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Silambam is an Indian martial art originating in Tamil Nadu, South India in the Indian subcontinent. This style is mentioned in Tamil Sangam literature. The World Silambam Association is the official international body of Silambam.
Bōjutsu is the martial art of stick fighting using a bō, which is the Japanese word for staff. Staffs have been in use for thousands of years in Asian martial arts like Silambam. Some techniques involve slashing, swinging, and stabbing with the staff. Others involve using the staff as a vaulting pole or as a prop for hand-to-hand strikes.
A bō, pong (Korean), pang (Cantonese), bang (Mandarin), or kun (Okinawan) is a staff weapon used in Okinawa. Bō are typically around 1.8 m (71 in) long and used in Okinawan martial arts, while being adopted into Japanese arts such particular bōjutsu. Other staff-related weapons are the jō, which is 1.2 m (47 in) long, and the hanbō, which is 90 cm (35 in) long.
Gatka is a form of martial art associated primarily with the Sikhs of the Punjab and other related ethnic groups, such as Hindkowans. It is a style of stick-fighting, with wooden sticks intended to simulate swords. The Punjabi name, gatka, refers to the wooden stick used and this term might have originated as a diminutive of a Sanskrit word, gada, meaning "mace".
Banshay is a weapon-based martial art from Myanmar focusing primarily on the sword, staff and spear. Influenced by both Indian and Chinese sources, it is closely related to similar Southeast Asian systems such as Thai krabi krabong, Cambodian kbach kun boran and Malay silat.
Stick-fighting, stickfighting, or stick fighting, is a variety of martial arts which use simple long, slender, blunt, hand-held, generally wooden "sticks" for fighting, such as a gun staff, bō, jō, walking stick, baston, arnis sticks or similar weapons. Some techniques can also be used with a sturdy umbrella or even with a sword or dagger in its scabbard.
Tahtib is the term for a traditional stick-fighting martial art originally named fan a'nazaha wa-tahtib. The original martial version of tahtib later evolved into an Egyptian folk dance with a wooden stick. It is commonly described in English as a "stick dance", "cane dance", "stick-dancing game", or as ritual mock combat accompanied by music. Nowadays, the word tahtib encompasses both martial practice and performance art. It is mainly practiced today in Upper Egypt. Tahtib is regularly performed for tourists in Luxor and Aswan.
Jūkendō (銃剣道) is the Japanese martial art of bayonet fighting, and has been likened to kendo.
A Ṣa‘īdī is a person from Upper Egypt.
Jōdō (杖道), meaning "the way of the jō", or Jōjutsu (杖術) is a Japanese martial art using a short staff called jō. The art is similar to bōjutsu, and is strongly focused upon defense against the Japanese sword. The jō is a short staff, usually about 3 to 5 feet long.
The traditional dances of the Middle East span a large variety of folk traditions throughout North Africa, the Middle East, and Central Asia.
A war dance is a dance involving mock combat, usually in reference to tribal warrior societies where such dances were performed as a ritual connected with endemic warfare. Martial arts in various cultures can be performed in dance-like settings for various reasons, such as for evoking ferocity in preparation for battle or showing off skill in a more stylized manner. It could also be for celebration of valor and conquest. Many such martial arts incorporate music, especially strong percussive rhythms.
Huiyen Lallong is a traditional Meitei martial art form. It is one of the Indian martial arts, originating from Manipur. In the Meitei language, Huiyen means war while Lallong or Lanlong can mean net, knowledge or art. Huiyen Langlon consists of two main subforms: Thang-Ta and Sarit Sarak. The primary weapons of Huiyen Lallong are the Thang (sword) and Ta (spear). The spear can be used in its non-missile form while up close, or thrown from afar. Other weapons include the shield and the axe. Unarmed combat incorporates hand strikes, kicks, and grappling (Mukna). Because of Manipur's cultural similarity and geographical proximity with Myanmar, huyen langlon is closely related to Burmese bando and banshay.
Varma Kalai is a Tamil traditional art of vital points. It combines massage, alternative medicine, traditional yoga and martial arts in which the body's pressure points (varmam) are manipulated to heal or cause harm. The healing application called Vaidhiya Murai is part of Siddha medicine.
Stick dance may refer to:
Mezmar or mizmar is a traditional group performance and stick song-dance that is performed by in the Hejaz region in western Saudi Arabia for festive occasions such as wedding and national events. Almezmar is performed by about 15–100 practitioners in festive occasions such as wedding and national events, they twirl long sticks, beat drums and clap to songs that can pertain to a variety of topics such as heroism, praise, chivalry, love and generosity. In the past, the ritual was associated with battle or competition. It closely resembles the tahtib dance practiced in Egypt and Sudan.
Adimurai is an Indian martial art originating in modern-day Kanyakumari, the southernmost region in India. It was traditionally practiced in the Kanyakumari district of modern-day Tamil Nadu as well as nearby areas in southeastern Kerala. Its preliminary empty-hand techniques are called Adithada and application of vital points are called Varma Adi, although these terms are sometimes interchangeably used to refer to the martial art itself. Adimurai is a portmanteau in the Tamil language where adi means "to hit or strike" and murai means method or procedure. In modern period it is used alongside other Tamil martial arts.
References
- Article about Tahtib, denoting the specifications for a naboot.
- Similar article that talks about the origins of Tahtib, including historical references
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