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The National Society of Mural Painters (NSMP) is an American artists' organization originally known as The Mural Painters. The charter of the society is to advance the techniques and standards for the design and execution of mural art for the enrichment of architecture in the United States.
The NSMP was founded in 1895, in an era of Beaux-Arts architecture in America, a time when public architecture was integrated with murals, sculpture, mosaics and other artwork, coordinated and themed to assert the identity of the building. Parallel organizations associated with the same principles of integrated public art include the National Sculpture Society, which originally included a large percentage of architectural sculptors, and the Beaux-Arts Institute of Design, founded in 1916 as the teaching wing of the Society of Beaux-Arts Architects.
Beaux-Artsarchitecture was the academic architectural style taught at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century. It drew upon the principles of French neoclassicism, but also incorporated Gothic and Renaissance elements, and used modern materials, such as iron and glass. It was an important style in France until the end of the 19th century. It also had a strong influence on architecture in the United States, because of the many prominent American architects who studied at the Beaux-Arts, including Henry Hobson Richardson, John Galen Howard, Daniel Burnham, and Louis Sullivan.
Founded in 1893, the National Sculpture Society (NSS) was the first organization of professional sculptors formed in the United States. The purpose of the organization was to promote the welfare of American sculptors, although its founding members included several renowned architects. The founding members included such well known figures of the day as Daniel Chester French, Augustus St. Gaudens, Richard Morris Hunt, and Stanford White as well as sculptors less familiar today, such as Herbert Adams, Paul W. Bartlett, Karl Bitter, J. Massey Rhind, Attilio Piccirilli, and John Quincy Adams Ward—who served as the first president for the society.
The Beaux-Arts Institute of Design (BAID) was an art and architectural school at 304 East 44th Street in Turtle Bay, Manhattan, in New York City. It was founded in 1916 by Lloyd Warren for the training of American architects, sculptors and mural painters consistent with the educational agenda of the French École des Beaux-Arts.
Still in existence after more than a hundred years, the society presents exhibitions and organizes competitions. The NSMP is a member of the Fine Arts Federation of New York.
Frederic Crowninshield (1845–1918) was an American artist and author.
John La Farge was an American painter, muralist, stained glass window maker, decorator, and writer.
Charles Yardley "C. Y." Turner was an American painter, muralist and teacher. His genre scenes and American historical paintings were popularized through engravings and book illustrations.
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Charles Follen McKim was an American Beaux-Arts architect of the late 19th century. Along with William Rutherford Mead and Stanford White, he provided the architectural expertise as a member of the partnership McKim, Mead & White.
Bertram Grosvenor Goodhue was an American architect celebrated for his work in Gothic Revival and Spanish Colonial Revival design. He also designed notable typefaces, including Cheltenham and Merrymount for the Merrymount Press. Later in life, Goodhue freed his architectural style with works like El Fureidis in Montecito, one of the three estates designed by Goodhue.
Adolph Alexander Weinman was a German-born American sculptor and architectural sculptor.
Karl Theodore Francis Bitter was an Austrian-born American sculptor best known for his architectural sculpture, memorials and residential work.
The Nebraska State Capitol is the seat of government for the U.S. State of Nebraska and is located in downtown Lincoln. It was designed by New York architect Bertram Grosvenor Goodhue in 1920 and was constructed of Indiana limestone from 1922 to 1932. The capitol houses the primary executive and judicial offices of Nebraska and is home to the Nebraska Legislature—the only state unicameral legislature in the United States.
Mayers, Murray & Phillip was an architecture firm in New York city and the successor firm to Goodhue Associates, after Bertram Goodhue's unexpected death in 1924. The principals were Francis L.S. Mayers,Oscar Harold Murray, and Hardie Phillip.
Hildreth Meière was an American artist and designer active in the first half of the twentieth century, especially in connection with Art Deco architecture. Among her extensive works are the dynamic roundels of Dance, Drama, and Song at Radio City Music Hall, the Creation cycle and stained-glass windows at St. Bartholomew's Episcopal Church (Manhattan), the iconographic suites at the Nebraska State Capitol, and the National Academy of Sciences.
The Royal Birmingham Society of Artists or RBSA is an art society, based in the Jewellery Quarter in Birmingham, England, where it owns and operates an art gallery, the RBSA Gallery, on Brook Street, just off St Paul's Square. It is both a registered charity, and a registered company.
Kenyon Cox was an American painter, illustrator, muralist, writer, and teacher. Cox was an influential and important early instructor at the Art Students League of New York. He was the designer of the League's logo, whose motto is Nulla Dies Sine Linea or No Day Without a Line.
The Baroque Revival, also known as Neo-Baroque, was an architectural style of the late 19th century. The term is used to describe architecture and architectural sculptures which display important aspects of Baroque style, but are not of the original Baroque period. Elements of the Baroque architectural tradition were an essential part of the curriculum of the École des Beaux-Arts in Paris, the pre-eminent school of architecture in the second half of the 19th century, and are integral to the Beaux-Arts architecture it engendered both in France and abroad. An ebullient sense of European imperialism encouraged an official architecture to reflect it in Britain and France, and in Germany and Italy the Baroque revival expressed pride in the new power of the unified state.
Ernest Clifford Peixotto (1869–1940) was an American artist, illustrator, and author. Although he was known mainly for his murals and his travel literature, his artwork also regularly appeared in Scribner's Magazine. His 1916 work Our Hispanic Southwest is famous for including the first written appearance of the ethnic slur "spic".
René-Paul Schützenberger was a French Post-Impressionist painter.
William Dean Fausett was an American painter. His career spanned over six decades. He painted notable figures like Dwight D. Eisenhower, Ronald Reagan, the Duke and Duchess of Windsor, Grandma Moses, Ezra Taft Benson, and Sir Alexander Fleming. His brother Lynn Fausett was also a painter. Fausett also purchased the historic house of Cephas Kent, Jr. in Dorset, Vermont and was instrumental in it the forming of the Kent Neighborhood Historic District.
Edmond Thomas Quinn was an American sculptor and painter. He is best known for his bronze statue of Edwin Booth as Hamlet, which stands at the center of Gramercy Park in New York City. His larger-than-lifesize bronze bust of Victor Herbert stands near The Pond in Central Park, New York City.
The Cresson Traveling Scholarship, also known as the William Emlen Cresson Memorial Traveling Scholarship, is a two-year scholarship for foreign travel and/or study awarded annually to art students at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania.