Nihil | ||||
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Studio album by | ||||
Released | April 4, 1995 | |||
Recorded | 1994 | |||
Studio | Bad Animals, Seattle, Washington | |||
Genre | ||||
Length | 49:03 | |||
Label | Wax Trax! | |||
Producer |
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KMFDM chronology | ||||
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Singles from Nihil | ||||
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Nihil is the seventh studio album by German industrial band KMFDM, released on April 4, 1995, by Wax Trax! Records. The album marked the return of former band member Raymond Watts and the first appearance of session drummer Bill Rieflin, and was mostly written by frontman Sascha Konietzko.
The album's first single "Juke Joint Jezebel" is the band's most widely known song, with millions of copies sold over various releases. Widely praised by critics, Nihil is the band's best-selling album. After the original release went out of print, a remastered version was released in 2007.
In late 1993, Sascha Konietzko and fellow multi-instrumentalist En Esch both left Chicago, moving to Seattle and New Orleans, respectively. [1] [2] Lead guitarist Günter Schulz left the country, moving to Kelowna, British Columbia. [2] In early 1994, Konietzko started working on new material, and Schulz came to Seattle to begin adding guitars to the tracks. [2] Later that year, the group assembled in Los Angeles to rehearse for the upcoming Angstfest tour in support of Angst , which spanned April and May. [2] Konietzko, Schulz, Esch, and guitarist Mark Durante were joined by another guitarist, Mike Jensen, [2] for a live show that featured up to four guitarists playing at once. [3] Konietzko and Schulz, along with Dutch singer Dorona Alberti, returned to Seattle to begin recording vocals for Nihil. [2] Konietzko later said he was not happy with the sessions, explaining that nothing was coming together, and only two songs from the upcoming album, "Trust" and "Brute", had been completed to his satisfaction. [2]
Former KMFDM member Raymond Watts, last seen contributing vocals, programming, and production to 1988's Don't Blow Your Top [4] before starting his own band, Pig, [5] called Konietzko and asked if he would be interested in working on a small musical collaboration. [2] Konietzko agreed, and Watts flew to Seattle, where the pair, along with Schulz, worked on an EP entitled Sin Sex & Salvation . [2] Konietzko said of the trio's working together, "It was the breath of fresh air I had been hoping and waiting for. This short project took my mind off the problems with the KMFDM album and gave me a welcome change of perspective." [2] Watts then stayed on with the group to begin work on Nihil, [6] which featured a core group of Konietzko, Schulz, Watts, and Esch, along with some input from steel guitar specialist Durante [7] and drummer Bill Rieflin.
Discussing the change in songwriting from Angst, Konietzko said: "I wasn't comfortable with the band scenario on that album, where everybody had input. It allowed for too many compromises. Angst seems not organic to me." [8] In another interview, he explained: "Contrary to the past, I wrote all the songs for Nihil," adding that doing things that way caused "minimal problems". [9]
Konietzko stated that the band overused guitars on their previous album, Angst, [10] saying it sounded "like guitarists jacking off". [6] On Nihil, the guitars were mixed in last. [10] Durante had recently purchased a triple-neck Fender steel guitar in Houston, and used it during recording sessions, but added a significant amount of distortion to it, making it sound like a "regular" guitar but giving it what he called a "sliding" sound. [7] Konietzko also brought in a trio of horn players to perform on "Disobedience", saying he had always wanted a horn section in a KMFDM song, but that he had never been able to afford it before. [2]
Konietzko originally wrote thirty songs over a period of eight or nine months for Nihil before settling on ten final tracks. [6] Watts came into the studio after the songs were mostly complete and added lyrics to a handful of songs, which he said was "actually quite liberating" in contrast to writing his own music from scratch. [11] Konietzko described the album as being entirely foreplay, without any resolution, [12] and said it was the band's best album to date, a statement he believed he would be standing by for years. [6] He also said its poppier sound was more his style. [13] Konietzko produced the album with sound engineer Chris Shepard, [14] who had also engineered the band's previous album. [15]
Nihil was originally released on April 4, 1995. A digitally remastered re-release of Nihil was released on March 6, 2007, along with a similar re-release of KMFDM's 1996 album Xtort. The band toured twice in 1995 in support of the album, first doing the Beat by Beat tour shortly after the album's release, and then the In Your Face tour later in the year. [1] The album, which had "major buzz", had an initial shipment of 75,000 copies. [17]
