O Virgo Splendens ("O Splendid Virgin") is a monodic [1] song (fol. 21v-22) from the Llibre Vermell de Montserrat, one of the oldest extant medieval manuscripts containing music. In modern times it has been recorded by many artists:
In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death.
The Llibre Vermell de Montserrat is a manuscript collection of devotional texts containing, amongst others, some late medieval songs. The 14th-century manuscript was compiled in and is still located at the monastery of Montserrat outside Barcelona in Catalonia (Spain).
Medieval music consists of songs, instrumental pieces, and liturgical music from about 500 A.D. to 1400. Medieval music was an era of Western music, including liturgical music used for the church, and secular music, non-religious music. Medieval music includes solely vocal music, such as Gregorian chant and choral music, solely instrumental music, and music that uses both voices and instruments. Gregorian chant was sung by monks during Catholic Mass. The Mass is a reenactment of Christ's Last Supper, intended to provide a spiritual connection between man and God. Part of this connection was established through music. This era begins with the fall of the Western Roman Empire in the fifth century and ends sometime in the early fifteenth century. Establishing the end of the medieval era and the beginning of the Renaissance music era is difficult, since the trends started at different times in different regions. The date range in this article is the one usually adopted by musicologists.
Jordi Savall i Bernadet is a Catalan conductor and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments in contemporary performance and recording. His characteristic repertoire features medieval, Renaissance and Baroque music, although he has occasionally ventured into the Classical and even the Romantic periods.
Hespèrion XXI is an international early music ensemble. The group was formed in Basel, Switzerland in 1974 as Hespèrion XX by Catalan musical director Jordi Savall, his wife Montserrat Figueras (soprano), Lorenzo Alpert, and Hopkinson Smith. The group changed its name to Hesperion XXI at the beginning of the 21st century. The name "Hespèrion" is derived from a word in Classical Greek which referred to the people of the Italian and Iberian peninsulas.
New London Consort was a London-based Renaissance and Baroque music ensemble, which performed in most of Europe and various other parts of the world. Founded and directed by Philip Pickett, most of its repertoire was recorded and broadcast by BBC and regularly appeared at major venues and festivals. This repertoire included unpublished works and new interpretations of familiar ones, sometimes controversial. The group has been inactive since its director's conviction as a sex offender in 2015.
The music of Catalonia comprises one of the oldest documented musical traditions in Europe. In tandem with the rest of Western Europe, it has a long musical tradition, incorporating a number of different styles and genres over the past two thousand years..
Sarband is a German early music ensemble with musicians from 7 nations, focusing on musical connections between Orient & Occident; Jewish, Christian & Muslim music. The group was founded in 1986 by Dr. Vladimir Ivanoff. Since then, Sarband has performed more than 500 concerts on four continents and released 14 CDs.
A chansonnier is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally "song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics.
Qntal is a German "electro-medieval" band founded in 1991 by Michael Popp and Ernst Horn. They later added vocalist Syrah to complete the band. It has roots in Estampie, a band of similar genre but different style; Michael Popp and Syrah are the principal members. Horn left the group in 1999, to concentrate on his other band, Deine Lakaien. He later formed Helium Vola in 2001. Philipp Groth then joined Qntal. In 2008, singer and violist Sarah M. Newman (Mariko) left the New York-based band Unto Ashes to work with Qntal and Estampie in Germany.
Ensemble Micrologus is an Italian group that performs vocal and instrumental medieval music, including both religious and secular pieces from the 12th to the 16th century in their repertoire.
Helium Vola is a German "Electro-Medieval" band founded in 2001 by Ernst Horn, who was also one of the founding members of Deine Lakaien and Qntal. Helium Vola interpret medieval lyrics in a modern, electronic soundscape. The music covers a broad range of styles from dance floor pop songs to forms adapted from classical music with an emphazise on ensemble pieces. The band is mainly a studio project. However, through the years a few life performances took place most of them featuring the project's main vocalist Sabine Lutzenberger.
Montserrat is a British Overseas Territory in the Caribbean.
Psallentes is a Gregorian chant ensemble founded in 2000 and based in Leuven, Belgium.
Qntal II is the second album of the German Darkwave/Gothic Rock/Industrial band Qntal, released in 1995. It features lyrics by Walther von der Vogelweide and other medieval songs combined with modern electronic sound.
Ad Mortem Festināmus is a monodic song from the 1399 Llibre Vermell de Montserrat, one of the oldest extant medieval manuscripts containing music. Its lyrics talk about the inevitability of death and the need to stop sinning. Its first few verses overlap with those of “Scribere Proposui”, a song from the 1582 Piae Cantiones. It has been recorded by a variety of artists, including the electronic neo-medieval act Qntal, that gave new music to the lyrics and made it a club hit in 1992.
Stella Splendens is a polyphonic song, with two parts voices from the Llibre Vermell de Montserrat, one of the oldest extant medieval manuscripts containing music. In modern times it has been recorded by many artists:
Splendens Ceptigera is a monodic song from the Llibre Vermell de Montserrat, one of the oldest extant medieval manuscripts containing music. In modern times it has been recorded by many artists:
Foundation for Iberian Music is a research foundation within the Barry Brook Center for Music Research, affiliated with the doctoral program in music at the CUNY Graduate Center in New York City. The foundation sponsors concerts and lectures related to classical and popular music of Latin America and the Iberian peninsula, scholarly conferences, a visiting scholar program, composer commissions, an extensive archive of recordings, scores, and books.
Anthology is the 13th album by Ensemble Renaissance, released in 1997 on the Al Segno label in Germany. The double disc is the greatest hits compilation of the Medieval and Renaissance music; the material on this Anthology are remasters from Ensemble's LPs Greatest Hits 3, Mon amy, Hommage а l'amour.
Hommage a l'amour is a vinyl album by Ensemble Renaissance, released in 1990 on the PGP RTB label, Ensemble's seventh album overall and their last album recorded for PGP RTB. It is a compilation of the Medieval tunes from the various styles and manuscripts: songs from Carmina Burana, a rondeau by Adam de la Halles, trouvere and minnesang songs, Italian Trecento ballata by Francesco Landini, a virelai from Llibre Vermell de Montserrat in addition to the istampittas preserved in the manuscript kept under the number MS 29987 in the British Library. LP consists of two sides: Hommage a la printemps, a homage to spring, and Hommage a l'Amour, a homage to love. The material from this LP will find its place on their German CDs Anthology and Marco Polo – The Journey in a remastered form.
Ars Nova is a Polish early music instrumental ensemble founded in Warsaw in 1981 by pl:Jacek Urbaniak.
Bernard Tétu is a French choir and orchestra conductor. He regularly conducts numerous symphony orchestra and ensembles of contemporary and early music: the Orchestre de Bordeaux, the Orchestre National de Lyon, the Orchestras of Auvergne, Brittany and Provence-Côte d'Azur, La Grande Écurie et la Chambre du Roy, the Orchestra of the Opéra national de Lorraine, the Philharmonie de Lorraine... He has also conducted orchestras abroad.