly feminist science fiction.

<span class="mw-page-title-main">British Comic Art Convention</span> British comic book convention

The British Comic Art Convention was an annual British comic book convention which was held between 1968 and 1981, usually in London. The earliest British fan convention devoted entirely to comics, it was also the birthplace of the Eagle Awards.

<i>Star Trek Lives!</i>

Star Trek Lives! is a 1975 book, co-written by Jacqueline Lichtenberg, Sondra Marshak, and Joan Winston, which explored the relationship between the Star Trek television series and the fandom that emerged following the series' cancellation. It was published by Bantam Books.

Fan studies is an academic discipline that analyses fans, fandoms, fan cultures and fan activities, including fanworks. It is an interdisciplinary field located at the intersection of the humanities and social sciences, which emerged in the early 1990s as a separate discipline, and draws particularly on audience studies and cultural studies.

References

  1. Enterprising Women: Television Fandom and the Creation of Popular Myth By Camille Bacon-Smith, page 42.
  2. Fan Fiction and Fan Communities in the Age of the Internet: New Essays edited by Karen Hellekson, Kristina Busse, page 50.
  3. Boldly Writing: A Trekker Fan and Zine History 1967-1987 Archived 2016-09-10 at the Wayback Machine by Joan Marie Verba, page 54.
  4. The Fan Q awards were originally handed out at T'Con, and continued after the convention was renamed MediaWest. Source: Boldly Writing: A Trekker Fan and Zine History 1967-1987 Archived 2016-09-10 at the Wayback Machine by Joan Marie Verba, page 42. See also "A Conversation with Paula Smith" by Walker, Cynthia W. 2011, published in Transformative Works and Cultures , no. 6. doi:10.3983/twc.2011.0243.
  5. T'Con Program Book 1978
  6. 2'Con Program Book 1979
  7. MediaWest*Con 1 Program Book 1981
  8. 1 2 Walker, Jesse (August–September 2008). "Remixing Television: Francesca Coppa on the vidding underground". Reason Online. Retrieved 15 August 2009.
  9. Textual Poachers: Television Fans and Participatory Culture By Henry Jenkins, page 159.
  10. "End of an Era". 4 February 2020.