This is a list of Nadir Afonso artworks: paintings, engravings, and architecture.
![Nadir Afonso in his studio, standing next to Seville (first decade of 21st century [2007], Cities series), canvas still unmounted. Nadir Afonso and his art.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Nadir_Afonso_and_his_art.jpg/440px-Nadir_Afonso_and_his_art.jpg)
All data was sourced from websites (linked to) and from the books and catalogues listed in the main Nadir Afonso article.
Titles are shown in their original language as conceived by the artist, and translated if needed, except the titles made of place names, which are shown in the English form. Multiple-source inconsistencies are shown in the Notes column. The artist's method usually involves one or more studies before the final artwork, which sometimes is revealed only years later; the artist also sometimes returns to work on artworks after they are publicly exhibited. This explains some of the multiple or alternative dates.
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1935 | Rua da Cadeia (Jail Street) | |||
| 1936 | Rio Cávado (Cávado River) | oil on canvas, 32x30 cm | collection Nadir Afonso Foundation | |
| 1936 | Campinas (Fields) | 1 | oil on canvas, 23x34 | alt. date 1937; collection Nadir Afonso Foundation |
| 1936 | Canto do Rio (River Corner) | |||
| 1937 | Forte de S. Francisco (Fort St. Francis) | watercolor | 2nd prize, national contest "Which is the most beautiful Portuguese landscape?" | |
| 1938 | Arredores (Surroundings) | 1 | oil on canvas, 37x31 cm | alt. date 1936; collection Nadir Afonso Foundation |
| 1939 | Cais da Ribeira | study | ||
| 1939 | Gaia | mixed technique | alt. title Gaia I | |
| 1940 | Porto | mixed technique | motif: boats on a river dock | |
| 1941 | Douro no Porto (Douro in Porto) | alt. title Douro | ||
| 1941 | Clérigos | 1 2 3 | mixed technique | |
| 1941 | Modelos (Models) | |||
| 1941 | Cavalos Alados (Winged Horses) | study | ||
| 1943 | Praça dos Aliados (Aliados Square) | 2 | ||
| 1945 | Évora | oil | not related to the 1945 oil Évora Surrealista |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1939 | Cerâmica de Chaves (Chaves Ceramic Factory) | 1 | ||
| 1939 | Ponte D. Luís I (King Luis I Bridge) | 1 | oil | based on a 1939 study |
| 1939 | Self-Portrait | ripped apart and thrown away by the artist, found and restored | ||
| 1939 | Gaia II | |||
| 1940 | Banhistas (Bathing Women) | not related to the 1947-89 oil on canvas As Banhistas | ||
| 1940 | Praça da Batalha (Batalha Square) | 1 | oil | |
| 1940 | A Mulher e o Galo (The Woman and the Rooster) | |||
| 1937-41 | A Bruxa de Escarei (The Witch of Escarei) | |||
| 1941 | A Fuga de Lot (Lot's Escape) | |||
| 1942 | Ribeira (Riverside) | 1 | oil | |
| 1942 | Vila Nova de Gaia | 1 | oil on hardboard, 53x50 cm | alt. not dated; based on the 1940 studies Gaia, Vila Nova de Gaia, and Vila Nova de Gaia II |
| 1942 | A Sebastianista (Sebastianist Woman) | study | ||
| 1942 | Ponte de Lima | |||
| 1942 | Margens do Cávado (Margins of the Cávado) | 1 (right) | study | |
| 1943 | Cais em Massarelos (Quay in Massarelos) | |||
| 1944 | Evocação (Homage) | study | ||
| 1944 | Figura Sentada (Seated Figure) | study | ||
| 1945 | Alvito | |||
| 1946 | La Ville d'Avry (The Town of Avry) | gouache, 21x31.5 cm | ||
| Colinas de Gondomar (Hills of Gondomar) | watercolor | |||
| 1946 | Place du Châtelet (Châtelet Square) | not related to the 1958 painting Châtelet | ||
| 1946 | O Poeta (The Poet) | study | ||
| 1946 | Luxembourg | |||
| 1946 | Place de la Concorde (Concorde Square) | |||
| 1946 | Pontes de Paris (Bridges of Paris) | not related to the 1947 painting of the same title (but same subject) nor to the 1977 oil on canvas Les Ponts de Paris | ||
| 1946 | Ponte de Austerlitz (Austerlitz Bridge) | |||
| 1946 | Banlieu (Outskirts) | |||
| 1946 | O Sena (The Seine) | |||
| 1946 | Chômage (Unemployment) | |||
| 1946 | Margens do Tâmega (Margins of the Tâmega) | study | ||
| 1947 | Sur la Plage (On the Beach) | |||
| 1947 | Pontes de Paris (Bridges of Paris) | not related to the 1947 painting of the same title (but same subject) nor to the 1977 oil on canvas Les Ponts de Paris | ||
| 1947 | A Ópera (The Opera) | not related to the 1947 painting L'Opéra nor to the 1983 painting Opéra | ||
| 1947 | L'Opéra (The Opera) | not related to the 1947 painting A Ópera nor to the 1983 painting Opéra | ||
| 1947 | Pont et Rue du Bac (Bridge and Bac Street) | |||
| 1947 | A Mexicana (Mexican Woman) | study | ||
| 1947 | Tâmega | 1 | ||
| 1947 | Agrela | |||
| 1947 | Entardecer em Valdanta (Limelight in Valdanta) | 1 | study | |
| 1947 | Orléans | study | ||
| 1948 | Pont de Saint Michel (St. Michel Bridge) | |||
| 1948 | Barcos no Cais (Boats in the Quay) | study | ||
| 1948 | La Marne | dated 47; study | ||
| 1948 | Lake Vincennes | |||
| 1948 | Le Rhône à Lyon (The Rhône at Lyon) | |||
| 1948 | Saudade (Nostalgia) | |||
| 1948 | Casas de Lisieux (Houses in Lisieux) | study | ||
| 1948 | Zeus | study | ||
| 1949 | Ruas de Paris (Streets of Paris) | study | ||
| 1949 | Vera Cruz | not related to the first decade of 21st century acrylic on canvas of the same title | ||
| 1949 | Catedral de Gand (Gand Cathedral) | |||
| 1949 | Les Ponts (The Bridges) | |||
| 1949 | Moscow | not related to the 1995 painting of the same title | ||
| 1949 | O Amor (Love) | |||
| 1950 | Calvão | 1 (left) | ||
| 1950 | Vienna | not related to the painting of the same title | ||
| 1950 | Île-de-France | |||
| 1950 | La Saône à Lyon (The Saône at Lyon) | study | ||
| 1951 | Chamonix | |||
| 1951 | Florence | |||
| 1951 | As Margens do Capibaribe (The Margins of the Capibaribe) | study | ||
| 1951 | Represa do Agapito (Agapito Dam) | study | ||
| 1952 | Catedral II (Cathedral II) | |||
| 1953 | Margens (Margins) | 1 (left) | legend: "Margens do Mar Cáspio" (Margins of the Caspian Sea); study | |
| 1953 | Pontevedra | |||
| 1953 | Praia de Aveiro (Beach in Aveiro) | |||
| 1953 | La Marne à St. Dizier (The Marne at St. Dizier) | |||
| 1954 | La Rhône (The Rhône) | |||
| 1954 | Catedral IV (Cathedral IV) | |||
| 1956 | Caramulo | |||
| 1956 | Amsterdam | not related to the 1994 painting of the same title | ||
| 1957 | Fábricas de Charenton (Factories of Charenton) | study | ||
| 1951-59 | Cathédrale Bleue (Blue Cathedral) | |||
| 1959 | Luxembourg Gardens | |||
| 1959 | Tuileries Palace | |||
| Casas de Mytilene (Houses of Mytilene) | study | |||
| 1962 | Vale de Salém (Salem Valley) | study | ||
| 1963 | Nature | |||
| 1947-67 | Codeçais | 1 (right) | dated 47; study | |
| 1968 | Restos de Escuna (Remains of a Schooner) | |||
| 21x23,5 cm | auctioned on June 14, 2007 by Leiloeira Invicta (Porto, Portugal), base price: €4,000; motif: two women, one of which pregnant, pre-surreal style |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1945 | Évora Surrealista (Surreal Évora) | 2 3 | oil | alt. title Évora; alt. date 1944-01; based on a study; collection Nadir de Afonso Foundation |
| 1946 | Metamorfose Artificial (Artificial Metamorphosis) | oil on canvas, 74x70 cm | collection Nadir Afonso Foundation | |
| 1954 | Musas (Muses) | |||
| 1947-87 | Jeunes Filles (Young Girls) | not related to the 1991 painting of the same title | ||
| 1950-88 | Psyché | |||
| 2007 | Apolo (Apollo) | 1:gouache 2:gouache 3:gouache 4:gouache/detail 5:gouache/detail 6:exhibition (left) | acrylic on canvas, 200x230 cm | one of five oversized paintings by this artist; based on a 2007 gouache on paper, 28.5x34 cm; both collection Nadir Afonso Foundation |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1943 | Metalocromia (Metalochrome) | |||
| 1946 | No Title | oil on canvas, 75x75 cm | motif; curls over green and red background; rainbow on top right | |
| 1946 | Composição | 1 | alt. title Composição Irisada (Iris Composition), not related to the 1946 oil on canvas Composição Irisada | |
| 1946 | Composição Irisada (Iris Composition) | 2 3 | oil on canvas, 97x97 cm | alt. not dated; alt. title Composição, not related to the 1946 painting Composição; collection Nadir Afonso Foundation |
| 1947 | Os Metais (The Metals) | |||
| 1951 | Pisa I | study | ||
| 1951 | Pisa II | study | ||
| 1951 | San Marco | study | ||
| 1956 | Monte Branco (Mont Blanc) | |||
| 1956 | Les Alpes (The Alps) | |||
| 1948-98 | Máquina (Machine) | 1 2 | ||
| 1998 | Fundo dos Oceanos - Expo 98 (Ocean's Deep - Expo '98) | 1 | ||
| Íris (Iris) | 1 | gouache on paper, 40x50 cm | based on a 1958 gouache study; not related to the 2000 acrylic on canvas of the same title | |
| Asas (Wings) | 1 | based on the 1964 painting Composition Irisée (Iris Composition), which was based on the 1948-49 (alt. date 1948) painting Asas (alt. title Composition Irisée) |
All paintings in this series are independent of each other, despite their common titles.
