ODC, formerly the Oberlin Dance Collective, is a contemporary dance and arts organization founded in 1971, in Oberlin, Ohio, by current artistic director Brenda Way. [1] [2] ODC relocated to San Francisco in 1976 and in 1979 became the first modern dance company in America to build its own facility, from which it still operates. [3] ODC comprises ODC/Dance, its contemporary dance company, ODC Theater, and ODC School, which provides classes and training for youth, teen, and adult dancers.
ODC/Dance's programs involve 6,000 artists and students and reach 50,000 audience members annually. The company is noted for its fusion of classical and modern techniques and for its collaborations, including with writers Leslie Scalapino and Rinde Eckert; actors Bill Irwin, Geoff Hoyle and Robin Williams; and visual artists Wayne Thiebaud, John Woodall, and Eleanor Coppola.
The company was named after Oberlin College in Oberlin, Ohio, where Brenda Way was a member of the faculty. [4] In the 1976 move, the company used a yellow school bus. [5] [6]
ODC/Dance Company has three resident choreographers, Brenda Way, KT Nelson, and Kimi Okada. (Kimi Okada was actually Oberlin College's first dance major. [7] ) The company's repertory of over 120 works includes commissions for Alvin Ailey American Dance Theater, the San Francisco and Oakland Ballets, the Los Angeles and Santa Fe Operas, the Walker Art Center and the Festival des Etoiles, among others. Awards include five Isadora Duncan Dance Awards, a Guggenheim Fellowship for Way, and a Tony Award nomination for Okada. ODC was named "Best Dance Company" in the San Francisco Bay Guardian for 2005 and 2006 and the San Francisco Business Arts Council's choice for "Exceptional Non-Profit Arts Organization—2004".
Composed of eleven dancers, ODC/Dance performs its repertory for more than 50,000 people annually. ODC/Dance presents two home seasons at the Yerba Buena Center for the Arts, which feature new and repertory work, and the family production of The Velveteen Rabbit during the winter holiday season. ODC/Dance's touring roster has included the Kennedy Center, the Spoleto Festival, Jacob's Pillow, and the Joyce Theater, as well as venues in Europe, Australia, Southeast Asia, and regions across the former Soviet Union.
ODC School and Rhythm and Motion Dance Program offer a weekly schedule of over 200 classes for all ages and skill levels. In conjunction with ODC Theater, the School provides several mentoring programs for emerging and mid-career choreographers and was the first organization in San Francisco to offer a modern dance curriculum for children. ODC School offers tuition scholarships and educational outreach to San Francisco Bay Area youth. Its diverse array of classes include ballet, dances of the African diaspora, salsa, belly dance, hip hop, and tap, among other forms.
The ODC Theater is the site of over 150 performances a year involving nearly 1,000 local, regional, national and international artists. It sponsors curatorial, educational and mentoring opportunities, including a comprehensive three-year residency program that offers presentation, development and advocacy subsidies for emerging and mid-career artist in the San Francisco Bay Area.
The Wexner Center for the Arts is the Ohio State University's "multidisciplinary, international laboratory for the exploration and advancement of contemporary art". The Wexner Center opened in November 1989, named in honor of the father of Limited Brands founder Leslie Wexner, who was a major donor to the center.
The American Conservatory Theater (A.C.T.) is a major nonprofit theater company in San Francisco, California, United States, that offers the public both classical and contemporary theater productions. It also has an attached acting school.
San Francisco Ballet is a ballet company, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, under the direction of Helgi Tomasson. San Francisco Ballet was the first professional ballet company in the United States. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today".
California is rich in dance history. In classical ballet, California is home to the oldest professional ballet company in the United States. The San Francisco Ballet, founded as the San Francisco Opera Ballet in 1933, predates both American Ballet Theater and New York City ballet. Barbara Crockett founded the Sacramento Ballet in 1954 and hosted the first festival for the Pacific Western Region of Regional Dance America in 1966. In modern dance, Ruth St. Denis established her second school in the Hollywood area of Los Angeles in 1940 while Lester Horton created the Horton Dance Group in 1934, also in Los Angeles. Ann Halprin founded the San Francisco Dancers’ Workshop in 1950 and continues to live and work in the San Francisco Bay Area. The Bay Area in also home to Alonzo King's Lines Ballet and Oberlin Dance Collective.
The University of Cincinnati College-Conservatory of Music (CCM) is a performing and media arts college of the University of Cincinnati in Cincinnati, Ohio.
Hubbard Street Dance Chicago is America's premier contemporary dance company based in Chicago. Hubbard Street performs in downtown Chicago at the Harris Theater for Music and Dance and at the Edlis Neeson Theater at the Museum of Contemporary Art, Chicago. Hubbard Street also tours nationally and internationally throughout the year.