The album's first track, "Ultra", was featured in the U.S. release of Street Fighter II: The Animated Movie , and was the theme song for Manga Entertainment's anime catalog trailer. "Juke Joint Jezebel", the band's biggest hit, was featured in the film Bad Boys and in an episode of Beverly Hills 90210 . [18] "Juke Joint Jezebel (Metropolis Mix)" was featured in the film Mortal Kombat . The video for "Juke Joint Jezebel" includes footage from the Patlabor 1 anime. [19] More than two million copies of the song sold in 1995 alone. [20]
Nihil was Wax Trax!'s best-selling album to date by the end of 1995, [21] and went on to sell over 120,000 copies by August 1996. [22] Nihil reached No. 16 on the Billboard Heatseekers chart, [23] and was later labelled one of Wax Trax!'s commercial high points. [24] By 2016, the album had sold a total of 209,000 copies, making it the band's top-selling album of all time, according to Nielsen SoundScan. [25]
Nihil is one of only two KMFDM studio albums ( Opium being the other) that does not feature cover artwork by pop-artist Brute! Instead, the cover was designed by Rieflin's wife Francesca Sundsten. [2] [6] The band would return to using Brute!'s work on the next album, Xtort . [26]
Review scores | |
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Source | Rating |
AllMusic | [16] |
Chicago Tribune | favorable [8] [24] |
CMJ New Music Monthly | favorable [27] |
Guitar Player | favorable [28] |
Keyboard | favorable [29] |
Washington Post | favorable [30] |
Nihil received very favorable reviews from music critics. Heidi MacDonald of CMJ New Music Monthly called Nihil "a superb album that takes no prisoners from beginning to end," [27] saying that the first three tracks are "nearly flawless" [27] and calling "Disobedience" a "real standout." [27] Andy Hinds of AllMusic also praised the album, calling "Juke-Joint Jezebel" "an enduring and indispensable dancefloor favorite at goth/industrial clubs around the world." [16] He further said that the production on Nihil was "state of the art" [16] and that KMFDM's sound was "quite polished and tight." [16] Mark Jenkins of The Washington Post said the album "manages to stay fresh through the use of assorted sonic spices," [30] adding that the album has "some canny accents." [30]
Keyboard praised the album, describing "milky organ pads" on "Disobedience" and "snarling guitars [wrapped] in spiky synth barbed wire" on "Juke Joint Jezebel", and saying of band leader Konietzko, "You won't find a more imaginative or effective keyboardist on the hard-core scene." [29] Chris Gill of Guitar Player , conversely, said "the most interesting parts are Durante's steel guitar lines, which howl like revving engines". [28] Greg Kot of the Chicago Tribune said that "Juke Joint Jezebel" "swaggers like a Bourbon Street hooker, with crunching guitars and a swooping, gospelish chorus" at the time of the album's release, [8] and in 2011, said the album put "a polished pop spin on industrial's characteristic harshness". [24] Gill had similar praise, saying "few have succeeded in making the combination [of techno rhythms and thrash guitars] sound as natural as this". [28]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ultra" | Mark Durante, En Esch, Sascha Konietzko, Günter Schulz, Chris Shepard, Raymond Watts | 4:34 |
2. | "Juke Joint Jezebel" | Esch, Konietzko, Schulz, Watts | 5:40 |
3. | "Flesh" | Esch, Konietzko, Schulz, Watts | 5:02 |
4. | "Beast" | Konietzko, Schulz | 5:06 |
5. | "Terror" | Durante, Esch, Konietzko, Schulz, Shepard, Watts | 4:50 |
6. | "Search & Destroy" | Esch, Konietzko, Schulz | 3:26 |
7. | "Disobedience" | Durante, Esch, Konietzko, Schulz, Shepard, Watts | 4:43 |
8. | "Revolution" | Esch, Konietzko, Schulz | 4:27 |
9. | "Brute" | Esch, Konietzko, Schulz, Watts | 4:25 |
10. | "Trust" | Konietzko, Schulz | 3:43 |
11. | "Nihil" (hidden at the end of "Trust" on the Wax Trax!/TVT release) | Konietzko | 2:04 |
Total length: | 48:00 |
All information from 1995 release booklet except where noted. [14]
KMFDM is a multinational industrial rock band from Hamburg led by Sascha Konietzko, who founded the band in 1984 as a performance art project.
Nicklaus Schandelmaier, is a German musician, better known by his stage name En Esch, and has been a member of the bands KMFDM, Pigface, Slick Idiot, and <PIG>.
"Money" is a song by industrial rock group KMFDM from their 1992 album of the same name. It was released as a single in 1992, and released as a 7" in 2008, as the ninth release of KMFDM's 24/7 series. The song charted at No. 36 in July 1992 on Billboard's Dance/Club Play Songs Chart. The tracks on the single are included on the singles compilation album, Extra, Vol. 1.
