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Natacha Atlas, la rose pop du Caire | |
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Directed by | Fleur Albert |
Screenplay by | Fleur Albert |
Produced by | La Huit Production, Télénantes, Festival des Escales de Saint Nazaire |
Starring | Natacha Atlas |
Cinematography | Nara Kéo Kosal |
Edited by | Stéphanie Langlois |
Music by | Natacha Atlas |
Release date |
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Running time | 52 minutes |
Countries | Egypt France |
Natacha Atlas, la rose pop du Caire is a 2007 documentary film.
Starting out at a concert at Saint Nazaire, passing through London and finally arriving in Cairo's uproar, the film depicts a series of fragmented musical sketches that, together, form the portrait of the singer from the sands, Natacha Atlas. From one migration to the next, one sole journey, one sole melancholic dream from East to West following in the footsteps of a rose of Pop...
Natacha Atlas is an Egyptian-Belgian singer known for her fusion of Arabic and Western music, particularly hip-hop. She once termed her music "cha'abi moderne". Her music has been influenced by many styles including Maghrebain, hip hop, drum and bass and reggae.
Nathalie "Natacha" Régnier is a Belgian actress. She received a Cannes Film Festival Award, a European Film Award, and a César Award for her role in the 1998 film The Dreamlife of Angels. Régnier is the first Belgian actress to win a César Award.
Teargas & Plateglass are a band who produce electronica, dark ambient and drone music with accompanying videos. NME classified their music as "illbient", "ambient for sick people".
Diaspora is the debut album by Belgian singer Natacha Atlas. It was released by Nation Records in March 1995.
Gedida is the third album by Belgian singer Natacha Atlas. It was released by Mantra Records in 1999. In the Middle East, the album was released under the title Guzouri, with an alternate track listing.
Ayeshteni is the fourth album by Belgian singer Natacha Atlas. It was released by Mantra Records on May 8, 2001. The album received extensive play on college radio and sold around 15,000 copies in its first two years of release.
Foretold in the Language of Dreams is a 2002 album by Natacha Atlas and Marc Eagleton. It represents a departure from Natacha Atlas' usual music by being more ambient in style.
Something Dangerous is the fifth solo album by Belgian world music singer Natacha Atlas. It was released in 2003. The album's title refers to the 2003 invasion of Iraq and the title track includes audio clips of a 2003 anti-war protest march. The French edition of the album features a bonus track - a version of the single "When I Close My Eyes" sung in French. The song is titled, "Quand Je Ferme Les Yeux".
The Best of Natacha Atlas is a compilation album by Belgian singer Natacha Atlas. It was released by Mantra Recordings on 23 May 2005. The album contains previously released and re-recorded material, unreleased remixes, and cover songs.
Transglobal Underground is an English electro-world music group, specializing in a fusion of western, Asian and African music styles. Their first four albums featured Natacha Atlas as lead singer, and their single "Temple Head" was used in a Coca-Cola advertising campaign for the 1996 Olympic Games. In 2008 they won the BBC Radio 3 Award for World Music after the release of their seventh official album, Moonshout. Their most recent release is 2020's Walls Have Ears, marking Atlas' return as a guest with the group. Their work has been described as "a collision of tradition and innovation."
Voila is the seventh studio album by the American singer Belinda Carlisle, released in 2007. It was Carlisle's first studio album in over a decade, and is a covers album of "classic French chansons and pop standards", much different from Carlisle's previous English language pop records.
Bible of Dreams is the fourth album released by the multi-genre trance group Juno Reactor. The song "God Is God" was covered by Laibach for their album Jesus Christ Superstars.
The Remix Collection is a remix album by Belgian singer Natacha Atlas. It was released by Mantra Records on 19 September 2000.
"Mon amie la rose" is a poem written by Cécile Caulier and Jacques Lacome, originally performed in song by French singer Françoise Hardy in 1964. It became one of Hardy's most popular songs, and was collected on her album Mon amie la rose.
The discography of Natacha Atlas, a Belgian world music singer, consists of nine studio albums, one live album, four compilation albums, 18 singles, and one video album. She debuted in the early 1990s, appearing on albums recorded by ¡Loca! and Jah Wobble's Invaders of the Heart. In 1993, Atlas joined ethnic electronica group Transglobal Underground as the lead singer and belly dancer.
Ana Hina is an album by Belgian singer Natacha Atlas. It was released by World Village on 26 May 2008. The album primarily features acoustic cover versions of songs originally performed by Arabic singers Fairuz and Abdel Halim Hafez. It was also influenced by Scottish and Latin music. The song "He Hesitated" appeared in the 2009 film Amreeka.
Natacha Atlas / Transglobal Underground is a video album by Belgian singer Natacha Atlas. It was released by Mantra Recordings on 24 May 2005. The video album is a compilation of Atlas' music videos, video filmed with Transglobal Underground, and live performances from Union Chapel in London, England.
Coming Down is the first solo album by former Bauhaus, Tones on Tail, and Love and Rockets guitar player Daniel Ash, released by Beggars Banquet in September 1990. The first single, "This Love", was a number two hit on the Billboard Modern Rock Tracks chart in the United States. Natasha Atlas sings on many of the album's tracks.
Mounqaliba is a 2010 album by Belgian singer Natacha Atlas. Co-produced by Samy Bishai, it was inspired by the poems of Indian poet Rabindranath Tagore. In addition to original works, it also contains covers of Françoise Hardy and Nick Drake songs. The album also features composers Zoe Rahman and Jocelyn Pook.
Our Natacha is a 1944 Argentine drama film directed by Julio Saraceni and starring Amelia Bence, Esteban Serrador and Malisa Zini. It is based on Alejandro Casona's play of the same title.