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1954 | Espacillimité | 2 | ||
| 1956 | Espacillimité Animé de Mouvement (Espacillimité Animated with Movement) | 1 2 | canvas on rotating drum | pictured at the 1958 Salon des Réalités Nouvelles, Paris |
| 1957 | Espacillimité | oil on canvas, 82x152 cm | exhibited at the 1961 São Paulo Art Biennial; 2007 sale price (Antiks Design gallery, Lisbon, Portugal): €65,000 | |
| 1958 | Espacillimité | 1 2 | alt. title Espacilimitado | |
| Espacillimité | 1 | |||
| Espacillimité | 1 | |||
| Espacillimité | 1 |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1954 | Auriculo | |||
| 1954 | Lotus | study | ||
| 1954 | Les Spirales | 1 | oil on hardboard, 67.5x86 cm | |
| 1954 | Composition | 1 | ||
| 1955 | Audible II | |||
| 1955 | Caractères | 1 2 3 | oil on canvas, 70,4x90 cm | collection of Ana de Carvalho Alves, auctioned on May 9, 2007 by Palácio do Correio Velho (Lisbon, Portugal), sold at base price: €30,000 |
| 1955 | Caractères | oil on canvas, 94x115 cm | reproduction of the same year's oil on canvas of the same title; collection Nadir Afonso Foundation | |
| 1956 | Flora | 1 2 | alt. date 1953 | |
| 1992 | Espirais (Spirals) | reproduction of the 1954 oil on hardboard Les Spirales |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1947 | Geometrias | 1 | ||
| 1948 | Morfometrias (Morphometries) | |||
| 1948 | Thot | 1 | based on a study | |
| 1951 | Formas Pré-Geométricas (Pre-Geometric Shapes) | 1 | based on two 1951 studies; alt. date 1961 |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1945 | 1 | drawing | motif: woman in profile | |
| 1950 | Le Roi (The King) | |||
| 1950 | Friso do Falcão (Frieze of the Hawk) | |||
| 1951 | Friso de Fayoum (Frieze of Al Fayyum) | gouache, 28x37.5 cm | ||
| 1951 | O Relevo de Karnak (The Relief of Karnak) | oil on canvas, 66x97 cm | ||
| 1951 | Le Dieu Rá (King Ra) | |||
| 1952 | Deux Styles | 2 | ||
| 1952 | Áspide (Aspid) | 1 | ||
| 1952 | Friso de Ápis (Frieze of Apis) | |||
| 1952 | Rencontre (Meeting) | |||
| 1952 | Nefertite (Nefertiti) | study | ||
| 1952 | Orla Negra (Black Rim) | based on a study; alt. date 1953 | ||
| 1953 | Horus | 1 2 | oil on canvas, 95.5x135 cm | not related to the 1954 painting Hórus; collection Nadir Afonso Foundation (alt. Calouste Gulbenkian Foundation) |
| 1953 | Vestales (Vestals) | study | ||
| 1953 | Serpente (Serpent) | study | ||
| 1953 | Engrenagem (Gears) | gouache, 27x40 cm | based on, or the basis for, the painting of the same year and title | |
| 1953 | Engrenagem (Gears) | based on, or the basis for, the painting of the same year and title | ||
| 1953 | Mycènes | |||
| 1954 | Friso de Mênfis (Frieze of Memphis) | gouache, 15x30.5 cm | ||
| 1954 | Hórus (Horus) | not related to the 1953 painting Horus | ||
| 1954 | Beni Hassan | |||
| 1954 | Frise des Coqs (Frieze of the Roosters) | |||
| 1954 | Lis (Fleur-de-lis) | study | ||
| 1954 | Friso de Ísis (Frieze of Isis) | 1 | mixed technique, 64x100 cm | auctioned on October 23, 2007 by Palácio do Correio Velho (Lisbon, Portugal), estimate: €25-30,000 |
| 1955 | Nubia | |||
| 1955 | Friso de Ámon (Frieze of Amon) | 1 | gouache, 20x41 cm | based on a 1953 study |
| 1955 | Géométrie Animée (Animated Geometry) | |||
| 1955 | Roulement (Bearing) | |||
| 1955-56 | Friso de Ísis (Frieze of Isis) | study; based on the 1955-56 study of the same title (different color scheme) | ||
| 1956 | Osíris (Osiris) | |||
| 1956 | Offrande (Offering) | |||
| 1957 | Círculos (Circles) | 1 | ||
| 1957 | Rotações (Rotations) | study | ||
| 1957 | Policromia (Polychromy) | |||
| 1957 | Pré-Geometrias (Pre-Geometries) | |||
| 1958 | Frisos (Friezes) | study | ||
| 1958 | Arcos | study | ||
| 1981 | Período Egípcio (Egyptian Period) | acrylic on canvas, 68x98 cm | ||
| 1958-89 | Hieróglifos (Hieroglyphs) | gouache, 25x39.5 cm | alt. date 1958 |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1951 | Contrastes (Contrasts) | dated 48-89; study | ||
| 1952 | Desintegração Geométrica (Geometric Disintegration) | |||
| 1955 | Les Billes (The Marbles) | |||
| 1959 | Ensembles | study | ||
| 1961 | Príncipes (Princes) | study | ||
| 1962 | Cabeleira de Berenice (Berenice's Hair) | legend "Brahms 62"; study | ||
| 1965 | Perspective I | oil on canvas, 88x115 cm | alt. date 1968 | |
| 1965 | Perspective II | oil on canvas, 88x115 cm | ||
| 1965 | Perspective III | |||
| 1965 | Projections I | study; based on the 1961 gouache Projections, 19.5x29.5 cm | ||
| 1968 | Projections II | study | ||
| 1963-85 | Papillon (Butterfly) | |||
| 1971 | Rosácea (Compass Rose) | |||
| 1958-89 | Origens Geométricas (Geometric Origins) | gouache, 34x29 cm | based on, or the evolution of, a 1958 study | |
| not dated | Geometrias (Geometries) | oil on canvas, 95x132 cm | collection Nadir Afonso Foundation | |
| not dated | Composição Geométrica (Geometric Composition) | oil on canvas, 94.5x131 cm | collection Nadir Afonso Foundation | |
| Dispersão Geométrica (Geometric Dispersion) | 1 | gouache on paper, 38.5x57 cm | based on a 1958-68 study |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1949 | Cais do Sena (Quay in the Seine) | study | ||
| 1951 | Argel | |||
| 1952 | Buenos Aires | |||
| 1953 | Zaratustra (Zarathustra) | based on a study | ||
| 1954 | Calcutta | based on a study | ||
| 1954 | Espirais (Spirals) | not related to the 1954 oil on hardboard of the same title | ||
| 1954 | Oder | study; not related to the 1962 study of the same title | ||
| 1954 | Madrid | study; not related to the 1994 gouache, the 1995 painting, and the gouache on paper, all of the same title | ||
| 1955 | Notre-Dame | |||
| 1955 | Copacabana | 1 | ||
| 1956 | Ariana | study | ||
| 1956 | Trenton | study, not related to the 1977 painting of the same title | ||
| 1957 | Sofia | |||
| 1957 | Corbigny | |||
| 1957 | Halba | based on a study | ||
| 1958 | Châtelet | not related to the 1946 painting Place du Châtelet | ||
| 1959 | Devant le Spectre de Dieu (In Front of God's Spectre) | gouache, 28.5x46 cm | ||
| 1960 | Buçaco | |||
| 1960 | Palácio das Descobertas (Palace of the Discoveries) | dated 46 | ||
| 1960 | Cabedelo | study | ||
| 1960s | Os Portugueses (The Portuguese) | 1 2 | ||
| 1961 | Tempo (Time) | |||
| 1956 | Venice | 2 3 | alt. date 1956-62; collection CAMJAP-Centro de Arte Moderna José de Azeredo Perdigão/Calouste Gulbenkian Foundation (alt. Nadir Afonso Foundation) | |
| 1957-62 | Édipo e Seu Pai (Oedipus and His Father) | signed "Oedipus et son père 57"; study | ||
| 1962 | Oder | study; not related to the 1954 study of the same title | ||
| 1962 | Pont d'Auteil (Auteil Bridge) | gouache on paper, 23x35 cm | 2007 sale price (São Mamede gallery): €18,000 | |
| 1962 | No Title | 1 | gouache on paper, 22x33.5 cm | collection of Ana de Carvalho Alves, auctioned on May 8, 2007 by Palácio do Correio Velho (Lisbon, Portugal), sold at base price: €6,000 |
| 1962 | Galáxias (Galaxies) | dated 89 | ||
| 1962 | Marcoule | 1 2 3 | oil on canvas, 68x98 cm | collection Berardo |
| 1963 | Quatre Couleurs (Four Colors) | gouache, 22x30 cm | ||
| 1963 | Alep | |||
| 1964 | Fulvia | study | ||
| 1964 | Mitilene | study | ||
| 1965 | Ario | study | ||
| 1965 | Banjul | acrylic on canvas, 85x125 cm | date most probably wrong due to style, type of paint; 2007 exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 | |
| 1966 | Palais (Palace) | |||
| 1967 | Terras de Bornes | |||
| 1969 | Réveil (Awakening) | |||
| 1969 | Centre Industriel (Industrial Centre) | |||
| 1969 | Pittsburgh | 1/paid subscription required | gouache on paper, 33x37 cm | auctioned on March 21, 2002 |
| 1969 | Rue de La Fayette | study | ||
| 1969 | Rue de Rennes | study | ||
| 1968-70 | Silices | oil on canvas, 93x127 cm | alt. date 1968 | |
| 1970 | Acropole Nucléaire (Nuclear Akropolis) | alt. date 1970-83 | ||
| 1970 | Place Barroque | |||
| 1970 | Figueira da Foz | 1 2/paid subscription required | oil on canvas, 75x100 cm | auctioned on November 23, 1991, by Neumeister Kunstauktionen (lot 240), and again on November 4, 1992 |
| 1970 | Canal de l'Oure (Oure Channel) | oil on canvas, 87x107 cm | ||
| 1970 | The Hague | study | ||
| 1970s | Les Ponts de Leninegrad (The Bridges of Leningrad) | 1 2 | ||
| 1970 | Niteroi | |||
| 1970 | Canal de l'Ourcq (Ourcq Channel) | |||
| 1968-71 | Nouveaux Espaces (New Spaces) | |||
| 1971 | Pittsburgh | alt. date 1961; could be connected to the 1969 gouache of the same title | ||