Money is the fifth studio album by German industrial band KMFDM, released in February 1992 by Wax Trax! Records. It was originally intended to be titled Apart, with each of the two core members, Sascha Konietzko and En Esch, recording half an album and combining their work. The album ended up using only Konietzko's half, along with additional songs. It received mixed reviews, but spawned a number of club hits. It went out of print in the late 1990s and was re-released in 2006.
What Do You Know, Deutschland? is the debut studio album by German industrial band KMFDM, released in December 1986 by Z and Skysaw Records.
Adios is the tenth studio album released by German industrial band KMFDM. The album was originally conceived as the group's parting shot to its longtime record label, Wax Trax! Records, but it ended up also signaling the break-up of KMFDM itself until the band reformed in 2002. Recorded in Seattle, Washington, this was the last album to feature En Esch and Günter Schulz, who both went on to form Slick Idiot. Following the break-up, founding member Sascha Konietzko created the band MDFMK, before reforming KMFDM in 2002 without Esch or Schulz.
Angst is the sixth studio album by German industrial band KMFDM, released on 12 October 1993 by Wax Trax! Records.
The ninth studio album by German industrial band KMFDM, titled with a set of five unpronounceable, non-alphabetic symbols and commonly known as Symbols, was released on 23 September 1997 by Wax Trax! Records. Officially referred to as simply self-titled 'KMFDM' in some media markets.
Xtort is the eighth studio album by German industrial band KMFDM, released on June 25, 1996, by Wax Trax! Records. It was recorded from the end of 1995 through early 1996, shortly after the death of Wax Trax! co-founder and band friend Jim Nash. Xtort features a variety of guest artists from the industrial music scene and studio musicians from other genres, but includes limited participation from core member En Esch.
Naïve is the fourth studio album by German industrial band KMFDM, released on November 15, 1990, by Wax Trax! Records. It was recorded following KMFDM's return from their first visit to the United States and subsequent tour with Ministry. It was also the first record they released after signing directly to Wax Trax! Records.
Günter Schulz is a German musician, songwriter and former member of the industrial band KMFDM.
UAIOE is the third studio album by the German industrial band KMFDM. It was released on 7 October 1989 by Cash Beat Records. Several 1970's "rock" bands are referenced: The album's title track borrows heavily from the lyrical tropes of Frank Zappa, whereas the song "En Esch" is, lyrically, a cover version of Deep Purple's "Demon's Eye".
Opium is a demo album by German industrial band KMFDM from 1984, officially released in 2002 by Firstworld. It is one of only two KMFDM studio albums that does not feature cover artwork by pop artist Brute!.
"Light" is a song by industrial rock band KMFDM from their 1993 album Angst. The single was first released in 1994 and contains nine different remixes of the song. "Light" peaked at No. 31 on the Billboard Dance/Club Play Songs Chart in May 1994. The single was re-released as a 7" in 2009, and the song was remixed and released as "Light 2010" on December 17, 2010.
Sin Sex & Salvation (1994), is an EP released by KMFDM and Raymond Watts. The artist for it is usually listed as KMFDM vs. PIG. It was recently re-released in 2024. Prior to then, none of the songs had ever been re-released in any other format since its initial release, except for "Fuck Me" which appears on a bonus disc entitled 'The Year of the Pig Collection' accompanying the Canadian release of the "Juke Joint Jezebel" Giorgio Moroder mixes maxi-single, and "Secret Skin" which appears on the 'Year of the Pig' 12" four song vinyl pressing containing "Juke Joint Jezebel" as the caveat. Both were released in 1995 and are OOP as well.
"Juke Joint Jezebel" is a song by industrial rock group KMFDM from their 1995 album Nihil. It is KMFDM's most widely known song to date, with around three million copies of the song sold across various releases.
"Rules" is a song from KMFDM's 1996 album Xtort. It was also released on a three track EP.
WWIII Live 2003 is a live album by industrial rock band KMFDM from their WWIII tour, recorded at the House of Blues, Chicago on October 27, 2003. It was released on July 27, 2004, on Sanctuary Records. It includes many of the songs from the WWIII album, along with some songs from other albums. The DVD release includes live footage from different venues throughout the tour. The band once again consists of 3 members of <PIG>, and these 3 members would ultimately be drafted into KMFDM fulltime as Watts and the band <PIG> would enter a lengthy hiatus.
Beat by Beat by Beat is a video released by German industrial rock band KMFDM originally released on VHS by the name Beat by Beat in 1997 and on DVD with its final, longer name in 2001. It features live performances and backstage tour footage from the band's 1995 Beat by Beat tour as well as all seven of the band's videos produced at the time.
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