External links
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| Author | David Toop |
|---|---|
| Publisher | Serpent's Tail |
Publication date | 1995 |
Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds is a 1995 book by David Toop.
| | This article about a non-fiction book is a stub. You can help Wikipedia by expanding it. |
Mixmaster Morris is an English electronica DJ and underground musician who has also recorded as The Irresistible Force. His work in the 1990s blended ambient music and chill-out influences with UK dance styles.
Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It is often "peaceful" sounding and lacks composition, beat, and/or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints. The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; it has been regarded as better suited to home listening than dancing. Prominent artists in the style include Aphex Twin, Autechre, Squarepusher, μ-Ziq, the Black Dog and the later duo Plaid, as well as earlier acts such as the Future Sound of London and Orbital.
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere.
Ambient 1: Music for Airports is the sixth studio album by English musician Brian Eno, released in March 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
Selected Ambient Works Volume II is the second studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 7 March 1994 through Warp Records. Its title follows James's debut Selected Ambient Works 85–92. Unlike that record, most of the tracks are purely ambient music, without the earlier volume's ambient techno beats. James said the music was inspired through lucid dreaming, and likened it to "standing in a power station on acid."
The London Musicians Collective (LMC) is a cultural charity based in London, England devoted to the support and promotion of contemporary, experimental and improvised music.
In the arts, maximalism is an aesthetic characterized by excess and abundance, serving as a reaction against minimalism. The philosophy can be summarized as "more is more", contrasting with the minimalist principal of "less is more".
David Toop is an English musician, author, curator, and emeritus professor. From 2013 to 2021 he was professor of audio culture and improvisation at the London College of Communication. He was a regular contributor to British music magazine The Wire and the British magazine The Face. He was a member of British new wave band The Flying Lizards.
My Life in the Bush of Ghosts is the first collaborative studio album by Brian Eno and David Byrne, released in February 1981. It was Byrne's first album without his band Talking Heads. The album integrates sampled vocals and found sounds, African and Middle Eastern rhythms, and electronic music techniques. It was recorded before Eno and Byrne's work on Talking Heads' 1980 album Remain in Light, but problems clearing samples delayed its release by several months.
The Orb's Adventures Beyond the Ultraworld is the debut studio album by English electronic music group the Orb, released as a double album on 2 April 1991 by Big Life. It is a segued, progressive and psychedelic trip which draws from various genres and incorporates a huge number of samples and sound effects. Much of the album was recorded after founding member Jimmy Cauty left the group, leaving Alex Paterson as the central member, with additional contributions by Kris Weston, Andy Falconer and several others.
Russell Mills is a British artist. He has produced record covers and book covers for Brian Eno, the Cocteau Twins, Michael Nyman, David Sylvian, Peter Gabriel, and Nine Inch Nails.
The North Pole by Submarine is the only album released by ambient techno artist Bleep. Bleep was the one-time moniker of Geir Jenssen, who is more widely known as Biosphere. Shortly after North Pole was released, Jenssen moved in a far more ambient direction with his music, and changed the name under which he released his new music to avoid any comparison with "bleep house".
Brian Eno, also mononymously known as Eno, is an English musician, songwriter, record producer and visual artist. He is best known for his pioneering contributions to ambient music and electronica, and for producing, recording, and writing works in rock and pop music. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. In 2019, he was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Selected Ambient Works 85–92 is the debut studio album by the British electronic music artist and producer Richard D. James under the alias of Aphex Twin. It was released on 9 November 1992 through Apollo Records, a subsidiary of the Belgian label R&S Records. The album consists of ambient techno James recorded on cassette as early as 1985, when he was 13–14 years old. It received widespread acclaim and entered the Dance Albums Chart at No. 6 in December 1992.
Max Eastley is a British visual and sound artist. He is part of the Cape Farewell Climate Change project. He studied painting and graphic art at Newton Abbot Art School and then went on to gain a BA in Fine Art (1969–1972) at Middlesex University. He is a sculptor (kinetic), musician and composer. His primary instrument is a unique electro-acoustic monochord, developed from an aeolian sculpture. 'The Arc' consists of a single string stretched lengthwise across a long piece of wood which can be played with a bow, fingers or short glass rods. The end of the instrument has a microphone attached so the basic sound can be amplified, recorded and run through sound effect programs.
"Fall Breaks and Back to Winter " is an instrumental composed by Brian Wilson for American rock band the Beach Boys. Released in 1967 as the third track on the group's album Smiley Smile, the composition derives from "Fire" – a piece recorded by Wilson several months earlier, but left unreleased due to his paranoia.
Ocean of Sound is a 1996 compilation album compiled and produced by English musician and author David Toop. The two-disc, cross-licensed "various artists" compilation contains 32 tracks culled from a variety of musical sources, including dub, exotica, free jazz, and field recordings. Toop compiled the recordings to serve as both a historical survey of ambient music and an aural companion to his 1995 book Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds.
Detty Kurnia was an Indonesian vocalist who sang pop sunda by blending traditional Indonesian music with western music. She started singing at a young age, and released her record at the age of 11. Under a recording contract with Japanese Wave Records, in the year 1991 she recorded the album, Dari Sunda. She also had some songs in the album the Rough Guide to the Music of Indonesia. She was an iconic singer in the well known Indonesian musical genre of dangdut a folk and traditional music. Her song Dari Sunda in the Pop Sunda-style was among the five best albums listed by Q Magazine and acclaimed as "an imaginative, inventive gem throughout with Kurnia's mellow smile of a voice effortlessly binding everything together."
Aka/Darbari/Java: Magic Realism is a 1983 album by American trumpet player and composer Jon Hassell, released on the label Editions EG. It was co-produced by Daniel Lanois and features Abdou M'Boup on drums.