| 1971 | Cabo Ruivo | 1 | oil on canvas, 88.5x36 cm | auctioned on November 23, 1991, by Neumeister Kunstauktionen (lot 239); not related to the 1980 painting of the same title |
| 1971 | Brussels | 1 2 3 4 | ||
| 1972 | Trinité | not related to the 1979 painting of the same title | ||
| 1972 | Honeleur | |||
| 1972 | Heliopolis | |||
| 1972 | Douro | 1 2 3 | ||
| 1972 | Cais de Hamburgo (Quay in Hamburg) | study | ||
| 1972 | Catedral de Tours (Tours Cathedral) | |||
| 1968-73 | Labyrinthe | |||
| 1973 | Cavaleiros (Horse Riders) | study | ||
| 1973 | Herinya | study | ||
| 1974 | Centre | gouache, 22x31 cm | ||
| 1974 | Margens do Tormes (Margins of the Tormes) | study | ||
| 1975 | Babylon | alt. dates 1968 and 1968–74; not related to the 1977 painting Nouvelle Babylone | ||
| 1975 | Carrefour (Crossroads) | |||
| 1975 | Le Village | 1 | oil on canvas, 76x113 cm | based on the 1966 painting Village; auctioned on November 26, 2007 by Cabral Moncada Leilões (Lisbon, Portugal), estimate €30,000-45,000, not sold |
| 1975 | Porto Rico (Puerto Rico) | |||
| 1975 | Le Port de Copenhague (The Port of Copenhagen) | 2 | alt. date 1975-85 | |
| 1975 | Oise à Compiègne (Oise at Compiègne) | study | ||
| 1975 | Oberland | study | ||
| 1975 | Oakland | study | ||
| 1976 | Le Lac (The Lake) | |||
| 1976 | La Marne | |||
| 1976 | Nuit de Printemps (Springtime Night) | alt. title Nuits de Printemps (Springtime Nights) | ||
| 1976 | Pyrenées | |||
| 1976 | Rio | alt. date 1986; not related to the 1994 painting Rio de Janeiro nor to the 1997 painting of the same title | ||
| 1976 | Rio Negro | dated 76; alt. date 1976-80 | ||
| 1976 | Mexico | |||
| 1976 | Hartfort | study | ||
| 1976 | New York | study; not related to the 1995 painting of the same title | ||
| 1977 | Nouvelle Babylone (New Babylon) | not related to the 1975 painting Babylone | ||
| 1977 | S. Paulo | |||
| 1977 | Les Ponts de Paris (The Bridges of Paris) | 1 2 | oil on canvas, approx. 69x110 cm | based on a 1976 gouache on paper; not related to the 1946 and 1947 paintings Pontes de Paris |
| 1977 | Champs Transparents (Transparent Fields) | alt. title Champ Transparent (Transparent Field) | ||
| 1977 | Centre Urbain (Urban Centre) | alt. date 1969-77 | ||
| 1977 | Las Palmas II | alt. date 1977-82 | ||
| 1977 | Trenton | not related to the 1956 study of the same title | ||
| 1977 | New Canaan | |||
| 1962-78 | Fontainebleau | |||
| 1968-78 | Place de la Gare | alt. date 1978 | ||
| 1978 | Stockholm | oil on canvas, 89x125 cm | alt. date 1978-85 | |
| 1978 | Palaces | |||
| 1978 | Travessa do Gaveto | alt. date 1969-78 | ||
| 1971-78 | L'Aurore des Villes (The Dawn of the Cities) | alt. title L'Europe des Villes (The Europe of the Cities) | ||
| 1978 | La Terre (The Land, or Earth) | 1:La Terre 2:Ocidente | gouache on paper, 24.5x35 cm | based on the 1966 gouache on paper Ocidente (Occident, alt. title Terra), 22x33 cm, on display at António Prates Foundation, Ponte de Sor, Portugal |
| 1978 | Le Pont de Bronze (The Bronze Bridge) | gouache, 25x39 cm | ||
| 1978 | La Ville de Chaves (The City of Chaves) | 1 | alt. titles Chaves and Cidade de Chaves | |
| 1978 | Brooken-Bad | study | ||
| 1979 | Trinité | not related to the 1972 painting of the same title | ||
| 1979 | La Lumière des Champs (The Light of the Fields) | |||
| 1979 | Luxor | 1 | oil on canvas, 75.5x114.5 cm | |
| 1979 | Ravena | |||
| 1979 | Les Gorgones (The Gorgons) | gouache, 29.5x43 cm | ||
| 1979 | Antwerp | not related to the 1991 painting of the same title | ||
| 1979 | Peregrina (Pilgrim) | study | ||
| 1949-80 | Jamaica | dated 49 | ||
| 1966-80 | Rue Chappe (Chappe Street) | |||
| 1978-80 | Leningrad | alt. date 1978 | ||
| 1980 | La Ruhr | |||
| 1980 | Cabo Ruivo | not related to the 1971 oil on canvas | ||
| 1980 | Sacuarema | |||
| 1980 | Montagne Sainte-Victoire (Sainte-Victoire Mountain) | not related to the non-dated Montanha Sainte-Victoire and the 1965-98 painting A Montanha de Santa Vitória | ||
| 1980 | La Forêt | |||
| 1980 | Arbres Mexicaines (Mexican Trees) | |||
| 1980 | Paysage Mexicain (Mexican Landscape) | |||
| 1980 | Le Bois (The Forest) | |||
| 1980 | Reflet de Feuillage (Reflex of Foliage) | |||
| 1980 | La Ville des Mammouths (City of Mammoths) | alt. date 1962-80 | ||
| 1980 | Metropole | not related to the 1982 painting of the same title | ||
| 1980 | Capiparibe | |||
| 1980 | L'Automne à Garches (Autumn in Garches) | |||
| 1980 | Le Quai (The Quay) | |||
| 1980 | Pyrros (Pyrrhus) | gouache, 28.5x39.5 cm | based on the 1976 study Pirro | |
| 1980 | Ao Fundo Ruínas de Palmira (In the Distance, Ruins of Palmyra) | |||
| 1980 | Phrygia | study | ||
| 1960-81 | Moyen Âge (Middle Ages) | |||
| 1961-81 | Siena | dated 61 | ||
| 1981 | Vue de Cristalis (View of Cristalis) | not related to the 1983 painting Cristalis | ||
| 1981 | Les Confins (The Borders) | alt. dates 1981-84 and 1980–84 | ||
| 1981 | Os Portugueses (The Portuguese) | based on the 1960s painting of the same title | ||
| 1981 | Serpenti | |||
| 1981 | Göteborg | gouache, 23.5x40 cm | ||
| 1981 | Crimea | study | ||
| 1981 | Pérouse | study | ||
| 1981 | Le Matin (The Morning) | |||
| 1982 | L'Ancien Centre (The Old Centre) | |||
| 1982 | Manège | alt. date 1984 | ||
| 1982 | Porte Lilas (Lilas Gate) | |||
| 1982 | Metropole | not related to the 1980 painting of the same title | ||
| 1982 | Tallinn | |||
| 1982 | Victoria | |||
| 1976-83 | La Lumière du Prisme (The Light of the Prism) | dated, and alt. date, 68-82 | ||
| 1983 | Cristalis | 1 | based on a study; not related to the 1981 painting Vue de Cristalis | |
| 1983 | Opéra | alt. title L'Opéra (The Opéra); not related to the 1947 painting L'Opéra | ||
| 1983 | Lenda do Norte (Northern Legend) | |||
| 1983 | Brooklyn | |||
| 1983 | Guadalquivir | |||
| 1984 | Pompey | |||
| 1984 | Oslo | |||
| 1984 | Montreal | |||
| 1985 | Helsinki | |||
| 1985 | Taghily | oil on canvas, 80x120 cm | ||
| 1985 | Riga | |||
| 1985 | Dvina | oil on canvas, 90.5x121 cm | ||
| 1985 | Praça de Oslo (Oslo Square) | study | ||
| 1985 | Olympia | |||
| 1985 | San Francisco | |||
| 1985 | Zagreb | |||
| 1985 | Ninive | |||
| 1985 | Great Fall | |||
| 1985 | Luxembourg | |||
| 1985 | Vatican | |||
| 1985 | Dresden | |||
| 1985 | Argos II | oil on canvas, 86x126.5 cm | ||
| 1985 | Neuilly | |||
| 1985 | Pélerinage (Pilgrimage) | gouache, 28x37.5 cm | ||
| 1985 | Jardins de Gebel (Gardens of Gebel) | |||
| 1985 | Chicago | study; not related to the gouache on paper nor to another painting, both of the same title | ||
| 1985 | Gudvagen | |||
| 1986 | Herminia (Herminie) | oil on canvas, 72x116 cm | ||
| 1986 | Campos de Tirana (Fields of Tirana) | oil on canvas, 79x116 cm | alt. date 1985 | |
| 1986 | Skira | |||
| 1986 | Plaza de Cordoba | |||
| 1986 | Pesaro | oil on canvas, 80x117 cm | alt. date 1985 | |
| 1986 | As Pontes de Siracusa (The Bridges of Syracuse) | oil on canvas, 80.5x119 cm | dated 86; alt. dates 1979, 1998 | |
| 1986 | L'Opéra | 1 2 3 | oil on canvas, 88.5x123 cm | based on the 1983 painting Opéra |
| 1986 | Philadelphia | oil on canvas, 93x116 cm | based on a study | |
| 1986 | Tijuca | |||
| 1986 | Verona | |||
| 1986 | Alcazar | |||
| 1987 | Dresden | 2 | oil on canvas, 78.5x118 cm | based on the 1985 painting of the same title |
| 1987 | Plaza del Sol | 1 2 3 4 | oil on canvas, 86.5x118.5 cm | reproduction of a 1985 study |
| 1987 | Tarare | |||
| 1987 | Okayama | study | ||
| 1987 | Geodésias (Geodesics) | |||
| 1948-88 | Andromaque | |||
| 1988 | A Cidade dos Galos (The City of Roosters) | 1 2 | dated 88; alt. date 1989 | |
| 1988 | Envol (Flight) | alt. date 1989 | ||
| 1988 | Odessa | |||
| 1988 | Lourdes | |||
| 1988 | A Dança de Orbe (The Orbe Dance) | |||
| 1988 | Vaduz | |||
| 1988 | Ressorts (Springs) | not related to the 1989 painting of the same title | ||
| 1952-89 | Ninfómana (Nymphomaniac) | dated 48-88 | ||
| 1965-89 | Le Grand Canal | based on, or the evolution of, a 1965 painting of the same title | ||
| 1989 | Leipzig | |||
| 1989 | Os Degredados (The Exiled) | 1 2 3 | dated 89; alt. date 1988 | |
| 1989 | Ressorts (Springs) | oil on canvas, 97x136.5 cm | not related to the 1988 painting of the same title | |
| 1989 | Les Grands Amours (The Great Loves) | oil on canvas, 105x107 cm | ||
| 1989 | Essor | 1 | ||
| 1989 | Antropomorfose (Anthropomorphosis) | oil on canvas, 90x117 cm | dated 89; alt. date 1986 | |
| 1989 | Phenix (Phoenix) | |||
| 1989 | Bangkok | dated 70-89 | ||
| 1989 | Ponte de Angra (Angra Bridge) | dated 88 | ||
| 1952-90 | Encontros (Meetings) | gouache, 25x39 cm | ||
