Nerve Filter

Last updated

Nerve Filter is an electronic music act from Seattle, WA (US); its sole member is Tom Shear. Nerve Filter started in 1995, and is considered a side project of Shear's Assemblage 23 although its first label appearance predated A23's.

Contents

History

According to Nerve Filter's website, experiencing writer's block after writing Assemblage 23's Wires, Shear decided:

to do some tracks in a totally different style than he was accustomed to. The result was Nerve Filter. Combining elements of techno, and the then-popular rave sound, Nerve Filter was hard-edged and dark, but also exhibited a sense of humor in spots

According to Shear, the band's sound is difficult to categorize, with influences "including techno, dub, drum n' bass, IDM, detroit electro, acid, ambient, and many others."

Discography

Albums

  1. stealth
  2. hey.daddy
  3. option.one
  4. sea.lab
  5. slow.motion.shadow
  6. machine.language
  7. auto.mat
  8. beneath.a.bed.of.wet.leaves
  9. tweaker
  10. sun.rise

Singles

Compilation appearances

Remixes

Related Research Articles

Drum and bass is a genre of electronic music characterised by fast breakbeats with heavy bass and sub-bass lines, sampled sources, and synthesizers. The music grew out of the UK's jungle scene and subgenres such as darkcore in the 1990s.

House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a tempo of 120 to 130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture in the 1980s, as DJs from the subculture began altering disco songs to give them a more mechanical beat and deeper basslines.

Breakbeat hardcore is a music genre of the very early 1990s that spawned from the UK rave scene. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover and other noises originating from new beat, acid house squelches and bleeps, and often upbeat house piano riffs and vocals.

Rave Dance party

A rave is an organised dance party at a warehouse, forest, cave or other private property or public space, typically featuring performances by DJs, playing a seamless flow of electronic dance music. The word also means excellent, great, or brilliant, and can be used to describe any genre of music and entertainment. DJs at rave events play electronic dance music on vinyl, CDs and digital audio from a wide range of genres, including techno, hardcore, house, dubstep, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

Psychedelic trance, psytrance or psy is a subgenre of trance music characterized by arrangements of rhythms and layered melodies created by high tempo riffs. It is comparable to the hardcore, underground style of trance music. The genre offers variety in terms of mood, tempo, and style. Some examples include full on, darkpsy, forest, minimal (Zenonesque), hitech psy, progressive, suomi, psy-chill, psycore, psybient, psybreaks, or "adapted" tracks from other music genres. Goa trance preceded psytrance; when digital media became more commonly used psytrance evolved. Goa continues to develop alongside the other genres.

Goa trance is an electronic music style that originated during the late 1980s in Goa, India. Goa trance often has drone-like basslines, similar to the techno minimalism of 21st century psychedelic trance (psytrance). Psychedelic trance developed from Goa trance.

Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterized by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesized effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid 1990s.

Happy hardcore, also known as happycore, and later UK hardcore, is a music genre of hard dance. It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s.

Assemblage 23

Assemblage 23 is an electronic act from the United States, currently based in Woonsoocket, Rhode Island. It was founded in 1988 by Tom Shear who writes the music and lyrics and does the recording himself. Live performances are supported by Paul Seegers on keyboards and Mike Jenney on drums.

Progressive house is a subgenre of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.

Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and North England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.

Darkcore is a music subgenre of breakbeat hardcore and jungle in the UK rave scene, that emerged from late 1992. It is recognized as being one of the direct precursors of the genre now known as drum and bass.

Tom Shear

Tom Shear is an American musician and music producer, and is the sole member of the electronic act Assemblage 23.

Neurofunk is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep. It was further developed by juxtaposed elements of darker, heavier, and harder forms of funk with multiple influences ranging from techno, house and jazz, distinguished by consecutive stabs over the bassline; razor-sharp backbeats; scarce or nonexistent traditional melodies; a hyper focus on sub sound design; the use of modulated, distorted and filtered synthesizers and audio capture from samplers such as the Akai S1000 and Emu E6400. Neurofunk is very closely related to Techstep, but the primary characteristic that distinguishes the two genres is Neurofunk has more emphasis on flowing complex rhythms using processed and enhanced sampled breakbeats/percussion and expressive, distorted, filtered and modulated bass sounds overlaid with rich layered soundscapes and percussive stab sounds. Neurofunk, as described by Musicmap creator Kwinten Crauwels, "sounds like the natural soundtrack of the brain: neurological chemicals flowing and rushing, creating both deeply obscure and delicate emotions."

Josh Wink American electronic music DJ and remixer

Joshua Winkelman, better known by his stage name Josh Wink, is an American electronic music DJ, label owner, producer, remixer, and artist. He is a native of Philadelphia, United States. A pioneering DJ in the American rave scene during the early 1990s, Wink was the most prominent exponent of the tribal forms of techno and house in the U.S. In 1995, he released several hits, including "Don't Laugh", "I'm Ready", and "Higher State of Consciousness," which topped the dance charts in Europe. He has had many club hits such as "How's Your Evening So Far?" and "Superfreak (Freak)" and has also gained much attention for his remixes of Stabbing Westward, FC Kahuna, Paul Oakenfold, Moby, Towa Tei, Ladytron and Depeche Mode, among others.

Non-aggression Pact is an urban-electro-industrial music group from Tampa, Florida. The band was formed in 1992 by keyboardist/drummer, Jeff Hillard and keyboardist/vocalist Jason Whitcomb. Their music featured an abrasive industrial-dance sound, with funky, grind-hop drum loops overlain by harsh vocals and thought-provoking audio samples from various movies and documentaries. Their lyrics focused mostly on the issues of racism and mass media.

Mark Summers

Mark Summers is the English CEO, Sample Replay Producer, sound engineer and music producer of SCORCCIO, a music production company founded in the UK in 1996. He provided music for Shapeshifters UK #1 "Lola's Theme", Pitbull "I Know You Want Me", Bob Sinclar, Diplo, Disclosure, The Prodigy, Defected, Spinnin', Armada Records. Winner of an MTV VMA award in 2005 for Best Game Soundtrack "Dance Dance Revolution" (Konami/PlayStation). A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry.. Guest Speaker on panel discussions at the New Music Seminar in New York, June 2015. His productions have been featured on hits for Diplo, Sam Smith, The Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.

Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.

The Prodigy English electronic dance music group

The Prodigy are an English electronic dance music band from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The band's line-up has included MC and vocalist Maxim, dancer and vocalist Keith Flint, dancer and live keyboardist Leeroy Thornhill, and dancer and vocalist Sharky (1990–1991). Along with the Chemical Brothers and Fatboy Slim, The Prodigy are credited as pioneers of the breakbeat-influenced genre big beat, which achieved mainstream popularity in the 1990s. Howlett's rock-inspired drum rhythms infused with electronic rave music beats/breaks were combined with Maxim's omnipresent mystique, Thornhill's shuffle dancing style and Flint's modern punk appearance.

Techno is a genre of electronic dance music (EDM) that is predominantly characterized by a repetitive four on the floor beat which is generally produced for use in a continuous DJ set. The central rhythm is often in common time (4/4), while the tempo typically varies between 120 and 150 beats per minute (bpm). Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.