Nicoletto is probably the same person as the "Nicolet" who appears in a list of jongleurs in Li fol e.il put e.il filol, a sirventes of Aimeric de Peguilhan, which was written at the Malaspina court, probably in or around 1220. Chronologically such an identification is possible based on Nicoletto's surviving works and the references they contain. Based on his tenso with Falquet, Nicoletto evidently travelled in Burgundy, where he found the people annoying, and returned to Italy to the court of Biandrate.
Nicoletto also exchanged verses with Uc de Saint Circ. These lamented the fact that Adelaide di Vidalliana (today Viadana) had not been received with as much honour as Donella di Brescia and Selvaggia (perhaps Selvaggia d’Auramala, daughter of Conrad I Malaspina). This tenso has been customarily dated to c. 1225, when it is known Selvaggia was in the flower of youth.
Sources
Bertoni, Giulio. I Trovatori d'Italia: Biografie, testi, tradizioni, note. Rome: Società Multigrafica Editrice Somu, 1967 [1915].
A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word troubadour is etymologically masculine, a female troubadour is usually called a trobairitz.
Uc de Saint Circ or Hugues (Hugh) de Saint Circq was a troubadour from Quercy. Uc is perhaps most significant to modern historians as the probable author of several vidas and razos of other troubadours, though only one of Bernart de Ventadorn exists under his name. Forty-four of his songs, including fifteen cansos and only three canso melodies, have survived, along with a didactic manual entitled Ensenhamen d'onor. According to William E. Burgwinkle, as "poet, biographer, literary historian, and mythographer, Uc must be accorded his rightful place as the 'inventor' (trobador) of 'troubadour poetry' and the idealogical trappings with which it came to be associated."
Guilhem d'Autpol or Daspol was a troubadour from Hautpoul in the Languedoc. He wrote four works that survive, three dwelling on intensely religious themes. There exists some evidence internal in his songs that he was a jongleur early on.
Henry II, of the House of Millau, was the Count of Rodez and Viscount of Carlat from 1274 until his death. He was the son of Hugh IV of Rodez and Isabeau de Roquefeuil.
Albert Malaspina (1160/1165–1206/1212), called Alberto Moro and lo marches putanier, was a member of the illustrious Malaspina family. He was a noted troubadour and patron of troubadours. Albert disputes with Peire de la Caravana the position of earliest native Italian troubadour.
Peire de Valeira, Valeria, or Valera was a Gascon troubadour. Since troubadour poetry probably originated in northwest Aquitaine and first spread—within a generation—south into Gascony, Peire was one of the earliest troubadours. Only two of his poems survive, one canso and one cobla.
Albertet de Sestaro, sometimes called Albertet de Terascon, was a Provençal jongleur and troubadour from the Gapençais. Of his total oeuvre, twenty three poems survive. "Albertet" or "Albertetz" is the Occitan diminutive of Albert. Unqualified it usually refers to Albertet de Sestaro, but there was an Albertet Cailla.
Peire Guilhem de Luserna was a Piedmontese troubadour.
Engles, also spelled Englés, was a Navarrese jongleur and troubadour of the mid 13th century. His lone tenso survives only in fragments and is chiefly of interest to historians for its commentary on court life in Pamplona under Theobald I.
Uc de la Bacalaria was a Limousin troubadour from La Bachellerie near Uzerche, the home town of Gaucelm Faidit. According to his vida, he was a jongleur who travelled infrequently and was hardly known. He composed cansos, tensos, one alba, and one descort. Six songs are surviving: one canso, one alba, and four tensos. According to the vida, he was courtly, capable, and learned.
Guillem or Guilhem Magret was a troubadour and jongleur from the Viennois. He left behind eight poems, of which survive a sirventes and a canso with melodies.
Falquetde Romans was the most famous troubadour attached to the court of Frederick II, Holy Roman Emperor, where he garnered a high reputation despite the fact that his career began as a jongleur. His surviving work consists of fourteen or fifteen pieces: seven sirventes, three tensos, two or three cansos on courtly love, a salut d'amor of 254 lines, and a religious alba. His poetry is, in general, clear and elegant, and he was apparently very religious.
Gui de Cavalhon, Cavaillo, or Gavaillo was a Provençal nobleman: a diplomat, warrior, and man of letters. He was probably also the Guionet who composed tensos and partimens with Cadenet, Raimbaut de Vaqueiras, Mainart Ros, Pomairol, and a certain Guillem.
Guilhem de la Tor was an early 13th-century jongleur-troubadour from the Périgord who spent most of his active career in northern Italy. He circulated between the courts of the Este, Malaspina, and Da Romano families.
Pistoleta was a Provençal troubadour. His name means "little letter (epistle)" in Occitan. He left behind eleven songs, comprising nine cansos and two tensos. Some of his pieces are assigned to an otherwise unknown Jordan de Born in the table of contents of chansonnier C, a fourteenth-century Occitan manuscript.
Joan d'Aubusson or d'Albusson, known as Johan or Johanet to Occitan contemporaries, was an Auvergnat troubadour and a Ghibelline. Only three of his works survive: two tensos and a cobla.
Arnaut Plagues or Plages was a troubadour probably from Provence.
Chardon de Croisilles or de Reims was an Old French trouvère and possibly an Occitan troubadour. He was probably from Croisilles, but perhaps Reims. He is associated with the school of trouvères in and around Arras. Chardon wrote four chansons d'amour, two jeux partis, and one partimen.
Conrad Malaspina, also known as L’Antico or The Old was an Italian nobleman who lived in the 12th century. There is no certainty about Conrad's birthdate but most historians agree that it is around 1180, his death date is also uncertain but it is speculated to be around July 1254. Conrad was the forefather of the "Spino Secco" branch of the Malaspina family. Conrad Malaspina's achievements were of fundamental importance for the way Italian territories were shaped. He had very close relationships with Emperor Frederick II as well as many intellectuals and political figures of the time.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
