Not So Quiet: Stepdaughters of War

Last updated

Not So Quiet: Stepdaughters of War
Not So Quiet.jpg
First edition
AuthorHelen Zenna Smith (Evadne Price)
CountryUnited Kingdom
LanguageEnglish
GenreWar-fiction, feminist fiction
PublisherAlbert E Marriott
Publication date
1930
Media typePrint
Pages300
ISBN 0-935312-82-X
OCLC 18741174
Followed byWomen of the Aftermath 

Not So Quiet: Stepdaughters of War is a 1930 novel by British author Evadne Price writing under the pseudonym "Helen Zenna Smith". The book presents a stark critique of the romanticized depictions of war, targeting the traditional, gendered representations of heroism and sacrifice. It offers a detailed account of the experiences of women serving in auxiliary roles during World War I.

Contents

The narrative centers on the protagonist, named Nell Smith, and her fellow volunteer ambulance drivers on the French front during the war. Many of these women, often originating from privileged backgrounds, are abruptly confronted with the brutal reality of war, witnessing the horrific impacts of conflict, from death and severe injuries to the constant threat of danger and harsh living conditions. The mental and emotional strain they endure, coupled with the societal expectations that compelled them to serve, lead to a sense of disillusionment that forms a significant part of the novel's thematic structure.

Not So Quiet is a part of the War Popular series that initially intended to feature six volumes, each authored by different writers and presenting unique perspectives on the war. Price was commissioned to write a satirical take on Erich Maria Remarque's acclaimed novel, All Quiet on the Western Front , from a female perspective. However, she opted to provide a sobering commentary on the atrocities of war, drawing inspiration from the real-life experiences of Winifred Young, a female ambulance driver in World War I. [1] [2]

Scholarly analysis of the novel has underscored its feminist themes, its exploration of class differences, and its contribution to World War I literature. By focusing on the oft-ignored experiences of women during times of war, '''Not So Quiet''' presents a compelling counter-narrative to the more romanticized or hero-centric war stories. As of the last update in 2021, it continues to be regarded as an influential work in 20th-century literature.

Themes

The novel provides vivid descriptions of wounds, deformations, and death as a means to convey the vulnerability of the human body, the senselessness of war, and the reality of horror a World War I ambulance driver would face. [3] The graphic nature of these descriptions challenges traditional gender norms associated with women and violence, questioning preconceptions about what is considered 'appropriate' for a female writer to address. [3]

Responding to All Quiet on the Western Front , Not So Quiet: Stepdaughters of War also employs an established narrative repertoire for portraying war. [4] Remarque's novel, much like Ernest Hemingway's A Farewell to Arms , continued to evoke powerful emotional responses from readers, more than a decade after World War I. In a similar manner, Price, along with other post-war novelists, adopted analogous narrative strategies to engage a reflective, anti-war, pro-peace readership prevalent during the late 1920s and early 1930s. [3]

Legacy

In October 1930, a theatrical adaptation of the novel made its debut at the Empire Theatre on Broadway, under the direction of Chester Erskine. The play starred Katharine Alexander in the role of a hardened and disillusioned ambulance driver, and Warren William portraying a psychologically affected officer. Despite receiving critical acclaim for its astute direction and creative stagecraft, the play achieved only moderate success. The dawn of the Great Depression likely influenced audience preference towards lighter, more escapist entertainment. [5]

Subsequently, Price authored four sequels to Not So Quiet… using the Smith pseudonym during the period from 1931 to 1934. However, these sequels did not attain the same level of popularity as the original novel, causing the book to be perceived as "a victim of its own success". [1]

Related Research Articles

<i>All Quiet on the Western Front</i> 1929 novel by Erich Maria Remarque

All Quiet on the Western Front is a novel by Erich Maria Remarque, a German veteran of World War I. The book describes the German soldiers' extreme physical and mental trauma during the war as well as the detachment from civilian life felt by many upon returning home from the war.

<i>A Farewell to Arms</i> 1929 novel by Ernest Hemingway

A Farewell to Arms is a novel by American writer Ernest Hemingway, set during the Italian campaign of World War I. First published in 1929, it is a first-person account of an American, Frederic Henry, serving as a lieutenant in the ambulance corps of the Italian Army. The novel describes a love affair between the American expatriate and an English nurse, Catherine Barkley.

