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| My Riot | ||||
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| Studio album by | ||||
| Released | August 22, 2006 | |||
| Length | 38:44 | |||
| Label | Sailor's Grave | |||
| Producer | Roger Miret | |||
| Roger Miret and the Disasters chronology | ||||
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My Riot is the third studio album by Roger Miret and the Disasters. It was released on August 22, 2006 via Sailor's Grave Records. It is their first album not released on Hellcat Records.
All songs by Roger Miret unless otherwise noted.
Agnostic Front is an American hardcore punk band from New York City. Founded in 1980, the band is considered an important influence to the New York hardcore scene, as well as for pioneering the crossover thrash genre.
Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England, which has many Afro-Caribbean, Indian and other Asian migrants. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds, Basil Gabbidon, and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Michael Riley. Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album.
Roger Miret and the Disasters are a street punk group formed by Agnostic Front frontman Roger Miret. The band started when Miret was writing songs that were not a style suitable for Lady Luck or Agnostic Front, so he starting recording them on his own on a Boss recorder. Johnny Rioux had previously mentioned he would like to work with him, so Rioux helped Miret on what originally started as a solo project. Then Miret met Rhys Kill, who liked the material and joined in on the project. The band then recorded a demo tape, with Miret and Kill on guitar, Rioux on bass and Matt Kelly from the Dropkick Murphys on drums. That six-song demo found reviewed by Lars Frederiksen, who passed it off to his Rancid bandmate Tim Armstrong. He asked Miret to put his project out on Hellcat Records. As Kelly could not continue with Miret due to his commitments with Dropkick Murphys, Miret asked Johnny Kray of The Krays and New York Rel-X to join on drums. After a couple rehearsals, they decided to make it a band.
Roger Miret and the Disasters is the debut studio album by Roger Miret and the Disasters. It was released on September 10, 2002.
1984 is the second studio album by Roger Miret and the Disasters. It was released on February 22, 2005.
Freddy Lafayan Cricien, also known as Freddy Madball, is an American musician, primarily known as the vocalist of New York hardcore band Madball. He is also the vocalist of Hazen Street, and has a hip hop career from which debut album was November 2009's Catholic Guilt. He also moonlights as an MC with DJ Stress as the hip hop duo Freddy Madball & DJ Stress.
Live! is a live album by Chuck Berry, released in 1994 by Columbia River Entertainment Group.
F.T.T.W. is the title of the third album released by H2O. It was released on May 18, 1999. It was their second of two albums to be released on Epitaph Records before they moved to MCA Records.
"Dolls " is a song by Scottish band Primal Scream. It was released as the second single from the band's eighth album, Riot City Blues, on 7 August 2006, and reached number forty on the UK Singles Chart. It also features the vocals of Alison Mosshart (VV) from the British/American rock band, The Kills.
Ain't Complaining is the eighteenth studio album by British rock band Status Quo. Initially released on the Vertigo label on 13 June 1988, it was the group's first album on that label to fall short of the UK Top 10, reaching no higher than its entry position of No. 12.
"Good Rocking Tonight" was originally a jump blues song released in 1947 by its writer, Roy Brown and was covered by many recording artists. The song includes the memorable refrain, "Well I heard the news, there's good rocking tonight!" The song anticipated elements of rock and roll music.
"Janie Jones" is a song by the English punk rock band the Clash. It is the opening track on their eponymous debut album (1977). The song is named after Janie Jones, who was a famous madam in London during the 1970s and had been a pop singer during the 1960s.
The Balham Alligators were an English band from London that mixed rock 'n' roll, cajun, country and R&B. The band centred on singer and instrumentalist Geraint Watkins.
The Head Cat is an American rockabilly supergroup formed by vocalist/bassist Lemmy, drummer Slim Jim Phantom and guitarist Danny B. Harvey. Lemmy died in 2015 and as of 2017, former Morbid Angel member David Vincent took Lemmy's place as vocalist and bassist.
Riot in Japan – Live!! is the second live album by the American heavy metal band Riot, recorded in June 1990 in Osaka and Tokyo, and first released in 1992 by Sony Music Japan. It marks the debut by bassist Pete Perez who replaced Don Van Stavern at the end of the U.S. leg of The Privilege of Power tour. This album was taken from Front Of House console mixes by sound man George Geranios. There was no multi-track recording made.
The Turbo A.C.'s are an American punk rock band from New York City, United States, formed in 1995. The band's high-octane sound has led to comparisons with the likes of The Supersuckers and New Bomb Turks.
The Pool of Life is the first album released by English band The Onset. It was released by Probe Plus in 1988. The album takes its name from one of the many nicknames of Liverpool, the home city of both the band and the Probe Plus label.
Hall of Fame: A Tribute to Bob Marley's 50th Anniversary is an album by Bunny Wailer, released through RAS Records in November 1995. In 1997, the album won Wailer the Grammy Award for Grammy Award for Best Reggae Album.
Rock 'n' Roll with the Modern Lovers is an album by Jonathan Richman and the Modern Lovers, released by Beserkley Records in 1977.
Never Give In is the second album by English reggae artist Pato Banton, released by Greensleeves Records in 1987. By the release of the record, Banton had built a long-time following as an MC and deejay thanks to collaborations with other reggae artists like Mad Professor, and momentum-building tours around the United Kingdom, United States and Europe. He recorded the album with producers G.T. Haynes and Lesburn Thomas and worked with the Studio Two Crew from his native Birmingham. The record displays Banton's humorous approach to serious subjects such as drugs and poverty, which he delivers via singing and toasting, whilst the music balances roots reggae with nascent digital dancehall, with accessible grooves and a punctuating horn section. The record features collaborations with Ranking Roger, Paul Shaffer and Steel Pulse.