| 1962-90 | Le Retour d'Ulysse (The Return of Ulysses) | gouache, 27.5x39 cm | ||
| 1990 | Ivry | gouache, 24x39.5 cm | ||
| 1990 | Praia de Istambul (Beach of Istanbul) | oil on canvas, 97x116 cm | based on a 1989 (alt. date 1983) study | |
| 1990 | Festa de Nanquim (Nanking Festivity) | |||
| 1990 | Baía | |||
| 1990 | Fúria (Fury) | based on a 1948-89 (dated 88) study | ||
| 1990 | Kenai | oil on canvas, 90x126 cm | ||
| 1990s | Sapporo | 1 | gouache on paper, 38.5x57 cm | study for the oil on canvas of the same title |
| 1990s | Aahrus | 1 | ||
| not dated (1990s) | Catedrais Góticas (Gothic Cathedrals) | 1 2 3 | acrylic on canvas, 96x129.5 cm | collection Nadir Afonso Foundation |
| 1952-91 | Penélope | oil on canvas, 100x111 cm | based on a 1952-88 (dated 51-87) painting of the same title | |
| 1960-91 | Parma | oil on canvas, 95.5x136 cm | reproduction of the 1969 gouache of the same title, 22.5x32.5 cm; collection Nadir Afonso Foundation | |
| 1988-91 | Sphinx | oil on canvas, 95x109 cm | ||
| 1991 | Ponte de Agra (Agra Bridge) | |||
| 1991 | As Princesas (The Princesses) | not related to the 1998 painting of the same title | ||
| 1991 | Sorcellerie (Wizardry) | oil on canvas, 108x114 cm | dated 89; alt. date 1986 | |
| 1991 | Modena | 1 | oil on canvas, 84x126 cm | alt. dimensions 85x126 cm; auctioned on November 28, 2006 by Palácio do Correio Velho (Lisbon, Portugal), base price €20,000, sold for €26,000 |
| 1991 | Les Oiseaux (The Birds) | gouache, 24x38.5 cm | ||
| 1991 | Nak-Graal | |||
| 1991 | Olimpíadas (Olympic Games) | oil on canvas, 86x116 cm | ||
| 1991 | Seville | 1 | oil on canvas, 81x121 cm | alt. size 85x122 cm; based on a 1980 study; not related to the non-dated gouache on paper and 2007 acrylic on canvas of the same title |
| 1991 | Rotterdam | oil on canvas, 87x118 cm | alt. dimensions 89x119 cm | |
| 1991 | Vilnius | |||
| 1991 | Santiago | |||
| 1991 | Antwerp | not related to the 1979 painting of the same title | ||
| 1992 | Immeubles de Pantin (Pantin Buildings) | reproduction of the 1990s painting of the same title (or vice versa) | ||
| 1992 | Les Immeubles de Pantin (The Buildings of Pantin) | 1 | based on a 1964 study | |
| 1992 | Germania | based on a 1983 study | ||
| 1994 | Les Portes de Capri (The Gates of Capri) | based on a 1992 gouache, 29x37 cm; alt. title Porte de Capri | ||
| 1992 | Arhus | based on a 1961 study | ||
| 1992 | Per Agris | gouache, 29x46 cm | ||
| 1992 | La Contrée (The Town) | gouache, 26x40 cm | ||
| 1952-93 | Espectros (Spectres) | gouache, 24x43 cm | ||
| 1993 | Massy | gouache, 24x30 cm | based on a 1966 study | |
| 1994 | Rome | |||
| 1994 | Lisbon | |||
| 1994 | Haarlem | |||
| 1994 | Berlin | gouache, 23x35 cm | ||
| 1994 | Les Filles de Thèbes (The Girls of Thebes) | gouache, 19.5x29 cm | ||
| 1994 | Rio de Janeiro | 1 | not related to the 1976 and 1997 paintings Rio | |
| 1994 | Avis Rara | |||
| 1994 | Madrid | gouache, 23x34.5 cm | not related to the 1954 study, the 1995 painting, and the gouache on paper, all of the same title | |
| 1994 | Ilíada (Iliad) | gouache, 17,5x30 cm | ||
| 1994 | Indianapolis | gouache, 26x35 cm | not related to the 1995 gouache of the same title | |
| 1994 | Amsterdam | not related to the 1956 painting of the same title | ||
| 1994 | Zaragoza | 1 | ||
| 1994 | Les Pythagoriciens (The Pythagoreans) | |||
| 1994 | Praça de Moscovo (Moscow Square) | |||
| 1995 | Paris | reproduced on a tile panel in 1998; not related to the 1996 painting of the same title | ||
| 1995 | Noerdlingen | based on a 1969 study | ||
| 1995 | Candy | |||
| 1995 | Berlin | reproduction of the 1994 painting of the same title | ||
| 1995 | Moscow | 2 | reproduced on a tile panel in 1998; not related to the 1949 painting of the same title | |
| 1995 | Usines de Glasgow (Factories of Glasgow) | oil on canvas, 90x124 cm | ||
| 1995 | Ciganos (Gypsies) | |||
| 1995 | L'Émancipation des Femmes (The Emancipation of Women) | 1 | oil on canvas, 89.5x127.5 cm | |
| 1995 | Indianapolis | gouache, 26x36 cm | based on a 1995 study; not related to the 1994 gouache of the same title | |
| 1995 | Madrid | 1 2 | alt. date 1997; reproduced on a tile panel in 1998; not related to the 1954 study, the 1994 gouache, and the gouache on paper, all of the same title | |
| 1995 | New York | 1 | not related to the 1976 study of the same title; reproduced on a tile panel in 1998 | |
| 1995 | Iceland | |||
| 1995 | Munich | not related to the not-dated acrylic on canvas of the same title | ||
| 1995 | Novogorod | |||
| 1995 | Tunis | |||
| 1995 | Oviedo | 1 | ||
| 1995 | Salem | not related to the first decade of 21st century acrylic on canvas of the same title | ||
| 1995 | London | 1 | ||
| 1996 | Parque de S. Paulo | 1 2 3 | acrylic on canvas | |
| 1996 | Jardin de Meudon (Meudon Garden) | |||
| 1996 | London | 1 | based on the 1995 painting of the same title | |
| 1996 | Paris | not related to the 1995 painting of the same title | ||
| 1996 | Ville Peri | |||
| 1996 | Les Borgias | |||
| 1996 | Liverpool | oil on canvas, 90x120.5 cm | reproduction of a 1983 gouache study, 24.5x34.5 cm; alt. date 1994 | |
| 1996 | Girassóis (Sunflowers) | based on the 1978 study Les Tournesols | ||
| 1996 | Les Filles de Venise (The Girls of Venice) | 1 | oil on canvas, 98.5x110 cm | based on a 1951-1988 (alt. date 1988) study |
| 1996 | Prague | |||
| 1996 | Essen | |||
| 1996 | Thessaly | based on a 1978 study | ||
| 1996 | Toledo | 1 | based on a 1965 study | |
| 1996 | Porto Alegre | not related to the 1999 serigraph of the same title | ||
| 1996 | Rennes | oil on canvas, 81.5x125.5 cm | based on a 1995 gouache, 21.5x35.5 cm; not related to the first decade of 21st century acrylic on canvas of the same title | |
| 1996 | Cherbourg | 1 | gouache on paper, 28x38 cm | |
| 1972-97 | Catedrais (Cathedrals) | 1:Catedrais (1950s) | based on the 1979 painting Les Cathédrales, which was based on the 1950s painting Catedrais | |
| 1997 | Las Vegas | |||
| 1997 | Rio | 1 | reproduced on a tile panel in 1998 as Rio de Janeiro, dated 1995; not related to the 1976 painting of the same title nor to the 1994 painting Rio de Janeiro | |
| 1997 | Bavaria | |||
| 1997 | Luz Poente (Sunset Light) | |||
| 1997 | Columbia | |||
| 1997 | Argos | |||
| 1997 | Poissy | based on a 1980 study | ||
| 1997 | Sydney | not related to another painting of the same title | ||
| 1997 | Corinth | oil on canvas, 94x132 cm | ||
| 1997 | Mercado de Hamburgo (Market in Hamburg) | oil on canvas, 94x126.5 cm | based on a 1992 painting | |
| 1997 | As Forças da Natureza (The Forces of Nature) | |||
| 1997 | Fluorescences | acrylic on canvas, 96x120 cm | collection Nadir Afonso Foundation | |
| 1997 | Hiroshima | 1 2 3 | oil on canvas, 97x138.5 cm | |
| not dated | L'Ange de Gabrielle (Gabrielle's Angel) | 1 | acrylic on canvas, 95.5x130.5 cm | dated 51-98; collection Nadir Afonso Foundation |
| 1965-98 | A Montanha de Santa Vitória (Sainte-Victoire Mountain) | 1 | oil on canvas, 87.5x127.5 cm | not related to the 1980 painting Montagne Sainte-Victoire; based on a 1964 gouache on paper, 31x48 cm, which was updated, not dated but still signed 1964 and exhibited (António Prates gallery, Lisbon, Portugal) in 2007 with a price of €22,000; collection Nadir Afonso Foundation |
| 1998 | Nouveaux Astres, Nouvelles Chairs, Nouvelles Fleurs (New Stars, New Flesh, New Flowers) | 1 | based on a study; alt. title Nouveaux Astres; not related to the first decade of 21st century acrylic on canvas Nouvelles [sic] Astres | |
| 1998 | Volvograd | |||
| 1998 | Dhaka | 1:gouache 2:gouache 3:gouache/exhibition (left) 4:oil | oil on canvas, 93.5x133.5 cm | alt. dimensions 94x134.5 cm; 2007 sale price (São Mamede gallery): €52,500; based on a non-dated (1990s) gouache on paper, 24,5x37 cm, exhibited in 2007 (António Prates gallery, Lisbon, Portugal) at a price of €22,000, which was based on a study |
| 1998 | Corais (Corals) | based on a study | ||
| 1998 | Madrid, Paris, London, Rio de Janeiro, New York, Moscow | 1-Rio/New York/Moscow 2:Rio/New York/Moscow 3:Madrid/Paris/London 4:Madrid 5:New York 6:Moscow | six tile panels, c. 240x348 cm each | reproductions of the 1995 paintings of the same titles except Rio de Janeiro, reproduction of the 1997 painting Rio; Restauradores Station, Lisbon Metro |
| 1998-99 | Alban | 1 | oil on canvas, 95x112 cm | |
| 1999 | Coríntias (Corinthians) | 1 2 | oil on canvas, 97.5x130 cm | based on a study |
| 1999 | Manila | 1 2 3 | based on a study | |