<span class="mw-page-title-main">Erich Maria Remarque</span> German-born novelist (1898–1970)

Erich Maria Remarque was a German-born novelist. His landmark novel All Quiet on the Western Front (1928), based on his experience in the Imperial German Army during World War I, an international bestseller which created a new literary genre of veterans writing about conflict. The book was adapted to film several times. Remarque's anti-war themes led to his condemnation by Nazi propaganda minister Joseph Goebbels as "unpatriotic." He was able to use his literary success and fame, to relocate to Switzerland as refugee, and to the United States, where he became a Naturalized citizen.

<span class="mw-page-title-main">World War I in literature</span>

Literature about World War I is generally thought to include poems, novels and drama; diaries, letters, and memoirs are often included in this category as well. Although the canon continues to be challenged, the texts most frequently taught in schools and universities are lyrics by Siegfried Sassoon and Wilfred Owen; poems by Ivor Gurney, Edward Thomas, Charles Sorley, David Jones and Isaac Rosenberg are also widely anthologized. Many of the works during and about the war were written by men because of the war's intense demand on the young men of that generation; however, a number of women created literature about the war, often observing the effects of the war on soldiers, domestic spaces, and the home front more generally.

<span class="mw-page-title-main">Angela Carter</span> English novelist

Angela Olive Pearce, who published under the name Angela Carter, was an English novelist, short story writer, poet, and journalist, known for her feminist, magical realism, and picaresque works. She is mainly known for her book The Bloody Chamber (1979). In 1984, her short story "The Company of Wolves" was adapted into a film of the same name. In 2008, The Times ranked Carter tenth in their list of "The 50 greatest British writers since 1945". In 2012, Nights at the Circus was selected as the best ever winner of the James Tait Black Memorial Prize.

<span class="mw-page-title-main">Zenna Henderson</span> American science fiction and fantasy writer (1917–1983)

Zenna Chlarson Henderson was an American elementary school teacher and science fiction and fantasy author. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. Her work is cited as pre-feminist, often featuring middle-aged women, children, and their relationships, but with stereotyped gender roles. Many of her stories center around human aliens called "The People", who have special powers. Henderson was nominated for a Hugo Award in 1959 for her novelette Captivity. Science fiction authors Lois McMaster Bujold, Orson Scott Card, Connie Willis, Dale Bailey, and Kathy Tyers have cited her as an influence on their work.

<span class="mw-page-title-main">Winifred Holtby</span> English novelist and journalist

Winifred Holtby was an English novelist and journalist, now best known for her novel South Riding, which was posthumously published in 1936.

A war novel or military fiction is a novel about war. It is a novel in which the primary action takes place on a battlefield, or in a civilian setting, where the characters are preoccupied with the preparations for, suffering the effects of, or recovering from war. Many war novels are historical novels.

<span class="mw-page-title-main">Virago</span> Woman with masculine characteristics

A virago is a woman who demonstrates abundant masculine virtues. The word comes from the Latin word virāgō meaning "vigorous maiden" from vir meaning "man" or "man-like" to which the suffix -āgō is added, a suffix that creates a new noun of the third declension with feminine grammatical gender. Historically, this was often positive and reflected heroism and exemplary qualities of masculinity. However, it could also be pejorative, indicating a woman who is masculine to the exclusion of traditional feminine virtues.

<span class="mw-page-title-main">Evadne Price</span> Australian-British writer, actress, astrologer and media personality

Evadne Price, probably born Eva Grace Price, was an Australian-British writer, actress, astrologer and media personality. She also wrote under the pseudonym Helen Zenna Smith.

The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It is not a question of the subject matter or political stance of a particular author, but of her sex, i.e. her position as a woman within the literary world.

Persephone Books is an independent publisher based in Bath, England. Founded in 1999 by Nicola Beauman, Persephone Books reprints works largely by women writers of the late 19th and 20th century, though a few books by men are included. The catalogue includes fiction and non-fiction. Most books have a grey dustjacket and endpaper using a contemporaneous design, with a matching bookmark.

<i>Scars Upon My Heart</i> 1981 anthology of WWI poems edited by Catherine W. Reilly

Scars Upon My Heart is an anthology of poetry written by American and British women during the First World War, compiled and edited by Catherine W. Reilly and published by Virago Press in 1981. Scars Upon My Heart is recognized as a pioneering presentation of women's literary expression during the First World War, giving voice to women's experiences, thoughts, and emotions. In the words of Jennifer Kilgore-Caradec, the book 'largely contributed to the current reevaluation of poetry written by women during World War I'.

