Related Research Articles
David Mallet was a Scottish poet and dramatist.
James Thomson was a Scottish poet and playwright, known for his poems The Seasons and The Castle of Indolence, and for the lyrics of "Rule, Britannia!"
The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
The Battle of Hastings is a 1778 play by the English writer Richard Cumberland. It is a tragedy set around the Battle of Hastings in 1066. It was staged at the Drury Lane Theatre in October 1778 by Richard Brinsley Sheridan. Sheridan later mocked Cumberland's sensitivity to criticism by modelling the character Sir Fretful Plagiary, in his 1779 play The Critic, after him.
Scottish literature in the eighteenth century is literature written in Scotland or by Scottish writers in the eighteenth century. It includes literature written in English, Scottish Gaelic and Scots, in forms including poetry, drama and novels. After the Union in 1707 Scottish literature developed a distinct national identity. Allan Ramsay led a "vernacular revival", the trend for pastoral poetry and developed the Habbie stanza. He was part of a community of poets working in Scots and English who included William Hamilton of Gilbertfield, Robert Crawford, Alexander Ross, William Hamilton of Bangour, Alison Rutherford Cockburn, and James Thomson. The eighteenth century was also a period of innovation in Gaelic vernacular poetry. Major figures included Rob Donn Mackay, Donnchadh Bàn Mac an t-Saoir, Uillean Ross and Alasdair mac Mhaighstir Alasdair, who helped inspire a new form of nature poetry. James Macpherson was the first Scottish poet to gain an international reputation, claiming to have found poetry written by Ossian. Robert Burns is widely regarded as the national poet.
Busiris, King of Egypt is a 1719 tragedy by the British writer Edward Young. It is set in Ancient Egypt during the reign of Busiris. It was considered a success, enjoying a good run and was subsequently published by Jacob Tonson. The work was dedicated to the Duke of Newcastle who as Lord Chamberlain oversaw the theatres.
The Revenge is a 1721 tragedy by the British writer Edward Young, set in 16th-century Spain. Although initially it did not enjoy the same success as his previous play Busiris, King of Egypt, it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.
Sophonisba is a 1730 tragedy by the British writer James Thomson. It is based on the story of the Carthaginian noblewoman Sophonisba who committed suicide rather than be paraded in a Roman triumph at the end of the Second Punic War. The story has been made into a number of plays including Nathaniel Lee's restoration tragedy Sophonisba and Voltaire's later Sophonisbe.
Art and Nature is a 1738 comedy play by the British writer James Miller. The play received a rough reception from what Miller described a "faction" in the Drury Lane audience, and its run was not extended beyond a single night. He described its subsequent publication as an attempt to vindicate himself.
The Coffee House is a 1738 comedy play by the British writer James Miller, written as an afterpiece. After being performed at Drury Lane, it was published later that year with some alterations to the play's original text.
The Mother-in-Law is a 1734 comedy play by the British writer James Miller. Also known by the longer title The Mother-in-Law, or the Doctor the Disease it debuted at the Haymarket Theatre in London.
William Mills (1701-1750) was a British stage actor.
William Milward (1702-1742) was a British stage actor.
Eurydice is a 1731 tragedy by the Scottish writer David Mallet. It is one of a number of plays and operas to be based on the story of Eurydice from Greek Mythology.
Agamemnon is a 1738 tragedy by the British writer James Thomson. It is based on the story of Agamemnon from Greek Mythology.
Edward and Eleonora is a 1739 tragedy by the British writer James Thomson. Originally due to be performed at Covent Garden in 1739, the play was banned by the censor, the Lord Chamberlain Charles FitzRoy, Duke of Grafton, under the recent Licensing Act. This happened late into rehearsals in March 1739. The original cast was intended to feature Dennis Delane as Edward, Christiana Horton as Eleanor, James Rosco as Gloucester and Lacy Ryan as the Sultan.
Tancred and Sigismunda is a 1745 tragedy by the British writer James Thomson. It is inspired by one of the story's from Giovanni Boccaccio's The Decameron.
The Foundling is a 1748 comedy by the British writer Edward Moore.
High Life Below Stairs is a 1759 comedy play by the British writer James Townley. An afterpiece, it premiered at Drury Lane on a double bill with a revival of Dryden's The Mourning Bride. A popular hit, it was frequently revived.
The Non-Juror is a 1717 comedy play by the British writer Colley Cibber. It is inspired by Molière's 1664 work Tartuffe.
References
- ↑ Nicoll p.343