| 1999 | Portes de Clignancourt (Gates of Clignacourt) | acrylic on canvas, 93x114,5 cm | based on a 1995 painting of the same title; collection Nadir Afonso Foundation | |
| 2000 | Lahore | 1 | ||
| 2000 | Íris (Iris) | 1 2 3 4 5 | acrylic on canvas, 102.5x132 cm | based on a 1998 study; not related to the gouache on paper of the same title; collection Nadir Afonso Foundation |
| 2000 | Bonn | 1 2 | gouache on paper, 35.5x52 cm | |
| 2000 | Grifos (Curlies) | 1 | oil on canvas, 89x134 cm | based on two studies, one of which dated 2000 |
| 2000 | Atlanta | 1 | oil on canvas, 92x139 cm | |
| first decade of the 21st century | Les Terribles Fleurs (The Terrible Flowers) | 1 2:exhibition (right) | acrylic on canvas, 97x134 cm | based on a 2000 painting, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Mali | 1:exhibition (2nd left) | acrylic on canvas, 90x134 cm | based on a 1961 painting, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Rostock | 1 2 3:exhibition (right) 4:exhibition (far left) | acrylic on canvas, 90x139 cm | based on a 1990 painting, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Salem | 1:exhibition (2nd right) | acrylic on canvas, 95x134 cm | not related to the 1995 painting of the same title; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Hogansville | 1:gouache/exhibition (left) 2:acrylic/exhibition (far left) | acrylic on canvas, 89x138 cm | based on a non-dated gouache on paper, 22,5x37,5 cm; 2007 exhibition prices (António Prates gallery, Lisbon, Portugal): gouache on paper €22,000, acrylic on canvas €55,000 |
| first decade of the 21st century | Vera Cruz | 1 2 3:detail 4:exhibition (far right) 5:exhibition (2nd left) | acrylic on canvas, 84x116 cm | not related to the 1949 painting of the same title; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Nouvelles [sic] Astres (New Stars) | 1 2:exhibition 3:detail | acrylic on canvas, 93x129 cm | not related to the 1998 painting Nouveaux Astres, Nouvelles Chairs, Nouvelles Fleurs; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Karidi | 1:exhibition (left) 2:exhibition (far right) | acrylic on canvas, 92x132 cm | 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Baku | 1:gouache/exhibition (center) 2:acrylic/exhibition (center) 3:acrylic/exhibition (far) | acrylic on canvas, 94x136 cm | based on a non-dated gouache on paper, 27x41 cm; 2007 first exhibition prices (António Prates gallery, Lisbon, Portugal): gouache on paper €22,000, acrylic on canvas €55,000 |
| first decade of the 21st century | Rennes | acrylic on canvas, 91x134,5 cm | not related to the 1996 oil on canvas of the same title; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 | |
| first decade of the 21st century | Telaviv | 1:exhibition (2nd left) | acrylic on canvas, 94x138 cm | 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Heraclion | 1:gouache/exhibition (left) 2:acrylic 3:acrylic/exhibition (2nd right) 4:acrylic/exhibition (far left) | acrylic on canvas, 95x134 cm | based on a non-dated gouache on paper, 25,5x38,5 cm; 2007 first exhibition prices (António Prates gallery, Lisbon, Portugal): gouache on paper €22,000, acrylic on canvas €55,000 |
| first decade of the 21st century | Cidades Satélites (Satellite Towns) | 1:acrylic/exhibition (2nd right) 2:1999 painting | acrylic on canvas, 93x138 cm | based on a 1999 (alt. date 1998) painting, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Greensboro | 1:gouache 2:acrylic 3:acrylic 4:acrylic 5:acrylic/exhibition | acrylic on canvas, 87x139,5 cm | alt. date 2003; reproduction of a gouache on paper, 40x50 cm, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 |
| first decade of the 21st century | Pouvoirs Surnaturels (Supernatural Powers) | 1:study 2:acrylic 3:acrylic 4:acrylic/exhibition (far) 5:acrylic/exhibition (far right) 6:acrylic/exhibition (left) | acrylic on canvas, 170x240 cm | reproduction of a study; one of five oversized paintings by this artist; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €100,000 |
| 2001 | Port-Saïd | 1 | based on a study | |
| 2001 | La Seine et le Grand Palais | 1 | based on the 1957 study Le Grand Palais | |
| 2001 | Château de Cheverny-Loire | 1 | based on a study | |
| 2001 | Gembloux | based on a study | ||
| 2002 | Procissão em Veneza (Procession in Venice) | acrylic on canvas, 97x125 cm | based on a 1970 study; collection Nadir Afonso Foundation | |
| 2002 | Au Jardin Celeste Giroflé | 1 | based on a study | |
| 2002 | Place à Tokyo | 1 2 | gouache on paper, 40x50 cm | based on a study |
| 2002 | Parc de Berteley | 1 2 | based on a study | |
| 2002 | Cíclades (Cyclades) | based on a study | ||
| 2002 | La Recherche du Sens (The Search for Sense) | based on a study | ||
| 2003 | Düsseldorf | 1 2 3 | gouache on paper, 27x29.5 cm | based on a study dated 1990; collection Nadir Afonso Foundation |
| 2003 | Cais de Cherbourg (Quay of Cherbourg) | based on a study | ||
| 2006 | Porto | 1 | gouache on paper, 30x40 cm | |
| 2007 | Gôndolas (Gondoles) | 1:detail 2:detail 3:exhibition 4:exhibition 5:exhibition 6:study 7:study 8:study | acrylic on canvas, 260x200 cm | one of five oversized paintings by this artist; based on a study; both collection Nadir Afonso Foundation |
| first decade of the 21st century (2007) | Seville | 2 3 4-unmounted 5:exhibition (right) | acrylic on canvas, 176x235 cm | not related to the 1991 oil on canvas of the same title; reproduction of a non-dated gouache on paper, 28,5x40 cm; one of five oversized paintings by this artist; 2007 first exhibition prices (António Prates gallery, Lisbon, Portugal): gouache on paper €22,000, acrylic on canvas €100,000 |
| not dated | Áurea Purpúrea (Scarlet Golden) | 1 | oil on canvas, 95.5x98 cm | collection Nadir Afonso Foundation |
| not dated | Montanha Sainte-Victoire | 1:exhibition (left) | gouache on paper, 31x48 cm | update of a previously shown version, still signed 1964; not related to the 1980 painting Montagne Sainte-Victoire; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €22,000 |
| not dated | Lausanne | 1 2 | oil on canvas, 96x106 cm | alt. description acrylic on canvas, collection Nadir Afonso Foundation |
| not dated | Ancône | 1:gouache | acrylic on canvas, 97x113.5 cm | based on a gouache on paper, 35.5x52 cm; collection Nadir Afonso Foundation |
| not dated | O Galo (The Rooster) | acrylic on canvas, 91.5x115 cm | based (mirror reproduction) on the 1997 painting Au Chant du Coq (Crowing of the Rooster); collection Nadir Afonso Foundation | |
| not dated | Bristol | acrylic on canvas, 93.5x133.5 cm | collection Nadir Afonso Foundation | |
| not dated | A Cidade e os Seres (The City and the Beings) | mixed technique, 96x91.5 cm | not to be confused with the acrylic on canvas Os Seres e a Cidade; collection Nadir Afonso Foundation | |
| not dated | Pontes de Cracóvia (Bridges of Krakow) | acrylic on canvas, 96x149.5 cm | collection Nadir Afonso Foundation | |
| not dated | Lille | acrylic on canvas, 92x135 cm | ||
| not dated | Nevis | 1 2 | acrylic on canvas, 93x134 cm | alt. dimensions 93x135 cm; collection Nadir Afonso Foundation |
| not dated | Damascus | 1 | acrylic on canvas, 94.5x131.5 cm | collection Nadir Afonso Foundation |
| not dated | Teheran | oil on canvas, 90x129.5 cm | collection Nadir Afonso Foundation | |
| not dated | Monza | 1:gouache | acrylic on canvas, 95x121 cm | based on a gouache on paper, 38.5x57 cm; collection Nadir Afonso Foundation |
| not dated | Munich | 1 2 | acrylic on canvas, 95.5x99.5 cm | not related to the 1995 painting of the same title; collection Nadir Afonso Foundation |
| not dated | Buenos Aires | 1 | oil on canvas, 94.5x108 cm | alt. description acrylic on canvas, 97x108 cm; loosely based on the 1952 painting of the same title; collection Nadir Afonso Foundation |
| not dated | Norderlingen | acrylic on canvas, 84x116 cm | 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €55,000 | |
| Jardins de Antuérpia (Gardens of Antwerp) | acrylic on canvas, 98x110 cm | collection Nadir Afonso Foundation | ||
| Finland | 1 | gouache on paper, 27.3x33 cm | collection Nadir Afonso Foundation | |
| A Cidade dos Príncipes (The City of Princes) | 1:1999 painting 2:1999 painting 3:1999 painting 4:1999 painting | acrylic on canvas, 96x135 cm | based on a 1999 painting of the same title, which was based on a study; collection Nadir Afonso Foundation | |
| Mortes Même dans le Souvenir (Dead Even in Remembrance) | 1 2:2001 painting 3:2001 painting | acrylic on canvas, 97x126 cm | based on a 2001 painting of the same title (alt. title Mortes dans le Souvenir [Dead in Remembrance]), which was based on a study; collection Nadir Afonso Foundation | |
