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William James "Count" Basie was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Frank Wellington Wess was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Boniface Ferdinand Leonard "Buddy" DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s.
Wilbur Dorsey "Buck" Clayton was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window.
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the Big Band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Frederick William Green was an American swing jazz guitarist who played rhythm guitar with the Count Basie Orchestra for almost fifty years.
From Spirituals to Swing was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry.
Emmett Berry was an American jazz trumpeter.
Albert Aarons was an American jazz trumpeter.
Salvatore Nistico was an American jazz tenor saxophonist.
Charles J. Thornton, Jr., known professionally as Butch Miles, was an American jazz drummer. He played with the Count Basie Orchestra, Dave Brubeck, Ella Fitzgerald, Sammy Davis Jr., Frank Sinatra, Lena Horne, and Tony Bennett.
The Metronome All-Stars were a collection of jazz musicians assembled for studio recordings by Metronome Magazine, based on its readers' polls. The studio sessions were held in the years 1939–42, 1946–53, and 1956, and typically consisted of two tracks which allowed each participant a chance to solo for one chorus. Earlier recordings feature more swing style, while the later sessions tend more toward bebop.
"Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the Billboard charts and remained on them for four weeks. Since then, it has become a frequently recorded jazz standard.
Oscar Peterson Plays Count Basie is a 1956 album by Oscar Peterson, of music associated with Count Basie.
This One's for Basie is a 1957 studio album by Buddy Rich and an eleven piece orchestra, recorded in tribute to bandleader Count Basie. The album was re-issued by Verve in the 1950s and again in the 1960s.
Afrique is a 1971 studio album by Count Basie and his orchestra, arranged & conducted by Oliver Nelson released by the Flying Dutchman label
George James Catlett, known professionally as Buddy Catlett, was an American jazz multi-instrumentalist, best known for his work as a bassist.
John William Heard was an American bass player and artist. His recording credits include albums with Pharoah Sanders, George Duke, Oscar Peterson, Count Basie, Zoot Sims, Ahmad Jamal, Frank Morgan, George Cables. His professional jazz performance career lasted from the 1960s to the early 2010s, during which he also worked as a visual artist, producing drawings, paintings, and sculptures.
References
- ↑ Ken Vail. Count Basie: Swingin' the Blues, 1936-1950. Scarecrow Press, Jan 1, 2003
- ↑ John Goldrosen, John Beecher. Remembering Buddy: the definitive biography Viking Penguin, 1987
- ↑ "Remarks at a Campaign Rally for Senator Mack Mattingly in Columbus, Georgia The American Presidency Project."
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