 | |
| Author | Carol Armstrong |
|---|---|
| Language | English |
| Subject | Art criticism, Edgar Degas, French art |
| Published | 1991 (University of Chicago Press) |
| Publication place | United States |
| Media type | Print (Hardback) |
| Pages | 299 |
| ISBN | 9780226026954 |
| OCLC | 21762418 |
Odd Man Out: Readings of the Work and Reputation of Edgar Degas is a 1991 book by Carol Armstrong. It is about the paradoxes surrounding Edgar Degas and his works.
Odd Man Out has been reviewed by Art History , [5] The Art Bulletin , [6] The French Review , [7] and The Burlington Magazine . [8]
It won the 1993 Charles Rufus Morey Book Award. [9]
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
Les Choristes is an 1877 pastel on monotype by French artist Edgar Degas. Part of a series of similar works depicting daily public entertainment at the time, it shows a group of singers performing a scene from the opera Don Giovanni, the only work by Degas depicting an operatic performance without dancers.
Thomas Dunn English was an American Democratic Party politician from New Jersey who represented the state's 6th congressional district in the House of Representatives from 1891 to 1895. He was also a published author and songwriter, who had a bitter feud with Edgar Allan Poe. Along with Waitman T. Barbe and Danske Dandridge, English was considered a major West Virginia poet of the mid 19th century.
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership.
Odd Man Out is a 1947 British film directed by Carol Reed and starring James Mason.
Charles Rufus Morey was an American art historian, professor, and chairman of the Department of Art and Archaeology at Princeton University from 1924 to 1945. He had expertise in medieval art and founded the Index of Christian Art at Princeton University in 1917. He was one of the founders of the College Art Association.
Young Spartans Exercising, also known as Young Spartans and as Young Spartan Girls Challenging Boys, is an early oil on canvas painting by French impressionist artist Edgar Degas. The work depicts two groups of male and female Spartan youth exercising and challenging each other in some way. The work was purchased by the trustees of the Courtauld fund in 1924 and is now in the permanent collection of the National Gallery in London.
A Cotton Office in New Orleans, also known as Interior of an Office of Cotton Buyers in New Orleans and Portraits in an Office (New Orleans), is an oil painting by Edgar Degas. Degas depicts the interior of his maternal uncle Michel Musson's cotton firm in New Orleans. Musson, Degas's brothers René and Achille, Musson's son-in-law William Bell, and other associates of Musson are shown engaged in various business and leisure activities while raw cotton rests on a table in the middle of the office.
Interior, also known as The Rape, is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869. Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman. The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance. Even the painting's title is uncertain; acquaintances of the artist referred to it either as Le Viol or Intérieur, and it was under the latter title that Degas exhibited it for the first time in 1905. The painting is housed in the Philadelphia Museum of Art.
Hotel Lobby is a 1943 oil painting on canvas by American realist painter Edward Hopper; it is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
Plum Brandy, also known as The Plum, is an oil painting by Édouard Manet. It is undated but thought to have been painted about 1877. The painting measures 73.6 centimetres (29.0 in) by 50.2 centimetres (19.8 in). It depicts a woman seated alone at a table in a cafe, in a lethargic pose similar to that of the woman in Degas' L'Absinthe. The woman may be a prostitute, but unlike the subject of Degas' work she appears more dreamy than depressed. She holds an unlit cigarette and her plum soaked in brandy appears untouched.
After the Bath, Woman Drying Herself is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting female nudes. Originally, Degas exhibited his works at Impressionist exhibitions in Paris, where he gained a loyal following.
Carol Armstrong is an American professor, art historian, art critic, and photographer. Armstrong teaches and writes about 19th-century French art, the history of photography, the history and practice of art criticism, feminist theory and women and gender representation in visual culture.
Scenes in a Library: Reading the Photograph in the Book, 1843-1875 is a 1998 book by Carol Armstrong. It is a study of photographically illustrated books from the mid 19th century.
Prostitution in Impressionist painting was a common subject in the art of the period. Prostitution was a very widespread phenomenon in nineteenth-century Paris and although an accepted practice among the nineteenth century bourgeoisie, it was nevertheless a topic that remained largely taboo in polite society. As a result, Impressionist works depicting the prostitute often became the subject of scandal, and particularly venomous criticism. Some works showed her with considerable sympathy, while others attempted to impart an agency to her; likewise some work showed high-class courtesans, and others prostitutes awaiting clients on the streets. In addition to the sexual revulsion/attraction the figure of the prostitute stirred, she functioned as a sign of modernity, a clear sign of the entanglement of sex, class, power and money.
Singer with a Glove by Edgar Degas, originally titled Chanteuse de Café, la chanteuse au gant, is an 1878 pastel drawing on canvas 53.2 x 41 cm. Degas was a French artist known for his pastels, paintings, sculptures, prints, and charcoal drawings. This pastel is part of a series of works that have cafe-concert singers as their subject. Degas was a habitué of those places, especially the Cafe des Ambassadeurs, and he uses them as the settings for many of his works.
Medieval aesthetics refers to the general philosophy of beauty during the Medieval period. Although Aesthetics did not exist as a field of study during the Middle Ages, influential thinkers active during the period did discuss the nature of beauty and thus an understanding of medieval aesthetics can be obtained from their writings.
Dillian Rosalind Gordon OBE is a British art historian who worked as a curator at the National Gallery, London from 1978 to 2010, latterly as Curator of Italian Paintings before 1460. She lives in Oxford. She was appointed OBE in 2011 for services to Early Italian Painting. She has authored and co-authored many books, including several National Gallery catalogues.
Anne Coffin Hanson was an American art historian. She was the first female to be hired as a fully tenured professor, serve as president of the College Art Association, and department chair at Yale University.