The Alvin Ailey American Dance Theater (AAADT) is a modern dance company based in New York City. It was founded in 1958 by choreographer and dancer Alvin Ailey. It is made up of 32 dancers, led by artistic director Robert Battle and associate artistic director Matthew Rushing.
Yerba Buena Center for the Arts (YBCA) is a multi-disciplinary contemporary arts center in San Francisco, California, United States. Located in Yerba Buena Gardens, YBCA features visual art, performance, and film/video that celebrates local, national, and international artists and the Bay Area's diverse communities. YBCA programs year-round in two landmark buildings—the Galleries and Forum by Japanese architect Fumihiko Maki and the adjacent Theater by American architect James Stewart Polshek and Todd Schliemann. Betti-Sue Hertz served as Curator from 2008 through 2015.
The Pick Up Performance Company, also styled as Pick Up Performance Co(s), is a not-for-profit theatrical producing organization founded in 1971 and incorporated in 1978. Its mission is to support the artistic work of choreographer-director-writer David Gordon and playwright-director Ain Gordon. Its producer is Alyce Dissette.
The Claire Trevor School of the Arts is an academic unit at the University of California, Irvine, focused on the performing and visual arts. The four departments housed in the school are for art, dance, drama, and music. CTSA has undergraduate programs, masters programs, and a doctoral program in drama conducted jointly with UC San Diego.
Robert Wierzel is an American lighting designer.
AXIS Dance Company is a professional physically integrated contemporary dance company and dance education organization founded in 1987 and based in Oakland, California. It is one of the first contemporary dance companies in the world to consciously develop choreography that integrates dancers with and without physical disabilities. Their work has received nine Isadora Duncan Dance Awards and nine additional nominations for both their artistry and production values.
Erika Chong Shuch is an American theatrical performer, director, choreographer, and educator based in San Francisco, California. Her work has appeared on stages in the San Francisco Bay Area, Washington, DC, and Seoul, South Korea.
Niloufar Talebi is an author, literary translator, librettist, multidisciplinary artist, and producer. She was born in London to Iranian parents. Her work has been presented by, and/or performed at Carnegie Hall, Cal Performances, Atlanta Symphony Orchestra, American Lyric Theater, Hammer Museum, Los Angeles County Museum of Art, Craft and Folk Art Museum, Riverside Theatre, Royce Hall, ODC/Dance Theater, Berkeley Repertory Theatre, Magic Theatre, Intersection for the Arts, SOMArts Cultural Center, John F. Kennedy Center for the Performing Arts, Stanford University, and Brooklyn Academy of Music.
San Francisco Performances is an organization which showcases chamber music, vocal and instrumental recitals, jazz and contemporary dance in the San Francisco Bay area. It was founded by Ruth Felt in 1979. The organization presents "internationally acclaimed and emerging performing artists, introduces innovative programs, and builds new and diversified audiences for the arts through education and outreach activities that also strengthen the local performing arts community."
Brenda Wong Aoki is an American playwright, actor and storyteller. She creates monodramas rooted in traditional storytelling, dance movement, and music. Aoki's work combines Eastern and Western narratives and theatrical traditions such as noh, kyogen, commedia dell'arte, modern dance, Japanese drumming, and American jazz. Most of her performances express themes of history, mixed race, home, gender, and mythology. Aoki is a founding faculty member of the Institute for Diversity in the Arts at Stanford University. Aoki and her husband Mark Izu, an Emmy-winning jazz music composer, are the founders of First Voice, a San Francisco-based nonprofit arts organization.
Amara Tabor-Smith is a San Francisco Bay Area-based choreographer and performer noted for significant contributions to dance that draw on, celebrate, and reconfigure African-American and women's history.
Amy Seiwert is an American contemporary ballet choreographer and artistic director. She is the founder and artistic director of Amy Seiwert’s Imagery, a contemporary ballet company in San Francisco.
The National Association of Artists' Organizations (NAAO) was, from 1982 through the early 2000s, a Washington, D.C.-based arts service organization which, at its height, had a constituency of over 700 artists' organizations, arts institutions, artists and arts professionals representing a cross-section of diverse aesthetics, geographic, economic, ethnic and gender-based communities especially inclusive of the creators of emerging and experimental work in the interdisciplinary, literary, media, performing and visual arts. At the apex of its activities, in the late 1980s and early 1990s, NAAO served as a catalyst and co-plaintiff on the Supreme Court case, National Endowment for the Arts v. Finley having spawned the National Campaign for Freedom of Expression. NAAO's dormancy in the early years of the 21st century led to the formation of Common Field.