Constantin Brâncuși was a Romanian sculptor, painter, and photographer who made his career in France. Considered one of the most influential sculptors of the 20th century and a pioneer of modernism, Brâncuși is called the patriarch of modern sculpture. As a child, he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 1905 to 1907. His art emphasizes clean geometrical lines that balance forms inherent in his materials with the symbolic allusions of representational art. Brâncuși sought inspiration in non-European cultures as a source of primitive exoticism, as did Paul Gauguin, Pablo Picasso, André Derain, and others. However, other influences emerge from Romanian folk art traceable through Byzantine and Dionysian traditions.
Les Négresses Vertes, formed in 1987, is a French music group that combines world music and some aspects of alternative rock. Tracks often feature acoustic guitar and accordion, with some containing other traditional instruments such as piano and brass.
Mlah is the debut album by Les Négresses Vertes, released in 1988.
Kara Elizabeth Walker is an American contemporary painter, silhouettist, printmaker, installation artist, filmmaker, and professor who explores race, gender, sexuality, violence, and identity in her work. She is best known for her room-size tableaux of black cut-paper silhouettes. Walker was awarded a MacArthur fellowship in 1997, at the age of 28, becoming one of the youngest ever recipients of the award. She has been the Tepper Chair in Visual Arts at the Mason Gross School of the Arts, Rutgers University since 2015.
Events from the year 1884 in art.
"The Virgin Carrying a Lantern" is a poem from Wallace Stevens's first book of poetry, Harmonium (1923). It was one of the few Harmonium poems first published in that volume.
"L'Égyptienne" is a world music song performed by Belgian singer Natacha Atlas and French group Les Négresses Vertes. The song was written by Atlas, Matthias Canavese, Stéfane Mellino and Michel Ochowiak and produced by Les Négresses Vertes for the Atlas' second album Halim (1997). It was released as a single in 1998.
The Negress is a bronze sculpture by French artist Jean-Baptiste Carpeaux. It is now in the permanent collection at the Indianapolis Museum of Art.The Negress was purchased by the Indianapolis Museum of Art in 1980.
Vertes, Vértes or Vertès may refer to:
Égyptienne or L'Égyptienne may refer to:
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
A Negress is an 1884 oil painting by the Polish artist Anna Bilińska. The painting was stolen from the National Museum in Warsaw during World War II and remained missing until it appeared at auction in 2011 and was returned to the museum in 2012.
Noël Rota, better known by his stage name Helno, was a French singer and member of the alternative rock bands Lucrate Milk, Bérurier Noir, and Les Négresses Vertes.
Enid Bell Palanchian, known professionally as Enid Bell in her early career and later on as Enid Bell Palanchian, was an American sculptor, illustrator and teacher born in London, England.
Amanda Williams is a visual artist based in Bridgeport, Chicago. Williams grew up in Chicago's South Side and trained as an architect. Her work investigates color, race, and space while blurring the conventional line between art and architecture. She has taught at the California College of the Arts in San Francisco, Sam Fox School of Design & Visual Arts at Washington University in St. Louis, Illinois Institute of Technology, and her alma mater Cornell University. Williams has lectured at the Metropolitan Museum of Art, New Museum, School of the Art Institute of Chicago, and at a TED conference.
La Toilette is an Oil-on-canvas painting by the 19th century French impressionist artist Frédéric Bazille, executed in 1869–1870, which has been in the collection of the Musée Fabre in Montpellier, France since 1968. He produced it a few months before his death in the Franco-Prussian War in 1870.
Why Born Enslaved? or Why Born a Slave? is a life-sized bust by the French sculptor Jean-Baptiste Carpeaux depicting a bound woman of African descent. Carpeaux executed versions of the sculpture in plaster, marble, terracotta, and bronze. It is represented in a number of museums, including the Ny Carlsberg Glyptotek in Copenhagen and the Metropolitan Museum of Art in New York City.
The Negress head clock is a type of French Empire mantel clock depicting the head of a black woman flanked by sculptured putti. It is considered among the eccentricities of French horology and had drawn attention during the late eighteenth century. Five examples are noted in prominent collections.
La Parole aux négresses is a founding book of Francophone African feminism by Awa Thiam published in 1978 with a foreword by Benoîte Groult. It is considered a founding essay of intersectionality exposing the specificity of black women's feminism in the feminist movement from a francophone point of view. It is composed of interviews giving voices to the concerned black women.
