| Memory/Vision | ||||
|---|---|---|---|---|
 | ||||
| Live album by Evan Parker Electro-Acoustic Ensemble | ||||
| Released | 2003 | |||
| Recorded | October 2002 | |||
| Venue | Norges Musikkhøgskole Oslo, Norway | |||
| Genre | Jazz | |||
| Length | 70:53 | |||
| Label | ECM ECM 1852 | |||
| Producer | Steve Lake | |||
| Evan Parker chronology | ||||
| ||||
Memory/Vision is a live album by the Evan Parker Electro-Acoustic Ensemble recorded at the Norwegian Academy of Music in Oslo in October 2002 and released on ECM the following year. [1]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
| The Guardian | [4] |
| All About Jazz | [5] |
The AllMusic review by Thom Jurek awarded the album 4 stars stating "this is one of the most emotionally resonant works Parker has given listeners. And one hopes that such a description will not insult his brilliant mind or his aesthetic sensibilities. Wonderful." [2]
The authors of the Penguin Guide to Jazz Recordings awarded the album 4 stars, and wrote: "The single continuous performance has both a monumental quality and a strong sense of process and flux, like a sculpture made of plasma rather than stone or bronze." [3]
In a review for The Guardian, John Fordham called the music "an extended piece of composition deploying some comparatively orthodox narrative notions about highs and lows, episodes of dramatic intensity and quiet reflection," and commented: "It's for a pretty specialised audience, but close followers and new converts to Parker's uncompromising creativity may well be intrigued." [4]
Chris Kelsey, writing for Jazz Times, stated: "Textures ebb and flow; slow and sparse morphs into fast and dense. The musicians are all very sensitive and reactive free improvisers, as are the sound-processing guys, for the most part." [6]
The BBC's Peter Marsh wrote: "This is music that hangs in the air, sometimes vaporous, sometimes almost sculptural in its weight. Parker's structures make this a rewarding (and repeatable) experience, and the spacious, pristine production gives each sound room to breathe. Luscious, alien stuff, and utterly beautiful." [7]
In an article for All About Jazz, Jerry D'Souza remarked: "Time and structure go through various dimensions. Structure is broken, time fragmented, in a flow that ebbs and eddies. When the machines are the end voice, the ideas that leap out in jiggles and squeals and whirs are mesmerising. There is also the strength that derives from the playing." [5]
Beppe Colli of Clocks and Clouds stated: "Evan Parker has succeeded in producing a work... which could not exist without modern technology but which is not slave to it in ways that today are all-too-common on a mass market—or à la mode. A work that is aesthetically accessible while being interesting at the same time. Which, given the present times, is definitely not to be underestimated." [8]
Evan Shaw Parker is a British tenor and soprano saxophone player who plays free improvisation.
Kenneth Vincent John Wheeler, OC was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.
Barry John Guy is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there.
Richard Barrett is a Welsh composer.
Paul Lytton is an English free jazz and free improvising percussionist.
Universal Syncopations is an album by Czech bassist Miroslav Vitouš recorded between 2002–2003 and released on ECM later that year.
Lawrence Casserley is a composer, conductor and performer, to real time electro-acoustic music. Lawrence Casserley was professor of electro-acoustic music at the Royal College of Music in London
L'imparfait des langues is an album by French jazz musician Louis Sclavis, recorded in April 2005 and released by ECM in 2007, his fifth for label, and twelfth overall.
I Have the Room Above Her is an album by American jazz drummer Paul Motian recorded for ECM in April 2004 released on January 24, 2005. The trio features guitarist Bill Frisell and tenor saxophonist Joe Lovano, their first release since At the Village Vanguard in 1995.
Toward the Margins is an album by the Evan Parker Electro-Acoustic Ensemble, recorded in 1996 and released on the ECM New Series the following year.
Drawn Inward is an album by the Evan Parker Electro-Acoustic Ensemble recorded in December 1998 and released on ECM the following year.
Sankt Gerold is a live album by pianist Paul Bley recorded at the Propstei Sankt Gerold in April 1996 and released on ECM in October 2000. The trio features saxophonist Evan Parker and bassist Barre Phillips.
Composition/Improvisation Nos. 1, 2 & 3 is a live album by jazz saxophonist and composer Roscoe Mitchell recorded in Germany in September 2004 and released on ECM in 2007.
Boustrophedon is a live album by free jazz saxophonist and composer Evan Parker and the Transatlantic Art Ensemble, featuring Roscoe Mitchell, recorded in Germany in September 2004 and released on ECM in 2008.
Storyteller is an album by the Marilyn Crispell Trio, featuring rhythm section Mark Helias and Paul Motian, recorded in February 2003 and released on ECM April the following year.
The Eleventh Hour is an album by British saxophonist and improvisor Evan Parker's Electro-Acoustic Ensemble recorded in November 2004 and released on ECM the following year.
The Moment's Energy is an live album by the Evan Parker Electro-Acoustic Ensemble recorded at the Lawrence Batley Theatre in November 2007 and released on ECM in 2009.
Renunciation is an album by American jazz saxophonist David S. Ware, which was recorded live at the 2006 Vision Festival and released on the AUM Fidelity label. It was the last U.S. performance by the David S. Ware Quartet.
This is Not a Miracle is an album by experimental group Food recorded in June 2013 and released on ECM in November 2015.
You've Been Watching Me is an album by the American composer and saxophonist Tim Berne's Snakoil which was released on the ECM label in 2015.
