Oh, Dear Augustine | |
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Directed by | Hans Karl Breslauer |
Written by |
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Starring | Willi Forst |
Cinematography | Oliver Turchanyi |
Music by | Edmund Eysler |
Production company | Mondial-Film |
Release date |
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Running time | 100 minutes |
Country | Austria |
Languages |
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Oh, Dear Augustine (German : Oh, du lieber Augustin) is a 1922 Austrian silent film directed by Hans Karl Breslauer and starring Willi Forst. [1] [2] It takes its title from the popular Viennese song "Oh du lieber Augustin".
Fritz Schulz was a German and Austrian movie and stage actor, singer and director.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Wien-Film GmbH was a large Austrian film company, which in 1938 succeeded the Tobis-Sascha-Filmindustrie AG and lasted until 1985. Until 1945 the business was owned by the Cautio Trust Company, a subsidiary of the German Reichsfilmkammer, and was responsible for almost the entire production of films in the territory of the Ostmark, as Austria was called at that time.
Willi Forst, born Wilhelm Anton Frohs was an Austrian actor, screenwriter, film director, film producer and singer. As a debonair actor he was a darling of the German-speaking film audiences, as a director, one of the most significant makers of the Viennese period musical melodramas and comedies of the 1930s known as Wiener Filme. From the mid-1930s he also recorded many records, largely of sentimental Viennese songs, for the Odeon Records label owned by Carl Lindström AG.
The Sinner is a 1951 West German romantic drama film directed by Willi Forst and starring Hildegard Knef, Gustav Fröhlich and Änne Bruck.
Willy Schmidt-Gentner was one of the most successful German composers of film music in the history of German-language cinema. He moved to Vienna in 1933. At his most productive, he scored up to 10 films a year, including numerous classics and masterpieces of the German and Austrian cinema.
Lizzi Waldmüller was an Austrian singer and actress whose breakthrough to stardom came through her role as Rachel in the Willi Forst movie Bel Ami in 1939.
The Burning Secret is a 1933 Austrian-German drama film directed by Robert Siodmak and starring Alfred Abel, Hilde Wagener and Hans Joachim Schaufuß. It was based on the novella of the same title by Stefan Zweig. It was released by the German branch of Universal Pictures.
Gently My Songs Entreat is a 1933 Austrian-German musical film directed by Willi Forst and starring Marta Eggerth, Luise Ullrich and Hans Jaray. Art direction was by Julius von Borsody. The film is a biopic of the composer Franz Schubert (1797–1828). It was Forst's directorial debut. A British version was made called Unfinished Symphony. The German title refers to the first line of the Lied "Ständchen" (Serenade) from Schubert's collection Schwanengesang, "the most famous serenade in the world", which Eggerth performs in the film.
A Waltz by Strauss is a 1925 Austrian silent film directed by Max Neufeld and starring Eugen Neufeld, Tessy Harrison, and Svet Petrovich.
Vienna, City of My Dreams is a 1957 Austrian musical comedy film directed by Willi Forst and starring Adrian Hoven, Erika Remberg and Hertha Feiler.
Court Theatre is a 1936 Austrian drama film directed by Willi Forst and starring Werner Krauss, Carl Esmond and Hortense Raky.
Knall and Fall as Detectives is a 1953 Austrian-West German comedy film directed by Hans Heinrich and starring Hans Richter, Rudolf Carl, and Ingrid Lutz. It was made as a sequel to the 1952 film Knall and Fall as Imposters.
I Am Sebastian Ott is a 1939 German crime film directed by Willi Forst and starring Forst, Gustav Diessl and Trude Marlen. Some of the film was shot by the assistant director Viktor Becker.
Archduke John is a 1929 Austrian silent historical drama film directed by Max Neufeld and starring Igo Sym, Xenia Desni and Paul Biensfeldt. It portrays the life of Archduke John of Austria, a nineteenth century member of the Habsburg Dynasty.
Kissing Is No Sin is a 1950 Austrian-German comedy film directed by Hubert Marischka and starring Curd Jürgens, Hans Olden and Hans Moser. The film takes its title from the waltz "Küssen ist keine Sünd" in Edmund Eysler's 1903 operetta Bruder Straubinger and features the song in its soundtrack.
Our Crazy Nieces is a 1963 Austrian comedy film directed by Rolf Olsen and starring Gunther Philipp, Vivi Bach, and Paul Hörbiger. It was the second part in a trilogy of films which began with Our Crazy Aunts in 1961 and finished with Our Crazy Aunts in the South Seas.
In the Line of Duty is a 1917 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Wilhelm Klitsch, Marie Marchal and Karl Baumgartner.
Anny Miletty (1898–1948) was an Austrian film actress of the silent era, best known for her role in the 1924 film The City Without Jews. In 1925 she married the film director Hans Karl Breslauer and ended her film career.