Michèle Brigitte Roberts FRSL is a British writer, novelist and poet. She is the daughter of a French Catholic teacher mother and English Protestant father, and has dual UK–France nationality.

<span class="mw-page-title-main">Feminist literature</span> Literary genre supporting feminist goals

Feminist literature is fiction, nonfiction, drama, or poetry, which supports the feminist goals of defining, establishing, and defending equal civil, political, economic, and social rights for women. It often identifies women's roles as unequal to those of men – particularly as regarding status, privilege, and power – and generally portrays the consequences to women, men, families, communities, and societies as undesirable.

<span class="mw-page-title-main">World War I in popular culture</span> World War I depicted in popular culture

The First World War, which was fought between 1914 and 1918, had an immediate impact on popular culture. In the over a hundred years since the war ended, the war has resulted in many artistic and cultural works from all sides and nations that participated in the war. This included artworks, books, poems, films, television, music, and more recently, video games. Many of these pieces were created by soldiers who took part in the war.

<i>The Time: Night</i>

The Time: Night is a novella by Russian author Lyudmila Petrushevskaya. It was originally published in Russian in the literary journal Novy Mir in 1992 and translated into English by Sally Laird in 1994. In 1992 it was shortlisted for the Russian Booker Prize.

For much of the twentieth century, a deep ignorance was displayed towards British women's literature of World War I. Scholars reasoned that women had not fought combatively, thus, did not play as significant a role as men. Accordingly, only one body of work, Vera Brittain’s autobiographical, Testament of Youth, was added to the canon of Great War literature. Conversely, anthologies published mid-century such as Brian Gardner's, Up the Line to Death: The War Poets of 1914-1918, contained no mention of contributions made by women. Similarly, Jon Silkin’s 1979 anthology, Penguin Book of First World War Poetry, included the work of only two women, Anna Akhmatova and Marina Tsvetaeva. However, new research has changed ideological beliefs about the role women assumed in producing authentic accounts of war. More specifically, in Britain, research attends to an explanation of how women's war literature shaped feminist discourse during and immediately following the war.

Feminist children's literature is the writing of children's literature through a feminist lens. Children's literature and women's literature have many similarities. Both often deal with being seen as weak and placed towards the bottom of a hierarchy. In this way feminist ideas are regularly found in the structure of children's literature. Feminist criticism of children's literature is therefore expected, since it is a type of feminist literature. Feminist children's literature has played a critical role for the feminist movement, especially in the past half century. In her book Feminism Is for Everybody: Passionate Politics, bell hooks states her belief that all types of media, including writing and children's books, need to promote feminist ideals. She argues "Children's literature is one of the most crucial sites for feminist education for critical consciousness precisely because beliefs and identities are still being formed". The cover of hooks' book, drawn by Laura DeSantis, depicts children alongside adults, showing the importance of the youth. The presence of feminism in children's literature has evolved over the years, but the overall message and goals have remained consistent.

References

  1. 1 2 Kingsbury, Celia (2004). Deats, Sara; Lenker, Lagrett; Perry, Merry (eds.). War And Words: Horror And Heroism In The Literature Of Warfare. Lexington Books. p. 236. ISBN   0-7391-0579-5.
  2. Scholes, Lucy (29 March 2019). "Re-Covered: Not So Quiet … Stepdaughters of War". The Paris Review. Retrieved 1 April 2019.
  3. 1 2 3 Kaplan, Laurie (2004). "Deformities of the Great War: The Narratives of Mary Borden and Helen Zenna Smith". Women and Language. 27 (2): 35–43. ProQuest   198814368 . Retrieved 22 October 2022.
  4. Higonnet, Margaret (2002). "Authenticity and Art in Trauma Narratives of World War I". Modernism/Modernity. 9 (1): 91–107. doi:10.1353/mod.2002.0009. S2CID   144783514 . Retrieved 22 October 2022.
  5. Stangeland, John (2010). Warren William: Magnificent Scoundrel of Pre-Code Hollywood. McFarland. pp. 82–84. ISBN   978-0-7864-4878-4.

Further reading