Miguel Barroso (1538–1590) was a Spanish painter.
Barroso was born at Consuegra in 1538.
According to Palomino, he was a scholar of Gaspare Becerra, and distinguished himself as an architect, as well as a painter. He was employed by Philip II in the Escorial, where he painted, in the principal cloister, the Resurrection, Christ appearing to the Apostles, the Descent of the Holy Ghost, and St. Paul preaching. In 1589, he was made painter to the king. His compositions are copious, and his design correct. Cean Bermudez and Quilliet say that he failed sometimes in vigour and knowledge of chiaroscuro; but that his colour was that of Barocci, and his forms those of Correggio.
He died at the Escorial in 1590.
The Spanish Golden Age is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish Habsburgs. The greatest patron of Spanish art and culture during this period was King Philip II (1556–1598), whose royal palace, El Escorial, invited the attention of some of Europe's greatest architects and painters such as El Greco, who infused Spanish art with foreign styles and helped create a uniquely Spanish style of painting. It is associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV, when Spain was one of the most powerful countries in the world.
The Tenshō embassy was an embassy sent by the Japanese Christian Lord Ōtomo Sōrin to the Pope and the kings of Europe in 1582. The embassy was led by Mancio Itō, a Japanese nobleman, who was the first official Japanese emissary to Europe.
Claudio Coello was a Spanish Baroque painter. Coello is considered the last great Spanish painter of the 17th century.
Pellegrino Tibaldi, also known as Pellegrino di Tibaldo de Pellegrini, was an Italian mannerist architect, sculptor, and mural painter.
Gaspar Becerra (1520–1568) was a Spanish painter and sculptor of the School of Valladolid.
Giovanni Battista Castello was an Italian historical painter.
Marinus van Reymerswaele or Marinus van Reymerswale was a Dutch Renaissance painter mainly known for his genre scenes and religious compositions. After studying in Leuven and training and working as an artist in Antwerp, he returned later to work in his native Northern Netherlands. He operated a large workshop which produced many versions of mainly four themes: the tax collectors, the money changer and his wife, the calling of Saint Matthew and St. Jerome in his study.
Events from the year 1590 in art.
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerist period, active mainly in his native Genoa and in Spain.
Giuseppe Meda, originally Giuseppe Lomazzo was an Italian painter, architect and hydraulics engineer.
Francisco Rizi, or Francisco Ricci de Guevara was a Spanish painter of Italian ancestry.
Vincente Requena the Elder was a Spanish painter of the 16th century. He was born at Cocentaina. By 1590 he was practicing at Valencia. He painted the Immaculate Conception, and the Saints Jerome and Anne for the church of the monastery of San Miguel de los Reyes. He painted St. Michael for the convent of San Domingo.
Cristóbal Ramírez was a Spanish painter and illuminator of manuscripts for King Philip II of Spain. He was a native of Valencia, and did most of his work in his native city; he is known to have been active in 1566. He returned to el Escorial and died there, leaving his daughter and two sons under the king's protection. Among the books illuminated by this artist were the Oficio di difuntos, the Intonario, and the Brevario Nuevo en Cantoria for the Escorial.
Abate Andrea Belvedere was an Italian painter of the Baroque period.
Events from the year 1538 in art.
Giovanni Alberti was an Italian painter, known for his perspective painting (quadratura). He was also a poet and writer about art critic.
Hernando de Ávila (c.1538-1595), painter and sculptor to Philip II of Spain, flourished in the middle of the 16th century. He was a pupil of Francisco Comontes. He executed, in 1568, an altar-piece of 'St. John the Baptist,' and the 'Adoration of the Kings,' for the cathedral of Toledo.
Jacob Bunel (1558–1614) was a French painter. The son and pupil of François Bunel, he was born at Blois. He studied at Rome under Federigo Zuccaro, and on returning to France was made painter to the king, and worked with Pourbus and Toussaint du Breuil in the small gallery of the Louvre, burnt in 1661. He was an artist of great merit, and held in much esteem by Henri IV, who employed him at Fontainebleau and other royal residences. He painted 'The Descent of the Holy Ghost' for the chapel of that order in the church of the Grands Augustins at Paris, and for the church of the Feuillants an 'Assumption of the Virgin,' now in the Museum at Bordeaux, both of which pictures have been highly praised. Philip II of Spain, by whom likewise he was esteemed, commissioned him to paint for the cloister of the Escorial forty pictures, all of which have now disappeared. He died in Paris in 1614.
Barroso is a Portuguese and Spanish surname. Notable people with the surname include: