Oh Baby (Don't Say No, Say Maybe) is a 1923 song by Walter Donaldson with lyrics by Buddy DeSylva. [1] On December 21, 1923 it was recorded by Frank Crummit, vocal and ukulele, accompanied by Phil Ohman on piano, in New York, for the Victor label. [2] That same December it was recorded by Billy Jones for the Banner label. Again for the Banner label it was recorded by the Lucky Strike Dance Orchestra in February 1924. [3] It was recorded by the Wolverine Orchestra on May 6, 1924 in Richmond, Indiana for the Gennett Label. [4] The Wolverine Orchestra was made up of Bix Beiderbecke on cornet, pianist Dick Voynow, trombonist Al Gandee, tenor saxophonist George Johnson, clarinetist Jimmy Hartwell, banjoist Bob Gillette, tuba player Min Leibrook, and drummer Vic Moore. [5] Three days later, again in the Gennett studio, it was recorded by Bailey's Lucky Seven. [6] It was recorded by Nathan Glantz and His Orchestra in March 1924 for the Emerson label. [7]
It should not be confused with the 1928 song "Oh Baby" by Owen Murphy.
This is a list of notable events in music that took place in the year 1923.
This is a list of notable events in music that took place in the year 1921.
Gennett was an American record company and label in Richmond, Indiana, United States, which flourished in the 1920s. Gennett produced some of the earliest recordings by Louis Armstrong, King Oliver, Bix Beiderbecke, and Hoagy Carmichael. Its roster also included Jelly Roll Morton, Blind Lemon Jefferson, Charley Patton, and Gene Autry.
Banner Records was an American record company and label in the 1920s and 1930s. It was created primarily for the S.S. Kresge Company, though it was employed as a budget label in other discount stores.
"How High the Moon" is a jazz standard with lyrics by Nancy Hamilton and music by Morgan Lewis. It was first featured in the 1940 Broadway revue Two for the Show, where it was sung by Alfred Drake and Frances Comstock. In Two for the Show, this was a rare serious moment in an otherwise humorous revue.
"Wheel of Fortune" is a popular song written by Bennie Benjamin and George David Weiss and published in 1951. It is best remembered in the 1952 hit version by Kay Starr.
"Again" is a popular song with music by Lionel Newman and words by Dorcas Cochran. It first appeared in the film Road House (1948), sung by Ida Lupino. An instrumental rendition was used in the movie Pickup on South Street (1953). By 1949, versions by Vic Damone, Doris Day, Tommy Dorsey, Gordon Jenkins, Vera Lynn, Art Mooney, and Mel Tormé all made the Billboard charts.
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy Whoopee!, which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play Simple Simon, which opened in February 1930.
"I'll Take You Home Again, Kathleen" is a popular song written by Thomas Paine Westendorf (1848–1923) in 1875.. In spite of its German-American origins, it is widely mistaken to be an Irish ballad.
"Tell Me Why" is a popular song written by Marty Gold with the lyrics by Al Alberts. The song was published in 1951.
This is a list of notable events in country music that took place in 1948.
"What'll I Do" is a song written by Irving Berlin in 1923. It was introduced by singers Grace Moore and John Steel late in the run of Berlin's third Music Box Revue and was also included in the following year's edition.
"Imagination" is a popular song with music written by Jimmy Van Heusen and the lyrics by Johnny Burke. The song was first published in 1940. The two best-selling versions were recorded by the orchestras of Glenn Miller and Tommy Dorsey in 1940.
"The Nearness of You" is a popular song written in 1937 by Hoagy Carmichael with lyrics by Ned Washington. Intended for an unproduced Paramount film titled Romance In The Rough, the studio's publishing division Famous Music reregistered and published the song in 1940. It was first recorded by Chick Bullock and his Orchestra on Vocalion. Despite numerous accounts to the contrary, the song was never scheduled for and does not appear in the 1938 Paramount film Romance in the Dark.
The United States based Bell Records record label started issuing records in about 1920. The label's parent company was the Standard Music Roll Company of Orange, New Jersey, which was also the parent of Arto Records. After Standard Music Roll got out of the disc record business in 1923, the label was continued by the Bell Record Corporation of Newark, New Jersey, using masters recorded by Emerson Records. In 1927 the source of Bell masters shifted to Gennett Records. The label went out of business in 1928.
This is a list of notable events in country music that took place in the year 1934.
"Mexicali Rose" is a popular song composed by bandleader and pianist Jack Breckenridge Tenney in the early 1920s, when he and his seven piece orchestra played the hotels and clubs of the Calexico and Mexicali border. The song became a hit in the mid-1930s, thanks to Gene Autry and Bing Crosby, around the same time that Tenney became a lawyer and was elected to the California State Assembly. Tenney was later appointed to head of the California Senate Factfinding Subcommittee on Un-American Activities.
"I'm Always Chasing Rainbows" is a popular Vaudeville song. The music is credited to Harry Carroll, but the melody is adapted from Fantaisie-Impromptu by Frédéric Chopin. The lyrics were written by Joseph McCarthy, and the song was published in 1917. It was introduced in the Broadway show Oh, Look! which opened in March 1918. The song was sung in the show by the Dolly Sisters. Judy Garland sang it in the 1941 film Ziegfeld Girl. It was subsequently sung by Jack Oakie in the 1944 film The Merry Monahans and was again featured in the 1945 film The Dolly Sisters, where it was sung by John Payne. It was also included for part of the run of the 1973 revival of Irene. Additionally, the pre-chorus would not have been included until later covers in the 1940s, where the song would gain it's iconic libretti.
The Wolverines were an American jazz band. They were one of the most successful territory bands of the American Midwest in the 1920s.
Copenhagen is a jazz standard composed in 1924 by bandleader Charlie Davis and first recorded in that year by the Wolverine Orchestra featuring Bix Beiderbecke in a foxtrot tempo. The title refers to Copenhagen tobacco, favored by Davis's bass player. Lyrics were added by Walter Melrose to the tune, which is a blues in B-flat.