Gottfried Heinrich Stölzel was a prolific German composer of the Baroque era. Stölzel was an accomplished German stylist who wrote a good many of the poetic texts for his vocal works.
Sebastian Knüpfer was a German composer, conductor and educator. He was the Thomaskantor, cantor of the Thomanerchor in Leipzig and director of the towns's church music, from 1657 to 1676.
The Dresdner Kreuzchor is the boys' choir of the Kreuzkirche in Dresden, Germany. It has a seven-century history and a world-wide reputation. Today, the choir has about 150 members between the ages of 9 and 19, from Dresden and the surrounding region. The boys attend the Kreuzschule in Dresden. They are also called "Kruzianer".
Johann Ernst Bach was a German composer of the Bach family. He was the son of Johann Bernhard Bach.
The Reger-Chor is a German-Belgian choir. It was founded in Wiesbaden in 1985 and has been conducted by Gabriel Dessauer in Wiesbaden. Since 2001 it has grown to Regerchor-International in a collaboration with the organist Ignace Michiels of the St. Salvator's Cathedral of Bruges. The choir performs an annual concert both in Germany and Belgium of mostly sacred choral music for choir and organ. Concerts have taken place regularly in St. Bonifatius, Wiesbaden, and in the cathedral of Bruges in its series "Kathedraalconcerten". The choir performed additional concerts at other churches of the two countries and in the Concertgebouw of Bruges.
Johann Sebastian Bach composed the church cantata Ach Herr, mich armen Sünder, BWV 135 in Leipzig for the third Sunday after Trinity and first performed it on 25 June 1724. It is the fourth chorale cantata from his second annual cycle, and is based on the hymn by Cyriakus Schneegass.
Bruckner's Psalm 114, WAB 36, is a psalm setting of verses 1 to 9 of a German version of Psalm 116, which is Psalm 114 in the Vulgata.
Klaus Martin Ziegler was a German choral conductor, organist and Protestant church musician.
Deutsche Messe, D 872, is a mass composed by Franz Schubert in 1827. Its text is not the Latin liturgical text, but a sequence of poems in German by Johann Philipp Neumann who commissioned the work. It was originally scored for SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani and basso continuo. It is also known as the Gesänge zur Feier des heiligen Opfers der Messe, and the "Wind Mass" due to its orchestration of primarily wind instruments.
A church cantata or sacred cantata is a cantata intended to be performed during a liturgical service. The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers like Georg Philipp Telemann composed cycles of church cantatas comprising all 72 of these occasions. Such a cycle is called an "ideal" cycle, while in any given liturgical year feast days could coincide with Sundays, and the maximum amount of Sundays after Epiphany and the maximum amount of Sundays after Trinity could not all occur.
Dir, Herr, dir will ich mich ergeben, WAB 12, is a sacred motet composed by Anton Bruckner in c. 1845.
"Erhalt uns, Herr, bei deinem Wort" is a Lutheran hymn by Martin Luther with additional stanzas by Justus Jonas, first published in 1542. It was used in several musical settings, including the chorale cantata by Johann Sebastian Bach, Erhalt uns, Herr, bei deinem Wort, BWV 126.
Rolf Schweizer was a German composer, choirmaster and church music director, who was based primarily at Pforzheim. Schweizer was part of the movement Neues Geistliches Lied, and his compositions, several of which appear in the Protestant hymnal Evangelisches Gesangbuch (EG), were heavily influenced by contemporary secular music, especially jazz.
Geistliche Gesänge, Op. 110, are three motets by Max Reger. He composed them between 1909 and 1912:
"Herzlich tut mich verlangen" is a German hymn, with lyrics written in 1611 by Christoph Knoll, with a melody adapted from a secular song by Hans Leo Hassler. It is a prayer for a blessed death, beginning "Herzlich tut mich verlangen nach einem sel'gen End".
"Straf mich nicht in deinem Zorn" is a Lutheran hymn with a text written by Johann Georg Albinus as a paraphrase of Psalm 6. It was first printed with a formerly secular melody in Dresden in 1694. The song was included in 31 hymnals. The melody inspired musical settings both for organ and vocal works. The hymn was translated by Catherine Winkworth as "Not in anger, Mighty God", which appeared in 13 hymnals.
"Schmücke dich, o liebe Seele" is a Lutheran hymn in German, with lyrics by Johann Franck and a melody by Johann Crüger from 1649. It is a song for Lutheran Communion, and first appeared in 1649 in Crüger's hymnal Geistliche Kirchen-Melodien, later also in the 1653 edition of his Praxis pietatis melica. The hymn was often set to music to be played or sung under communion.
"Im Frieden dein, o Herre mein" is a German Christian communion hymn. The early Reformer Johann Englisch wrote two stanzas, based on the Nunc dimittis, or Canticle of Simeon. The hymn is sung to a melody by Wolfgang Dachstein, written before 1530. Friedrich Spitta revised the hymn in 1898, adding a stanza, which transformed an individual prayer with a focus on a peaceful death to a communal one more about peaceful life in unity.
Lord, have mercy upon us, WoO. 12, MWV B 27, is the incipit of a motet for choir a cappella in both English and German composed by Felix Mendelssohn in 1833. It is also known in English as Responses to the Commandments, and in German as Zum Abendsegen. It was published in 1842, both in English and German, and by Breitkopf & Härtel in 1875 in the complete edition of the composer's works.
Six Motets, Op. 82, are six motets for choir a cappella by Friedrich Kiel. He set selected psalm verses in German. The motets were published in 1883 by Bote & Bock, dedicated to H. A. Köstlin, as Sechs Motetten für gemischten Chor a cappella.