| Jardins de Pensilvanie (Gardens of Pennsylvania) | 1 1:2001 painting 2:2001 painting | acrylic on canvas, 97x134 cm | alt. title Jardins da Pensilvânia; based on a 2001 painting of the same title; collection Nadir Afonso Foundation | |
| Gare de Austerlitz | 1:2000 painting 2:2000 painting 3:2000 painting 4 | acrylic on canvas, 96x134 cm | based on a 2000 painting, which was based on a 1980 study, both of the same title; collection Nadir Afonso Foundation | |
| Électre et Oreste (Electra and Orestes) | 1 2 | acrylic on canvas, 97x114 cm | based on a 1986 painting of the same title (alt. title Electra), which was based on a study; collection Nadir Afonso Foundation | |
| As Pontes sobre o Reno (The Bridges on the Rhine) | 1:2001 painting 2:2001 painting | acrylic on canvas, 93x138 cm | based on a 2001 painting of the same title, which was based on a 1981 study; collection Nadir Afonso Foundation | |
| Madrasah | 1 2 | acrylic on canvas, 96x106 cm | based on a 2000 painting of the same title, which was based on another study; collection Nadir Afonso Foundation | |
| Estátuas Móveis (Moving Statues) | 1:exhibition (right) | acrylic on canvas, 98x125 cm | based on a 2000 painting of the same title, which was based on the 1960 study Les Statues; collection Nadir Afonso Foundation | |
| Os Seres e a Cidade (The Beings and the City) | 1 | acrylic on canvas, 97x108 cm | not to be confused with the non-dated mixed technique A Cidade e os Seres; collection Nadir Afonso Foundation | |
| Abidjan | 1 | gouache on paper, 38.5x57 cm | ||
| Barcelona | 1:gouache 2:gouache 3:painting | based on a 2001 gouache on paper of the same title, 38.5x57 cm, which was based on a 1995 study; NB link for painting provides wrong description | ||
| Basinfall Street | 1 | oil on canvas, 86.5x139 cm | based on a 1996 painting | |
| Belize | 1 | gouache on paper, 38.5x57 cm | ||
| Boavista | 1 | gouache on paper, 40x50 cm | ||
| Brest | 1 | oil on canvas, 96x124 cm | ||
| Chicago | 1 | gouache on paper, 26x42 cm | not related to the 1985 painting nor to another painting, both of the same title | |
| Chicago | 1 2 | based on a study; not related to the 1985 painting nor to the gouache on paper, both of the same title | ||
| Terra Devastada (Ravaged Land) | 1 | mixed technique on canvas, 94x132 cm | collection Nadir Afonso Foundation | |
| Nagasaki | 1 | |||
| Flora do Marajó (Flora of Marajó) | 1 2 | oil on canvas, 83.5x137.5 cm | based on two studies, the later of which dated 1991 | |
| Floras | 1 | based on two studies, one of which dated 1955, on paper, 40x50 cm; NB link provides wrong description | ||
| Madrid | 1 | gouache on paper, 28x35 cm | not related to the 1954 study, the 1994 gouache, and the 1995 painting, all of the same title | |
| Orla Negra (Black Rim) | 1 | oil on canvas, 91x130 cm | ||
| Salamanca | 1 2:study | based on a study on paper, 40x50 cm | ||
| Cordoba | 1 | |||
| Bilbao | 1 | |||
| Mexico City | 1 | |||
| Ninfas (Nymphs) | 1 | not related to the 1982 study Nymphes | ||
| Sapporo | 1 | oil on canvas, 96x125 cm | ||
| Serra do Pilar (Pilar Mountains) | 1 2 | oil on canvas, 92x130 cm | ||
| Singapure | 1 | oil on canvas, 85x130 cm | ||
| Tianjin | 1 | oil on canvas, 89x134 cm | based on two studies, the later of which dated 2001 | |
| Vaduz | 1 | gouache on paper, 40x50 cm | ||
| Washington | 1 | oil on canvas, 96x124 cm | ||
| Zoroastro (Zaratusthra) | 1 | gouache on paper, 40x50 cm | ||
| Sintra | 1 | |||
| Ciclíades (Cyclades) | 1 | |||
| Sydney | 1 | not related to the 1997 painting of the same title | ||
| Vienna | 1 2 | based on two studies, dated 1993 and 2000; not related to the 1950 painting of the same title | ||
| Doges | 1 2:detail | one of five oversized paintings by this artist; never publicly exhibited | ||
| Gardénias | 1 | |||
| Cette Terre-ci et le Christianisme (This Land and Christianism) | 1 | |||
| Beijing | 1 | |||
| Boticas | 1 | |||
| Seattle | 1 | gouache on paper, 27.5x34 cm | collection Nadir Afonso Foundation |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1962 | Olympiades à Rio (Olympic Games in Rio) | study | ||
| 1963 | Cariocas | |||
| 1968 | As Marionetas (The Marionettes) | study | ||
| 1973 | Mulheres (Women) | study; legend Les chiens et les femmes | ||
| 1980 | Sabinas (Sabine Women) | study | ||
| 1981 | Les Femmes et les Chiens (The Women and the Dogs) | based on a study | ||
| 1982 | No Title | oil on canvas, 95.5x117.5 cm | motif: two women and a ball on the beach | |
| 1982 | Nymphes (Nymphs) | study; not related to the painting Ninfas | ||
| 1982 | A Moda (The Fashion) | study | ||
| 1982 | Sílvia Áurea | 1 2 | based on the 1962 study «The Stars» | |
| 1983 | Mulheres de Dima (Women of Dima) | study | ||
| 1986 | Os Tatuados (The Tattooed) | based on a study | ||
| 1987 | Deusas (Goddesses) | |||
| 1949-88 | As Filhas de Sião (The Daughters of Siam) | based on a 1968 oil on canvas, 100.5x112 cm | ||
| 1988 | Sphnix | |||
| 1988 | Orízias (Oreithyias) | based on two studies, the later dated 49-78 | ||
| 1988 | As Quatro Irmãs (The Four Sisters) | dated 89 | ||
| 1947-89 | Três Irmãs (Three Sisters) | oil on canvas, 96.5x109.5 cm | dated 47-89; alt. date 1949-89; alt. title Três Mulheres (Three Women) | |
| 1947-89 | As Banhistas (The Bathing Women) | oil on canvas, 74x105 cm | not related to the 1940 painting Banhistas | |
| 1952-89 | Mulheres na Praia (Women on the Beach) | oil on canvas, 96x119 cm | dated 1952-89; alt. date 1988 | |
| 1989 | A Cidade Longínqua (The Far City) | 1 | based on the 1959 study Moças na Praia (Girls at the Beach) | |
| 1989 | Sanremo | study | ||
| 1989 | Deusas do Vento (Goddesses of the Wind) | 1 2 3 | ||
| 1989 | Gueixas (Gheishas) | |||
| 1991 | Jeunes Filles (Young Girls) | 1:gouache/exhibition (right) | acrylic on canvas, 93x134 cm | based on a non-dated (1984–91) gouache on paper, 21x33 cm, exhibited in 2007 (António Prates gallery, Lisbon, Portugal) for €22,000; not related to the 1947-87 painting of the same title; collection Nadir Afonso Foundation |
| 1993 | Au Ciel (In Heaven) | based on a study | ||
| 1998 | As Princesas (The Princesses) | based on a 1968 study; not related to the 1991 painting of the same style | ||
| 1999 | Olympus | based on a study | ||
| 1948–2000 | Couple | based on a 1948 (alt. date 1949) study | ||
| 2001 | Sirènes (Mermaids) | 1 2 | based on a 1968 study | |
| 2001 | As Raças (The Races) | 1 | based on a 1964 (titled Les Races) study | |
| 2002 | As Amantes de Lúcifer (Lucifer's Lovers) | based on a study; not related to the non-dated oil on canvas of the same title | ||
| not dated | Bordel (Brothel) | 1 2 3 | acrylic on canvas, 95x134 cm | based on the 45-91 painting Bourdele which was based on, or an update of, a study dated 1945; collection Nadir Afonso Foundation |
| not dated | As Amantes de Lúcifer (Lucifer's Lovers) | 1 | oil on canvas, 95x127 cm | based on the 51-91 painting Lucifer; not related to the 2002 painting of the same title; alt. title Os Amantes de Lúcifer; collection Nadir Afonso Foundation |
| not dated | Jeux (Games) | 1:exhibition (right) | gouache on paper, 23,5x37,5 cm | update of a 1999 painting of the same title, which was based on a study; 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €22,000 |
| not dated | Le Trottoir (The Sidewalk) | 1 2:exhibition (right) | gouache on paper, 26,5x32 cm | 2007 first exhibition price (António Prates gallery, Lisbon, Portugal): €22,000 |
| Le Rêve (The Dream) | 1 2:Exhibition | acrylic on canvas, 97x127 cm | reproduction of a 2002 painting of the same title, which was based on a study; collection Nadir Afonso Foundation | |
| Criselefantinas (Criselefantines) | 1:2002 painting | acrylic on canvas, 98x134 cm | based on a 2002 painting of the same title, which was based on a study; collection Nadir Afonso Foundation |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1946 | No Title | 1/paid subscription required | oil on canvas, 73x64 cm | auctioned on October 1, 2003 |
| 1951 | Les Cocottes | 1/paid subscription required | watercolor on paper, 22x32.5 cm | auctioned on March 6, 2006 |
| 1953 | No Title | 1/paid subscription required | gouache on paper, 21.5x30.5 cm | auctioned on May 24, 2001 |
| 1960 | No Title | 1/paid subscription required | gouache on paper, 21.5x32 cm | auctioned on May 24, 2001 |
Lithograph is on paper and the measures are given for the printed area.
