A dagger is a fighting knife with a very sharp point and usually two sharp edges, typically designed or capable of being used as a thrusting or stabbing weapon. Daggers have been used throughout human history for close combat confrontations, and many cultures have used adorned daggers in ritual and ceremonial contexts. The distinctive shape and historic usage of the dagger have made it iconic and symbolic. A dagger in the modern sense is a weapon designed for close-proximity combat or self-defense; due to its use in historic weapon assemblages, it has associations with assassination and murders. Double-edged knives, however, play different sorts of roles in different social contexts.
Fencing is a combat sport that features sword fighting. The three disciplines of modern fencing are the foil, the épée, and the sabre ; each discipline uses a different kind of blade, which shares the same name, and employs its own rules. Most competitive fencers specialise in one discipline. The modern sport gained prominence near the end of the 19th century and is based on the traditional skill set of swordsmanship. The Italian school altered the historical European martial art of classical fencing, and the French school later refined that system. Scoring points in a fencing competition is done by making contact with an opponent.
Kendo is a modern Japanese martial art, descended from kenjutsu, that uses bamboo swords (shinai) as well as protective armor (bōgu). Today, it is widely practiced within Japan and has spread to many other nations across the world.
A rapier or espada ropera is a type of sword with a slender and sharply pointed two-edged blade that was popular in Western Europe, both for civilian use and as a military side arm, throughout the 16th and 17th centuries.
The hilt is the handle of a knife, dagger, sword, or bayonet, consisting of a guard, grip and pommel. The guard may contain a crossguard or quillons. A tassel or sword knot may be attached to the guard or pommel.
A longsword is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use, a straight double-edged blade of around 80 to 110 cm, and weighing approximately 1 to 1.5 kg.
Filipino martial arts (FMA) refer to ancient and newer modified fighting methods devised in the Philippines. It incorporates elements from both Western and Eastern Martial Arts, the most popular forms of which are known as Arnis, Eskrima, and Kali. The intrinsic need for self-preservation was the genesis of these systems. Throughout the ages, invaders and evolving local conflict imposed new dynamics for combat in the islands now making up the Philippines. The Filipino people developed battle skills as a direct result of an appreciation of their ever-changing circumstances. They learned often out of necessity how to prioritize, allocate and use common resources in combative situations. Filipinos have been heavily influenced by a phenomenon of cultural and linguistic mixture. Some of the specific mechanisms responsible for cultural and martial change extended from phenomena such as war, political and social systems, technology, trade and practicality.
The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BCE, during the Spring and Autumn period; one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 centimeters in length. The weight of an average sword of 70-centimetre (28-inch) blade-length would be in a range of approximately 700 to 900 grams. There are also larger two-handed versions used for training by many styles of Chinese martial arts.
The small sword or smallsword is a light one-handed sword designed for thrusting which evolved out of the longer and heavier rapier of the late Renaissance. The height of the small sword's popularity was between the mid-17th and late 18th century, when any man, civilian or military, with pretensions to gentlemanly status would have worn a small sword on a daily basis.
Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms are used interchangeably with the English phrase Japanese martial arts.
Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing, but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word gladiator, a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire. The word gladiator itself comes from the Latin word gladius, which is a type of sword.
The German school of fencing is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the Kunst des Fechtens, or the "Art of Fighting". The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, messers, and the staff, as well as describing mounted combat and unarmed grappling (ringen).
Half-sword, in 14th- to 16th-century fencing with longswords, refers to the technique of gripping the central part of the sword blade with the left hand in order to execute more forceful thrusts against armoured and unarmoured opponents. The term is a translation of the original German Halbschwert. The technique was also referred to as mit dem kurzen Schwert, "with the shortened sword" in German.
Qiang is the Chinese term for spear. Due to its relative ease of manufacture, the spear in many variations was ubiquitous on the pre-modern Chinese battlefield. It is known as one of the four major weapons, along with the gun (staff), dao (sabre), and the jian, called in this group "The King of Weapons".
Salvator Fabris (1544-1618) was an Italian fencing master from Padua. During his life he taught in various European countries, most notably in Denmark where he was the fencing instructor of King Christian IV. It was during his time in Copenhagen that he published his treatise on rapier fencing, Lo Schermo, overo Scienza d’Arme, in 1606. The treatise became a fencing bestseller around Europe, and was reprinted until 1713 and translated into several languages, notably into German, and again in 2005, into English.
Waki-gamae (脇構), sometimes shortened to waki, is one of the five stances in kendo: jōdan, chūdan, gedan, hassō and waki, as well as other related and older martial arts involving Japanese sword. Waki-gamae is a stance involving the swordsman hiding the length of one's own blade behind their body, only exposing the pommel to the opponent. This stance was common when there was no standard length of sword and was often used as a deterrent to any opponents who did not know the range of the sword being hidden and could be used as a sort of bluff technique. It also serves to conceal the orientation of the blade to one's opponent, as to give him no hint about your own intention for the next attack.
The parrying dagger is a category of small handheld weapons from the European late Middle Ages and early Renaissance. These weapons were used as off-hand weapons in conjunction with a single-handed sword such as a rapier. As the name implies they were designed to parry, or defend, more effectively than a simple dagger form, typically incorporating a wider guard, and often some other defensive features to better protect the hand as well. They may also be used for attack if an opportunity arises. The general category includes two more specific types, the sword breaker and trident dagger.
Jujutsu ), also known as jiu-jitsu and ju-jitsu, is a family of Japanese martial arts and a system of close combat that can be used in a defensive or offensive manner to kill or subdue one or more weaponless or armed and armored opponents. Jiu-jitsu dates back to the 1530s and was coined by Hisamori Tenenouchi when he officially established the first jiu-jitsu school in Japan. This form of martial arts uses few or no weapons at all and includes strikes, throws, holds, and paralyzing attacks against the enemy. Jujutsu developed from the warrior class around the 17th century in Japan. It was designed to supplement the swordsmanship of a warrior during combat. A subset of techniques from certain styles of jujutsu were used to develop many modern martial arts and combat sports, such as judo, aikido, sambo, ARB, Brazilian jiu-jitsu, and mixed martial arts. The earliest recorded use of the word “Jiu-Jitsu” happens in 1530s and is coined by Hisamori Tenenuchi when he officially established the first school of Jiu-Jitsu in Japan. The history of the art during this time is uncertain because teachers kept everything secret to give their art a feeling of importance and then would change the stories of their art to suit their own needs.
Pistol-whipping or buffaloing is the act of using a handgun as a blunt weapon, wielding it as an improvised club. Such a practice dates to the time of muzzle loaders, which were brandished in such fashion in close-quarters combat once the weapon's single projectile had been expended.
There are several Chinese martial arts known as Snake Boxing or Fanged Snake Style which imitate the movements of snakes. It is a style of Shaolin Boxing. Proponents claim that adopting the fluidity of snakes allows them to entwine with their opponents in defense and strike them from angles they would not expect in offense. Snake style is said to especially lend itself to applications with the Chinese straight sword. The snake is also one of the animals imitated in Yang family Taijiquan, Baguazhang and Xingyiquan. The sinuous, fluid motion of the snake lends itself to the practical theory that underlies the "soft" martial arts.