| Date | Title | Image | Description | Print Run | Publisher | Notes |
|---|---|---|---|---|---|---|
| No Title | 1 (lot 1) | 33x45 cm | 20 | reproduction of the 1987 oil on canvas Plaza del Sol; marked P.A. (Author's Proof) and numbered in Roman numerals (I through XX/XX); print IX/XX auctioned on October 11, 2007 by Leiria e Nascimento (Lisbon, Portugal), estimate: €200-300 |
All serigraphs are on paper and all measures are given for the printed area unless otherwise stated.
| Date | Title | Image | Description | Print Run | Publisher | Notes |
|---|---|---|---|---|---|---|
| 1970 | Babylon | 1 2 | 31.5x51.5 cm | based on the 1975 painting of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Os Portugueses (The Portuguese) | 1 | 32x50.5 cm | reproduction of the 1960s painting of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Silices | 1 | 38.5x51.5 cm | reproduction of the 1968-70 oil on canvas of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Rue Chappe (Chappe Street) | based on, or the reproduction of, the 1966-80 painting of the same title | ||||
| 1970 | Copacabana | 1 | 34x50.5 cm | reproduction of the 1955 painting of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Nouveaux Espaces (New Spaces) | 1 | 36x50.5 cm | based on the 1968-71 painting of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Idade Média (Middle Ages) | 1 2 | 33.5x50.5 cm | based on the 1960-81 painting Moyen Âge; 2005 exhibition price: €1100 | ||
| 1970 | Fontainebleau | 1 | 33.5x50.5 cm | based on the 1962-78 painting of the same title; 2005 exhibition price: €1100 | ||
| 1970 | Les Villes | 1 | 36x53.5 cm | 2005 exhibition price: €1100 | ||
| 1970 | Place de la Gare | 1 2 | 36x50 cm | based on the 1968-78 painting of the same title; 2005 exhibition price: €1100 | ||
| 1977 | S. Paulo | 1 | 34x47 cm | 150 | reproduction of the 1977 painting of the same title | |
| 1980 | Heliopolis | 1 | 42x59.5 cm | based on the 1972 painting of the same title; 2005 exhibition price: €1100 | ||
| 1980 | Pittsburgh | based on the 1971 painting of the same title | ||||
| 1980 | Brussels | 1 2/paid subscription required | 37.5x62 cm | reproduction of the 1971 painting of the same title; auctioned on May 9, 2001; 2005 exhibition price: €1100 | ||
| 1980 | L'Aurore des Villes (The Dawn of the Cities) | 1 | 37.5x62 cm | based on the 1971-78 painting of the same title; 2005 exhibition price: €1100 | ||
| 1981 | Le Bois (The Forest) | 1 2 | 25x40 cm | |||
| 1981 | O Cais (The Dock) | 1 2 3 | 26x35 cm | 150 | 2007 private sale price: USD $724 | |
| 1982 | Cathedral | reproduction of the 1972-97 painting Catedrais | ||||
| 1982 | A Perspectiva (The Perspective) | 1 | based on the 1965 oil on canvas Perspective II | |||
| 1982 | La Lumière du Prisme (The Light of the Prism) | based on the 1976-83 painting of the same title | ||||
| 1984 | Manège | 1 | serigraph on canvas, 57.5x79 cm | based on the 1982 painting of the same title; 2005 exhibition price: €2,500 | ||
| 1984 | Pontes de Leninegrado (Bridges of Leningrad) | 1 | 19.5x27.5 cm | reproduction of the 1970s painting Les Ponts de Leningrad; 2005 exhibition price: €575 | ||
| 1984 | Douro | reproduction of the 1972 painting of the same title | ||||
| 1985 | Plaza del Sol | 1 | 28x38 cm | 200 | reproduction of the 1987 oil on canvas of the same title | |
| 1986 | Praça de Oslo (Oslo Square) | reproduction of the 1975 study of the same title | ||||
| 1988 | Acrópole Nuclear (Nuclear Akropolis) | based on, or the reproduction of, the 1970 painting Acropole Nucléaire | ||||
| 1988 | Niteroi | based on, or the reproduction of, the 1970 painting of the same title | ||||
| 1988 | Les Ponts de Paris (The Bridges of Paris) | 1 2/paid subscription required | 28.5x45.5 cm | alt. title Pontes de Paris; reproduction of the 1977 oil on canvas of the same title; auctioned on May 9, 2001; 2005 exhibition price: €1100 | ||
| 1989 | Nouveau Centre (New Center) | reproduction of the 1982 painting L'Ancien Centre | ||||
| 1990 | As Pontes de Siracusa (The Bridges of Syracuse) | reproduction of the 1986 painting of the same title | ||||
| 1990 | Olimpíadas (Olympic Games) | based on the 1962 study Olympiades à Rio (Olympic Games in Rio) | ||||
| 1993 | Seville | reproduction of the 1991 oil on canvas of the same title | ||||
| 1994 | Les Confins (The Borders) | reproduction of the 1981 painting of the same title | ||||
| 1996 | As Praias de Istambul (The Beaches of Istanbul) | 1 | 46.5x57 cm | 150 | based on the 1990 painting Praia de Istambul | |
| 1997 | Composição Período Barroco (Composition Baroque Period) | 1 | 16.5x22 cm | 150 | Centro Português de Serigrafia, Lisbon | alt. title Composition; 2005 exhibition price: €575 |
| 1997 | Zurique | 1 | 44x70 cm | Centro Português de Serigrafia, Lisbon | ||
| 1997 | 1 | 44.3x65 cm | Centro Português de Serigrafia, Lisbon | Ref. S363 | ||
| 1997 | L'Opéra | 1 | 43x65.5 cm | 175 | based on the 1986 oil on canvas of the same title; 2005 exhibition price: €1100 | |
| 1999 | Porto Alegre | 1 | 70x100 cm (paper size) | 200 | not related to the 1996 painting of the same title | |
| 1999 | A Ponte Lilás | 1 | 50x70 cm (paper size) | 200 | alt title Le Pont Violet (The Lilac Bridge); not related to the 1982 painting Porte Lilas | |
| 2005 | Nouveaux Astres, Nouvelles Chairs, Nouvelles Fleurs (New Stars, New Flesh, New Flowers) | 1 | 60.5x86 cm | reproduction of the 1998 painting of the same title; original price: €1300 | ||
| Évora | 1 | 44.5x50 cm | reproduction of the 1945 painting Évora Surrealista; 2005 exhibition price: €1100 | |||
| Flora | based on the 1956 painting of the same title | |||||
| Les Spirales | 1 | 43x53 cm | 100 | reproduction of the 1992 painting of the same title | ||
| 1 | 44x52 cm | 100 | (colors: green, yellow, white, black) | |||
| 1 | 33x47 cm | 200 | ||||
| 1 | Perve Galeria, Lisbon | Ref. NA-SG1 | ||||
| 1 | Perve Galeria, Lisbon | Ref. NA-SG2 | ||||
| Venice | 1 2 3 | 42x56 cm | alt. title Procissão em Veneza; based on the 2002 painting Procissão em Veneza; 2005 exhibition price: €1100 | |||
| Jardins de Pensilvanie (Gardens of Pennsylvania) | 1 | 38.5x55.5 cm | reproduction of the 2001 painting of the same title; 2005 exhibition price: €1100 | |||
| Parque de S. Paulo | 1 | 34x47 cm | reproduction of the 1996 acrylic on canvas of the same title; 2005 exhibition price: €1100 | |||
| Machine | 1 | 48.5x42 cm | 2005 exhibition price: €1100 | |||
| Íris (Iris) | 1 | 35x47 cm | reproduction of the 2000 acrylic on canvas of the same title; 2005 exhibition price: €1100 | |||
| 1 | 500 | motif: the keep of Chaves; used as the logo of the website of the Municipality of Chaves | ||||
| Parma | Centro Português de Serigrafia, Lisbon | reproduction of the 1991 oil on canvas of the same title; private edition, unnumbered | ||||
| Terra (Land) | 1 2 | 45x65 cm (70x100 cm paper size) | reproduction of the 1966 gouache on paper Ocidente which was the basis for the 1978 gouache on paper La Terre; 2007 prices: by a dealer €400, by a private owner €850 |
| Date | Title | Image | Description | Notes |
|---|---|---|---|---|
| 1978 | Cidade de Chaves | medal, 264 g, ∅90 mm | issue of 500; engraved by Cabral Antunes; reverse features a relief reproduction of the 1978 painting La Ville de Chaves | |
| 1989 | 20th Century Portuguese Painting - Fourth Group | 1 | Portuguese postage stamp | first day of issue: July 7, 1989; face value: PTE 60$, print run: 600,000; painting reproduced: Les Spirales (1954); offset print, 25-stamp sheets |
| 2000 | Parque de S. Paulo (detail) | 1 2 | ceramic plate, edition of 100 | Based on the 1996 acrylic on canvas of the same title; auctioned by Leiloeira RR: on October 19, 2006, base price: €100, and on February 21, 2008 |
| 2001 | Artistas Transmontanos - Nadir Afonso | 1 | wine bottle label | produced by Caves de Valpaços, Portugal |
| 2007 | Great Portuguese Artists - 2nd Series (Nadir Afonso) | 1:stamps 2:FDC 3:FDC 4:FDC 5:inside of brochure 6:cover of brochure | series of 3 Portuguese postage stamps, 40x30,6 mm each | first day of issue: September 5, 2007; face value / print run / paintings reproduced: €0,30 / 380,000 / Horus (1953), €0,45 / 230,000 / Venice (1956), €0,61 / 230,000 / Procissão em Veneza (2002); offset print, 50-stamp sheets; FDC-first day cover retail price: €1,91; presentation pack retail price: €2,06; presentation pack contents: one stamp of each, one brochure; retail pack price: €2,61; retail pack contents: one stamp of each, brochure, envelope C6 |
| 2007 | Medalha Nadir Afonso/Grupo Desportivo de Chaves | 1 | medal, ∅90 mm | issue of 500; obverse features an enamel reproduction of an original painting by the artist; price: €300/members, €500/non-members, for the benefit of Grupo Desportivo de Chaves (the artist's hometown sports club) |
| Zurich (detail) | 1 | ceramic plate, private edition of 250, Centro Português de Serigrafia | Based on the 1997 serigraph of the same title |
Projects by Nadir Afonso.
| Date | Project | Location | Image | Coordinates | Notes |
|---|---|---|---|---|---|
| 1950s | Single-family house | Chaves, Portugal | 1 | 41°44′39″N7°27′50″W / 41.74417°N 7.46389°W | |
| 1950s | Multiple-unit residential building | Chaves, Portugal | 1 | 41°44′14″N7°27′56″W / 41.73722°N 7.46556°W | |
| 1955 | Monument to Henry, the Navigator | Sagres, Portugal | 1 2 | Public bid, finalist; not built | |
| 1965 | Panreal-Vila Real Panificadora, Lda. | Vila Real, Portugal | 1 2 3 4 | 41°17′37″N7°44′7″W / 41.29361°N 7.73528°W | Baking factory |
| Panificadora de Chaves | Chaves, Portugal | 1 2 3 | 41°44′54″N7°28′19″W / 41.74833°N 7.47194°W | Baking factory |
Projects by Le Corbusier, collaboration by Nadir Afonso.
| Date | Project | Location | Image | Coordinates | Notes |
|---|---|---|---|---|---|
| 1945 | Usine Claude et Duval | Saint-Dié-des-Vosges, France | 1 2 | 48°17′27″N6°57′3″E / 48.29083°N 6.95083°E | Also known as Duval factory; produced millinery; historic monument; subject of Nadir Afonso's 1948 thesis Architecture Is Not an Art |
| 1946 | Unité d'Habitation | Marseille, France | 1 | 43°15′40″N5°23′46″E / 43.26111°N 5.39611°E | Multiple-unit residential and hotel building |
Drawing is a form of visual art in which a person uses various drawing instruments to mark paper or another two-dimensional medium. Instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, various kinds of erasers, markers, styluses, and various metals. Digital drawing is the act of using a computer to draw. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices.
Printmaking is the process of creating artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, rather than just being a photographic reproduction of a painting. Except in the case of monotyping, the process is capable of producing multiples of the same piece, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy". Often impressions vary considerably, whether intentionally or not. The images on most prints are created for that purpose, perhaps with a preparatory study such as a drawing. A print that copies another work of art, especially a painting, is known as a "reproductive print".
In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This may be a limited edition, with a fixed number of impressions produced on the understanding that no further impressions (copies) will be produced later, or an open edition limited only by the number that can be sold or produced before the plate wears. Most modern artists produce only limited editions, normally signed by the artist in pencil, and numbered as say 67/100 to show the unique number of that impression and the total edition size.
Stencilling produces an image or pattern by applying pigment to a surface over an intermediate object with designed gaps in it which create the pattern or image by only allowing the pigment to reach some parts of the surface. The stencil is both the resulting image or pattern and the intermediate object; the context in which stencil is used makes clear which meaning is intended. In practice, the (object) stencil is usually a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material.
Alex Grey is an American visionary artist, author, teacher, and Vajrayana practitioner. He works in multiple forms including performance art, process art, installation art, sculpture, visionary art, and painting. Grey is a member of the Integral Institute. He is also on the board of advisors for the Center for Cognitive Liberty and Ethics, and is the Chair of Wisdom University's Sacred Art Department. He and his wife Allyson Grey are the co-founders of The Chapel of Sacred Mirrors (CoSM), a non-profit church supporting Visionary Culture in Wappingers Falls, New York.
Ustad Mansur was a seventeenth-century Mughal painter and court artist. He grew up during the reign of Jahangir during which period he excelled at depicting plants and animals. He was the earliest artist to depict the dodo in colour, apart from being the first to illustrate the Siberian crane. Towards the end of Akbar's reign, he gained the title of ustad (=master) and during the reign of Mughal Emperor Jahangir his masterpieces earned him the title of Nãdir-al-’Asr. Although largely known for his natural history illustrations, he also portrayed people in various manuscript illustrations.
A frisket is any material that protects areas of a work from unintended change.
Chromolithography is a unique method for making multi-colour prints. This type of colour printing stemmed from the process of lithography, and includes all types of lithography that are printed in colour. When chromolithography is used to reproduce photographs, the term photochrome is frequently used. Lithographers sought to find a way to print on flat surfaces with the use of chemicals instead of raised relief or recessed intaglio techniques.
Art forgery is the creating and selling of works of art which are falsely credited to other, usually more famous artists. Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler.
The paranoiac-critical method is a surrealist technique developed by Salvador Dalí in the early 1930s. He employed it in the production of paintings and other artworks, especially those that involved optical illusions and other multiple images. The technique consists of the artist invoking a paranoid state. The result is a deconstruction of the psychological concept of identity, such that subjectivity becomes the primary aspect of the artwork.
Wolverhampton Art Gallery is located in the City of Wolverhampton, in the West Midlands, United Kingdom. The building was funded and constructed by local contractor Philip Horsman (1825–1890), and built on land provided by the Council. It opened in May 1884.
Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary visual account of specific subjects and events, literally representing objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products, or services.
Monoprinting is a form of printmaking that has lines or images that can only be made once, unlike most printmaking, which allows for multiple originals. There are many techniques of mono-printing. Examples of standard printmaking techniques which can be used to make monoprints include lithography, woodcut, and etching.
Nadir Afonso, GOSE was a Portuguese geometric abstractionist painter. Formally trained in architecture, which he practiced early in his career with Le Corbusier and Oscar Niemeyer, Nadir Afonso later studied painting in Paris and became one of the pioneers of Kinetic art, working alongside Victor Vasarely, Fernand Léger, Auguste Herbin, and André Bloc.
"Bad" Painting is the name given to a trend in American figurative painting in the 1970s by critic and curator, Marcia Tucker (1940–2006). She curated an exhibition of the same name, featuring the work of fourteen artists, most unknown in New York at the time, at the New Museum of Contemporary Art, New York. The exhibition ran from January 14 to February 28, 1978. "Bad" Painting was not a demonstration of technical incompetence, poor artistic judgement, amateur or outsider dabbling, the term is commonly used for these. For Tucker, it denoted a more focused or deliberate disrespect for recent styles. The press release for the exhibition summarised "Bad" Painting as "...an ironic title for 'good painting', which is characterized by deformation of the figure, a mixture of art-historical and non-art resources, and fantastic and irreverent content. In its disregard for accurate representation and its rejection of conventional attitudes about art, 'bad' painting is at once funny and moving, and often scandalous in its scorn for the standards of good taste." Her use of quotation marks around "Bad" points to this special meaning. "Bad" here, is thus a term of approval for the more eccentric and amusing variations on certain accepted styles, at that time.
Squeak Carnwath is a contemporary American painter and arts educator. She is a Professor Emerita of Art at University of California, Berkeley.
The Institute of Cultural Inquiry (ICI) is a non-profit organization located in Los Angeles, California. The ICI states that its mission is "to educate the public about the visual methods used in society to describe and discuss cultural phenomena." The ICI sponsors art projects, performances, exhibitions, symposia, and publications related to its major areas of interest, which include the AIDS pandemic, obsolete technologies, and marginal cultural figures.
Laila Shawa is a Palestinian artist whose work has been described as a personal reflection concerning the politics of her country, particularly highlighting perceived injustices and persecution. She is one of the most prominent and prolific artists of the Arabic revolutionary contemporary art scene. As a Palestinian living in the Gaza Strip for her formative years and the daughter of Rashad al-Shawa, activist and mayor of Gaza 1971—82, Shawa's revolutionary mindset was inculcated at a young age. Often her artwork, which includes paintings, sculptures, and installations, works with photographs that serve as the base for silkscreen printing. Her work has been internationally exhibited and is displayed in many public and private collections.
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
The following outline is provided as an overview of and topical guide to books:
